$VER: Subculture 2.0 AT LAST!! ITS FINALLY FINISHED... WELCOME TO SUBCULTURE ISSUE 006... HELLO FRIENDS.. LFO HERE AGAIN! FINALLY I'M GLAD TO RELEASE THIS NEW ISSUE FROM ENGLAND!! OF COURSE YOU WILL NOW FIND MY NEW ADDRESS FOR SUPORTING IN THE ADVERT SECTION... SO BE KEWL!! I FIND AFTER MY LONG ABSENSE TO THE SCENE A FEW CHANGES.. SOME GROUPS HAVE LEFT FOR THE PC... I'LL MENTION NO NAMES.. SOME OTHER LARGER GROUPS HAVE HAD SHAKE UPS... BUT STILL THE SCENE IS ALIVE!! BUT IT SEEMS THAT MANY HAVE HAD THE LONG SUMMER BREAK.. AND WITH THE AUTUMN NOW AGAIN WE ALL RETURN TO OUR SWAPPING ACTIVITES... AT LEAST MOST OF US.. SOME THINGS HAVE CHANGED IN PHUTURE 303 TOO WITH THE MAIN THING BEING ANGELDUST ALIAS BEAVIS WHO IS NOW CURRENTLY SERVING IN THE ARMY..( GOOD LUCK MY FRIEND... HOPEFULLY HE WILL BE ABLE TO MANAGE A FEW MESSYS FOR SUBCULTURE.. WE WILL HAVE TO SEE..) THE OTHER CHANGE IS THAT STRIKER HAD TO CLOSE HIS BBS *EVIL DEAD*..( ..THINGS CHANGE BUT THEN THEY ALWAYS DO.. AT LEAST ITS GOOD TO SEE THAT THE AMIGA IS RETURNING AND SO HOPEFULLY OUR PHUTURE IS BRIGHT.. THE AMIGA SCENE WILL SURVIVE! I'M SURE OF THAT! ) OK SO I HOPE YOU ENJOY THE MUSIC THIS TIME!! AND THAT YOU WILL BE ABLE TO SPREAD THIS PRODUCTION TO AS MANY OF YOUR FRIENDS AS POSSIBLE!! OK SO BEFORE THE GREETINGS HERE ARE THE CREDITS FOR THIS KEWL PHUTURE 303 PRODUCTION CODE BY PARSEC CONCEPT/EDITING/MUSIC AND DESIGN BY LFO GFX BY BADGER AND SPECIAL THANKS TO GANGSTA/SCOOPEX FOR THE NEWS! NOW LETS JUMP TO THE GREETZ... THE FULL GROUP GREETZ FROM PHUTURE 303 GO SOMETHING LIKE THIS!!! *AMBROSIA* *ANATHEMA* *APEX* *APPENDIX* *BEATLESS* *BIZARE ARTS* *BLACK CODE DESIGN* *BONZAI BROTHERS* *CHAOS DESIGN* *CRAP!* *DEPTH* *DELIGHT* *DIFFUSION* *DISORDER* *EDGE* *ENERGY* *EXXON* *ELICMA* *FANATIC* *FLYING COWS INC* *FP/DESIRE* *HUMANS* *ILLUSION* *INTENSE* *IRIS* *MYSTIC* *MYTH* *NECROPOLIS* *NEO* *NEOPLASIA* *NGC* *PICCO* *RAM JAM* *RIOT* *REKTUM* *R.N.O* *SAE* *SARDONYX* *SCOOPEX* *SIMPLEX* *SPEEDY* *SPASM* *SQUASH* *SUSPIRIA* *SYNERGY* *SYNDROME* *TECHNOLOGY* *TRSI* *TFD* *VACUUM* *VAXINE* *WAVERIDERS* *THE INDEPENDANTS* *THE FORGOTTEN* *YOU* AND OF COURSE ALL MEMBERS OF *PHUTURE 303* OK SO THATS ALL FOR THIS SCROLL SEE YOU SOME TIME IN THE NOT TOO DISTANTPHUTURE BYE! LFO/PHUTURE 303 TEXT RESTARTS _______ ______________________ :::/ _____ \ / ____________________ \::: :::/ / \_\_\/ / \_ \_\_\_:: :::/ / / // / ________/ / / / /:: :::/ / /_/__/ _____/ / / / /::: ::/ / / \_ / _/ / / / /::: ::/ / / / // / / /:::: ::\ \____________/__/ //\__________/ / /::: :::\ \___________\__\/_\ \_________\/ /::: :::\________________/::\_______ScR__/:::: OF # # ## ## ## ### # ### ### #### # ## #### #### ##### ## ### ##### ##### ###### ### #### ###### ###### ####### ## #### ##### ####### ####### ####### ## ##### ###### ######## ####### ## ####### ## ###### ####### ###### ## ###### ## ####### ## ####### ## ###### ## ##### ## ####### ## ## ######## ## ###### ## #### ## ### ## ## ######### ## ############ ### ## ###### ##### ## ## ####### ## ## ############ ########## ## ###### ### ######### ####### ## ## ###### ######### ## ###### ### ######### ####### ###### ###### ####### #### ############# ### ##### ########### ## ###### ####### ### ############# ######### #### ############ ## ###### ####### ### ########### ######### #### ######### ## ###### ####### #### ######### ######### ## ######### ############# ###### ####### ##### ####### ######### ####### ## ############# ###### ####### ##### ##### ####### ####### ## ############ ###### ###### #### ### ##### ####### ## ########## #### ##### ### ### ####### ## ######## ## #### # ## ###### ###### ### ## # # ##### #### ## ### ## #### ## # #### ### ### ##### #### ## ###### ##### # ####### ###### ######## ####### ## # ######## ## ## ## ## ###### ## ## ####### ## ###### ######## ## ###### ## ###### ####### ## ## ###### ####### ### ###### ## ############# ### ## ############# ###### ############# ############# ###### ############# ########### ####### ############ ######### ###### ########## ####### #### ######## ##### ## ###### ### #### # ## PrOUDly PreSenTs....... ###### ##### #### ## ###### #### ### ## ## ## # ## ##### ##### ## # ##### ### ## ####### # # # ## ##### # # ## ### ## ## #### ### ## ###### ## # ## ## ### ## ## ## ## # ### #### ### ### ## ### ###### ### ## ## ## ### ## ## ### ## ## #### ## ######## ## #### ## ## ###### ## ### ## ### ## ### ## ### ###### ## ## ######## ####### ###### ###### ###### ###### ###### ###### ## ## ###### ###### ###### ###### ###### ###### ###### ##### ###### ### ### ##### WHAT IS IT?? TABLE OF CONTENTZ +------------------------------+ | I.WHAT IS IT?? | | | | II.WHERE CAN I GET IT?? | | | |III.WHAT SHALL I DO WITH IT?? | | | | IV.HOW DO I SUPPORT IT?? | +------------------------------+ I.WHAT IS IT?? -------------- a) SUBCULTURE is an open forum... b) SUBCULTURE is a sophisticated Digital to Analog converter... c) SUBCULTURE is a production from PHUTURE 303 d) How to control it... A) SUBCULTURE is an open forum... --------------------------------- You can send requests and have them included in Subculture..So that if you are searching for something in particular then other sceners will be able to see your requests and with some luck you will soon get that much sort after ware..And of course your advert will be included with your request...You can also leave mail in subculture (messages),for your other scene friends or sceners that haven't replied to your letters etc.. B) SUBCULTURE is a sophisticated Digital to Analog converter... --------------------------------------------------------------- As well as doing all the above wonderfull things,SUBCULTURE offers thousands of bytes of pure 8-bit Analog sounds produced by an intricate Digital system.The P-303 takes its sounds from early eighties synths,and drum machines previously made by ROLAND.These being the TB-303,SH-101,TR-909 to name a few.And converts these sounds to pure raw digital format.When you invoke SUBCULTURE the Low Frequency Oscilator kicks in and converts these digital Snapshots to pure Analog bliss and thus creates the distinctive sonic signature of the P-303. C) SUBCULTURE is a production from PHUTURE 303 ---------------------------------------------- Yep that's right! D) How to control it... ----------------------- - Everything can be done by either the mouse or the keyboard. IN THE MAIN MENU ~~~~~~~~~~~~~~~~ KEY FUNCTION ------------------------------------------ F1-F3 Select or restart a module 1-6 Select a text Cursor up/down Increase/Decrease volume Space Pause/resume module F Switch filter on/off Escape Exit A Change monoscope accuracy (25/50/100 or 200 %) M Change monoscope mode (Wrapped/Traditional/Special) If you want to cancel an already pressed (but not released) key, press shift... IN THE TEXT WRITER ~~~~~~~~~~~~~~~~~~ Escape or right mouse button returns to main menu. To scroll, drag the scrollbar or, Click over/under the scrollbar to scroll a page or, Press the left mouse button on the top/bottom of the screen or Use the cursor keys up/down... Press a shift key while scrolling to fastscroll (10 lines at a time) !!NEW FEATURES FOR THE TEXT READER!! Search function... press the s key and type a string to search for.The text will scroll as it scans for your input.When a match is found you are given the option `continue (y/n)'.You can now press y or n... could be handy in the messages-section ! At the moment only A-Z and 0-9 can be typed in. The text position (start line) is set to 0 only when a NEW text is selected. (in other words if you are reading some text and wish to change the music, and return to the same page you were last reading then the position you were last at is saved!!) Combine cursor up/down with ctrl and the text will go to the top or bottom. ***************************************************************************** II.WHERE CAN I GET IT?? ------------------------ You can get it from your letter box...ok so if you are not one of my contacts then write to me and you'll get it for sure...otherwise if you are one of my friends then you have it already!! ***************************************************************************** III.WHAT SHALL I DO WITH IT?? ---------------------------- Now that's a tough question huh?? na!! read it,spread it and above all support it!! ***************************************************************************** IV.HOW DO I SUPPORT IT?? ----------------------- Ok so this is the easy bit...all you have to do is send your messages, advert and of course your requests...And in the next issue your adverts,messages,requests will appear.......and look out for SubVerter.exe which makes it just a bit easier to vote in this and many other charts. Ok so find an envelope and wrtite to me here.. :: :: :: _::_ \  / \/ ______________________________________ _____ _____ _____ \____ \ / / /__ __// \___ \_ ___/ /__ // _ //__ / / ____/ / / / / / / _ _/ __/_ _/_ // / /_/_ / /__//__/__/_____/__/_____/__/ /_____/ / / //____// / / =[LFO]======================/__/========/____/======/____/=== LFO/PHUTURE 303 WHQ 135 STOURTON AVE HANWORTH MIDDX TW13 6LD ENGLAND !100% to disk senders!  ###### ##### #### ## ###### #### ### ## ## ## # ## ##### ##### ## # ##### ### ## ####### # # # ## ##### # # ## ### ## ## #### ### ## ###### ## # ## ## ### ## ## ## ## # ### #### ### ### ## ### ###### ### ## ## ## ### ## ## ### ## ## #### ## ######## ## #### ## ## ###### ## ### ## ### ## ### ## ### ###### ## ## ######## ####### ###### ###### ###### ###### ###### ###### ## ## ###### ###### ###### ###### ###### ###### ###### ##### ###### ### ### ##### SUB-MAG TABLE OF CONTENTS ~~~~~~~~~~~~~~~~~~~~~~~~~ Scene News...................................collected by GANGSTA/SCOOPEX Alien Encounters.................................Typed by LFO/PHUTURE 303 Avoid Foul Language!....................................by Phillip Hebbes Fun with AGA!......................................AGA coding tips by ??? cnf666_introduction.txt.......................Typed by PARSEC/PHUTURE 303 cnf666_preface.txt............................Typed by PARSEC/PHUTURE 303 cnf666_chapter87.txt..........................Typed by PARSEC/PHUTURE 303 cnf666_prelude.txt............................Typed by PARSEC/PHUTURE 303 #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## # ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### :________ | /_________ _ ______ ____________ _ ______ | /_\_______/// /______\__ _______///__ _ __ _/_ _ \| / ______)___ / /________ _/__ _ _ _ ___ ¯\ \_ / \/¯ / _/\_ / ¯\/ ___ __ _ /________\ _________ /______/\_______/_______ / `--------¯\__/-----¯\_____/---------------------¯\_____/-g! collected by Gangsta/Scoopex Headlines: ---------- - VD/FLT left for the PC scene, or not ? - Lemon. is back with Face-T and SuperNao ! - Rebels are dead ! - Mad Elks are back, or not ? - Upstream is dead forever ! - Pride/Stellar left the scene ! Absolute: --------- - Musashi (Code) joined in Poland - Edge is back and works on a 40k Intro for GASP - Scorpik (Music) joined in Poland Abyss: ------ - Moon (Gfx) joined Kinky as double-member - Sting (Swap) joined from Bonzai Bros. - Qwerty sold his Amiga and left the scene Agoa: ----- - Iceman (Music) left for Dylem Alcatraz: --------- - Brainbug (Music) left for Talent Ambrosia: --------- - Spiderwork, Mr.Salinas, The Crow, Kallestrup and Jolly got kicked, Jaxx left to become independant - Raze and Drac are now the new organizers - Cyboman joined from Balance as a musican and graphician - Raivo joined from Black Jack as a coder - Tricktrax joined from Tribe as a musician Anathema: --------- - Steve Jones renamed to Penny - Musicdisk "Channel 4" was released Animators: ---------- - They are working on `Roll Or Die II` - Exhorder and Horny joined from Anthrox - Jack Danielz (SysOp) joined with his bbs `State of Adversia` Anthrox: -------- - Exhorder and Horny left for Animators Appendix: -------- - CIE (Music) left for Phuture 303 Applause: --------- - Snoop (Swap) sold his Amiga and left the scene Artwork: -------- - Azure joined as double-member from Bizarre Arts - Trasher joined from Sanity as Triple-Member Balance: -------- - Cyboman (Music, Gfx) left for Ambrosia - Atheist. Grid, Vicious, Pantera and Excel joined from Sunshine Prods. - Fizban (Code) left the scene - Confidence joined from Duplo - Roland (Sysop) left them - Deelite (Music) joined from Razro1911 as double-member - 2 coders joined from Focus Design in Denmark - Upstream is dead! Banana Dezign: -------------- - Blue Deville (Gfx), Alpha (Music) and Saracen left for Talent Basement: --------- - A new group formed by TbM, Phase and Reverend D - Phase left for Insane but got kicked a week later Beatless: --------- - Their coder left for Balance - Note and Iz left for Giants - Braindead left for Insane - Iz, Not, leprechaun, McPudel and Fugazi left for Giants - They are dead ! Bizarre Arts: ------------- - The `Disable` bbs got kicked - Azure (Code) joined Artwork as double-member - Sid and Dano got kicked - Rave left the scene! - Deetz (Code) joined Black Jack: ----------- - Black Jack is dead ! - Raivo (Code) left for Ambrosia - Best members formed a new group named `Innocence` - Addbox will now be released under the Innocence-Label Bomb: ----- - Made (Gfx) joined from Scoopex - Trasher joined as triple member Bonzai Bros.: ------------- - Sting (Swap) left for Abyss - Ghandy (Swap) and Toaster (Code) left for Gods - Gonzo, Maxx and Powl left for Illusion - MDB left the scene Boom Design: ------------ - Hunter is back after 1 year break from the scene! Casyopea: --------- - Bartesek left for Mystic Citron.: -------- - Electron joined Sardonyx as double-member Complex: -------- - Eloy left in France for Scoopex Damage: ------- - MGL left for Mad Elks - Action joined from Mad Elks Defiance: --------- - Plugster left with his mag `BuZz` to be independant Depth: ------ - Icebreaker (Swap) joined in Finland as SFHQ - Picasso (Gfx) renamed to Folcka - Snowman (Raytrace) joined in Denmark - The Coolest (Code, Music) joined in Norway - The Paranoid (Music, Trade) joined - Fly (Gfx), Suare (Gfx) and Doc (Swap) joined - Kaze (Gfx, Swap) rejoined as SwedenHQ - LA (Music) and Droopy (Code) joined - Droopy (Code) renamed to Pennywise - Iro joined in Germany as swapper from Riot Dreamdealers: ------------- - Fletch is back on the Amiga again Dual 4 Mat: ----------- - Rebellion left for Maniacs Duplo: ------ - Confidence left for Balance - Spot left Giants - They are dead! Dylem: ------ - Sear (Gfx) and Bacalao (Music) of ex-Spasm formed this new group! - Iceman (Music) joined from Agoa Eltech: ------- - D-Code (Gfx, Swap) joined - Geir did not join Eltech - Kurgan, Mr.Anonym, Sheela and Tipper got kicked - The Sugar Cubes are dead - Skinner is an Eltech member only - Mr.Anonym was kicked due to his inactivity - Aquafresh joined from Mellow as musician Energy: ------- - Action left for Mad Elks Epsilon Design: --------------- - Crusader joined as triple-member! - Twister joined with his board Flashback - The board Terminal Silence joined - Splat joined is handle to Desoto Essence: -------- - Excess joined as raytracer from Rebels Flying Cows Inc.: ----------------- - All foreign members got kicked ! - Danny Kane rejoined as swapper and new FinHQ - Substance joined as a musician - Grand joined as a graphician Freezers: --------- - Reverend D, TbM and Phase left to form Basement - Delery/ex-Silents joined as a coder in Sweden - Marillion rejoined - Dsx-Design/TRSI joined as a musician Funzine: ------- - Skowron joined from Absolute! Giants: ------- - D-Coy is back in the scene! - Spot joined from Duplo - Fender joined from Yodel - Avenger (Swap) got kicked ! - Iz, Note, Leprechaun, McPudel and Fugazi joined from Beatless - Penta (Gfx) joined - Copy (Code) joined Gods: ----- - Ghandy and Toaster joined from Bonzai Bros. Illusion: --------- - Astaroth left and joined Mad Elks in Poland - Gonzo, Maxx and Powl joined from Bonzai Bros. Innocence: ---------- - A new group formed by former Black Jack-members - Addbox will now be released under the Innocence-Label Insane: ------- - Braindead joined from Beatless Iris: ----- - Adonis left for Mad Elks - Peace left the scene Jewels: ------- - Steffen joined from Parasite as swapper & modemtrader Kinky: ------ - Most members are double-members ! - Moon/Abyss (Gfx) joined as double-member - Cro/Cydonia, Realitor/Eltech joined as double-member - Devistator/Neo (Swap) joined as double-member Ladybird Design: ---------------- - Maiy (ex.Picco/Swap) joined Lemon.: ------- - SuperNao and Face-T rebuild Lemon. Mad Elks: --------- - They are reborn ! - The organiser is Iron/Ex-TRSI (Swap) - Alice (Swap) joined - Sonic (Music) joined in Germany - Bethoven (Music) joined from Freezers as double-member - Action (Swap) joined from Energy - Omega (Gfx) joined from Rektum - Adonis (Swap, Editor) joined as Mad Elks DanishHQ - MGL (Music) joined from Damage Majic12: -------- - They release the 17th issue of hungarian Top Secret - the staff is looking for a maineditor for continuing the english version ! - 243 (SysOp) joined in Australia as OZ HQ - Zozo completely stopped swapping Maniacs: -------- - Rebellion joined as graphician from Dual 4 Mat - Kaoz! renamed to Jive - Saurian quit the scene Mellow: ------- - Sascha (Swap) joined as double-member from Talent - Aquafresh (Music) joined in England - Aquafresh left for Eltech Melon Design: ------------- - Vegard and Benjamin joined from Scoopex Mirage: ------- - Sascha (Swap) left for Talent - Magic left to be independant. He joined the Upstream staff in June and quitted his work for Chit Chat - Danny joined from Spaceballs as a double-member Muffbusters: ------------ - Musci and Gyu opened their bbs called `In The Kitchen` (Mb WhQ) Mystic: ------- - Bartesek joined from Casyopea as musician - The Knight joined from Obsession Neo: ---- - Scitzo (Code, Gfx) joined - Devistator joined Kinky as double-member - Watts has left the scene temporary - Thyrm (Swap) joined from Parasite - Wobber (Music, Swap) joined from Technology - Enzyme (Swap, Music) joined from Saints as new Fin-HQ - Glow (Music, Swap) joined in Finland - Candyman left for OTT - Mojo (Gfx) rejoined Neoplasia: ---------- - JCS won the S.I.H. II graphic competition! - Vizerion (Gfx) left the scene - Beavis (Swap) left for Phuture 303 - Butthead (Gfx) rejoined Neoplasia - Marc (Music) joined from Sector 7 as double-member - HJE (Music) joined Nova: ----- - Bluesilence re-joined as musician - They`re preparing a demo for SaturneIII - Bluesilence left them for Syndrome Obsession: ---------- - The Knight left for Mystic Ozone Free: ----------- - Seq joined from TRSI as graphician Pagan: ------ - Stone left the scene! Parasite: --------- - Thyrm (Swap) left for Neo - Steffen left Jewels Passion: -------- - Zarch and Xman joined from Triflex+Addonic - Pearl stopped mail-swapping ! Phuture 303: ------------ - Beavis (Swap) joined from Neoplasia and is the new GermanHQ - Parsec/ex-Alcatraz (Code) joined in Sweden - Damien (Swap), Axehandle (Code) joined - B.A.S.E. (Swap), Cyclone (Swap) and Clever (Swap) joined in Germany - CIE (Music) joined from Appendix - Zapotek got kicked - Evil Dead is now off line - Beavis renamed to AngelDust - AngelDust is currently doing his military service =( - Nemesis/RNO (gfx) joined as a doublemember in England Prestige: --------- - Coolorado is NOT the guilty person behind the Eleni viruses. It is just a lie spread by Zerox/Gods Pygmy Projects: --------------- - Jester joined from Sanity Ram Jam: -------- - Messerschmitt is back and searches for a group! Razor 1911: ----------- - Colorbird left for Scoopex - Deelite (Music) joined Balance as double-member Rebels: ------- - Rumours say that Chromag left the scene ! - Melvin renamed to Weezer and left the scene - Exciter, Nighthawk, Zulu and Grey left the scene ! - Rebels are Dead ! - Excess joined Essence Rektum: ------- - Omega (Gfx) left for Mad Elks Riot: ----- - Darkman (Music) and 711 joined - Seven Eleven joined from Tribe Saints: ------- - Enzyme (Swap, Music) left for Neo Sanity: ------- - Jester left for Pygmy Projects - Chaos quitted the scene - Trasher joined Artwork as Double-Member Sardonyx: --------- - Malakai (Swap) joined as the new organiser of Sardonyx Norway - Tyneo (Gfx) and Kan (Swap) joined - Blade, Dazz, The Wizz, Mundgor, Ola Thörn and Bacon got kicked - GNO renamed to Fishwave and stopped swapping; he`s now only an editor for their new mag called `Seenpoint` - `Antarctic Station` (SysOp Maxwell/Supreme) is the Sardonyy GHQ - XTC (Music, Gfx), O`real (Swap), Ralph (Trade, Gfx), Jerry (Trade, Music), Junkhead (Music), Smigel (Trade) , Stig (Music) and Stein (Music) all joined in Norway - Electron joined as graphician from Citron. as double-member Scoopex: -------- - Akiro & Dr.Poop are now the WorldHQ for the Scoopex Crack Section - NTSC joined from HOODLUM as trainer, coder and supplier - Mad Butcher joined as Hardware Supplier in Germany ! - Colorbird joined from RAZOR 1911 in Sweden ! - Made left for BOMB in France ! So, we are looking for new talented graphicians anywhere in Europe ! - Voyage joined as SysOp of `Another World` - Vegard and Benjamin left for Melon Dezign - Eloy joined in France from Complex as musician Scope: ------ - Qwerty (Swap) and Snoopy (Music) left for Abyss Sector 7: --------- - Marc (Music) joined Neoplasia as double-member Spaceballs: ----------- - Danny (gfx) joined Mirage as a double-member Spasm: ------ - Sear (Gfx) and Bacalao (Music) left to form a new group called Dylem - Amigos (Music) joined - Suicyco (Swp) joined from Unlimited - Alhazred stopped swapping with most of his contacts Stellar: -------- - Pride left the scene after 9 years! Steroid: -------- - They are dead ! Codex (main coder) refused working further on any big scene projects. Sunshine Producitons: --------------------- - Atheist, Grid, Vicious, Pantera and Excel left for Balance Surprise Productions: --------------------- - 2 hot 4 u joined as sysop with his board The laughting acadamy - The Trickster renamed to Tal - General Lee (Swap) left for Mad Elks Syndrome: --------- - Blue Silence joined as a musician from Nova - They have made 2nd place at the GASP Party Talent: ------- - Blue Deville (Gfx), Alpha (Music) and Saracen (Swap) joined from Banana Dezign - Brainbug (Music) joined from Alcatraz - Sascha (Swap) joined from Mirage - Sascha (Swap) joined Mellow as double-member Technology: ----------- - Wobber (Music, Swap) left for Neo Tribe: ------ - Vader, Extasy, Cherokee Heptagon left the scene ! - Tricktrax (Music) left for Ambrosia - Tribe is dead ! Triflex+Addonic: ---------------- - Zarch and Xman left for Passion TRSI: ----- - Christopher and NHP are NOT TRSI-members ! They have joined Scoopex a quite long time ago - other statements are simply false. - The first CD from the TRSI Record-label `Cyberlogik` is relased now! - TRSI Poland has been totally re-organized - Seq left for Ozone Free - Iron had to go away and joined Mad Elks as WHQ - Leviathan left the scene - Greg/ex-Anathema joined as a new coder - They have got a new sub group formed by Norby, Dreamer, Lazur and some others called `Nah-Kolor` Unlimited: ---------- - Suicyco (Swap) left for Spasm Vacuum: ------- - Qix (Swap), Mat (Raytrace), Ania (Bartman`s girlfriend - nice fun- ction -.ed) and Sixtus (Music) joined Virtual Dreams/FLT: ------------------- - The whole crew left the Amiga Scene and joined the PC Scene; only SuperNao and Face-T stayed alive on the Amiga ! - SuperNao and Face-T rebuilt Lemon. Yodel: ------ - Fender left for Giants #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## # ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### é÷ ÜŨÊ×Ê×ã³àìóã é÷¾ìýõÞÜŨÊ×ã³àìóãÉåÑíËû Øç·°î£Þ¢â×誻¸÷§´âμÑû±ÈëÈùÞûõ Ùêç˶ÜÃí¨é÷¾ÍøÝæ¢ýȱÐÇõáßӬѿòÝÃ̸ äÏèÒ¬Àæ±¢ýïï®þبóæ֧ҧܢªÉÑ磹±¤ÛÑ ö­õ®¼éÔ¦´«ºàôâ¿ûÕ;÷ÈŵßäÐÓé¾é²±Â¥´ôß¿ ØÃýÈÄí¥·ï¤¹ë·ù¡Ê»òýþñ¦ËÂÉÃʧùÞ«¼·É«ß¥Ï¡ô ýȭ¨±º¸´ã×Öίĸּ¸±­¿¥ªªÐÔ«´ÂÚꧽÆÐÝÜûåé© ù¶ÁËËÇôºÉõÔËí±¢æûƼÊᳺþà𿢯±Ì¦²³¯Õéºõó«ü óÁ¾âÅÕÁÆÆü±ÖÙ«À̸æÓÕ¥÷áßĺơ©ýó¶µñÉÑõÂï×¨Ò Üöëު͡ÆÈáúÈ·¶¬©æʼΪ¿ë®ÍÑŲ¥ÎíÃãݽº°Ü²îò· Æçð¦¬Öçû¾ä¡¸¬èÐÃݽý®õ«¬òÄåÄóÊÏï¿Þ¿¡Çåǽ÷»Ë óë×ÍèöÔ¼£ïꨱÚÄÖ¸ç¿úÉåÞ­é¾Û¸±ïï¹ýñõíõÛ²øá Öå£Ä­ÓíÇðäØìºÂÖÑç«æ­Îõô¸ÂɬÆýÀ´ÒßתöÞ¤í ©½áΪý©©» Åã©Í¨ÁÛÔÙ«ôÛóýØùö±ª íÆÂäõù÷òÒ Áß»¹ÏÑÒµ øß®ù³Ð¡ÃêÅ ¤ ±ºüå¨Úúñ üÔëÉàêÈê ¹îó½¤ß Ïì ÷£ª¤à궱 âìÐéäÂû Å¥ÍÈ ¦¨ØÄÕÞæ ¶ õÉû㧩 ¸çª© ð½²æÓà· §ª ÊÔùÝÝ ®åùÖ ÛÛͽà Ðç Ô©Àá¹Ô §ûȼòâ ЮÂäã ¡Þ ÖÑõÄõµÝ¨öÝæ©À¶îÅ·¢é¡ò¾ç Çŵ ¹ýçüñêõÔø ÓìÚÏ»«§³Áê ýÓ·Å­Ý ÌêÄýßì³ùùÍôÓï¬Ýß­ïò Ü÷ü÷¸²× ÂéÉ³ìª À¯Âç±ñ ÖÐÐêÔó¾ غٴåë¨ç£Æ÷ã· ûòÝ ßâøýïüêí¯ ý£ò ýçÙ¾ÝÆÛÔê½ú éÂðöÏà°¡ç½Ýä¿Â²«ÞÎÕݼàÊ¥¼åå²â ¨ôØïø©ß÷¬Ð¢ÙÉÏƱåØç³áªúéíðÞÛ¡Þ =[LFO]= ALIEN ENCOUNTERS BY LFO/PHUTURE 303 =================================== In recent months many of us have seen Aliens being disected on an operating table,in a film that was suposedly taken in 1947.When i first saw this i was facinated.Could this be true?? Well the film is PROBALLY a hoax! I say probally because you never know! Well all this led to me,while at the library looking for C programming books,finding myself in the Paranormal section. And thus i was keen to find some books on the subject of UFO's and more in particular the so-called `Roswell-Incident'.I came across some (at times) rather disturbing information.Rather than keep it to myself i compiled some of it here for your own speculation. In the last few years,a considerable amount of new information relating to the retrival of crashed UFOs and their occupants has come to light, adding weight to the growing body of evidence that there is a factual basis for what has hitherto seemed a fantastic improbability. In the majority of cases where bodies are recovered, the aliens are described as being of the small variety, and of all such reported incidents, the so-called Roswell incident of July 1947 has become one of the best documented and throughly investigated cases in UFO history. Stanton Friedman and William Moore have now contacted over 160 witnesses who were directly or indirectly associated with the incident, and other reserchers, such as Leonard Stringfield, Kevin Randle and Don Schmitt, have located additional witnesses, including aircrew members who transported the wreckage, bringing the total number of witnesses to 200. An early press release only a few days after the crash claimed that a flying disc had been recovered, but on the same day this statement was made, it was retracted and the object was said to be nothing more than a weather ballon. However, great efforts were made by the military to retrive all the pieces and to keep details of it secret, and this has naturally led to continuing belief that it really was an alien spacecraft that crashed in the desert. Resercher Ron Schaffner has suggested that a more plausible explanation in that it was debris from a crashed V-2 rocket.The Army ordinace Department fired 103 missiles during the ten year from 1945 to 1955, including 67 German V-2 rockets at White Sands, and several of these went astray. Schaffner belives that the military wanted to keep their activites secret and so devised a highly successful misinformation plan, involving UFO reports that were hushed up.Schaffner commented, `...Actually it is a cover-up twice over, much like a double agent. It is an excelent ploy and has worked for nearly forty years...' Of course Schaffner's theroy is controversial, many reserchers resolutely hold on to their beleif that the first press release told the true story,and that somewhere the government has at least one crased UFO hidden away. The evidence now suggests that there were two seperate crashes in New Mexico during the first week of July 1947, and that both possibly involved the recovery of alien bodies. In the best-known incident, scattered wreckage was discovered on `Mac' Brazel's ranch near Corona, 75 miles north-west of Roswell, as has been confirmed by Major Jesse Marcel, the intelligence officer from Roswell Army Air Field who was in charge of the recovery operation.Marcel found no bodies at this location, but stated emphatically that the material he handled was like nothing on Earth. One piece of a metal foil-like material was so durable, he said, that it could not be dented with a 16-pound sledgehammer, despite its incredible lightness. Marcel's son, Jesse Marcel MD, also handled some pieces of the wreckage that his father had brought home with him, as he described to Lee Graham in 1981: `...the crash and remnants of the device that i happened to be present to see have left an imprint on my memory that can never be forgotten. I am currently undergoing training as a Flight Surgeon in the Army National Guard and have examined the remnants of many conventional aircraft that have undergone unfortunate manoeuvres, and what i saw in 1947 is unlike any of the current aircraft ruinage i have studied.This craft was not conventional in any sense of the word, in that the remnants were most likely [of] what was then known as a flying saucer that apparently had been stressed beyond its designed capabilites. I'm basing this on the fact that many of the remnants...had strange hieroglyphic-type writing symbols across the inner surfaces....' Strange `hieroglyphic-type' symbols have been reported in other cases, such as the incident involving the recovery by the military of an unidentified object that was found half embedded in the ground near Kecksburg, Pennsylvania, on 9 December 1965, following sightings by numerous witnesses of a UFO heading towards that vicinity.The object was first seen streaking across the sky, with thousands from Michigan to New York witnessing a brilliant ball of fire which left a smoke trail, visible for about twenty minutes after it passed.Many including pilots who observed it, thought it was an aircraft which was on fire. Reports of debris from the object were made in many states, and an Ohio fire department was called to extingquish ten small fires in an area where witnesses said they saw flaming fragments falling from the sky. Shock waves were also reported by pilots, and seismograph near Detroit recorded a shock..A young fireman was one of those called in to search for the object, thought to be an aircraft.He remembered, `...It was getting semi-dusk and we had flashlights. We were taken in the back of a truck and dropped off and told to go `this way', which we did. I was not on the initial contact team. Another team found the object.It was definately, unequivocally, positively, absolutely no aircraft, plane, helicopter or rocket, at least not to my knowlege. It was in an area that was part field and part woods and we went down to investigate...' and one of those who observed the object at close quarters described a ring or bumper-like structure about 8 to 10 inches wide that seemed to cover the circumference of the `acorn-shaped' object, and had what looked like Egyptian hieroglyphics on it: characters of broken and straight lines, dots, rectangles and circles. Asked by Leonard Stringfield if the symbols could possibly have been russian, the witness, Jim Romansky, replied, `..No Way! I'm of Russian-Polish descent and can read Russian. It was not Russian, nor American. I'll stake my life on it: the object was not man-made...' Slowly but surely the evidence is accumulating that the various extraordinary incidents associated with this and other cases including the Roswell-Incident have a basis in fact.One witness a former Air Force Lieutenant Colonel Robert Bowker, who at one time had been with the Communications Division of the Air Technical Intelligence Command at Wright-Patterson Air Force Base said: `...Over the years i have heard rumours galore, fully substantiating my belief in the reality of UFOs and the sometimes pitiful efforts of the Esablishment to cover them up, and i have seen two myself. Recently, i sent a copy of the MJ-12 document (the MJ-12 document is supposedly disinformation...more on this later) to a friend in Arizona, who showed it to another there (whose) uncle worked at Wright-Patterson Air Force Base as a welder at the time that the artifacts from the 1947 New Mexico crash were being analyzed, and was given a piece of it to melt with his equipment. He was was unable to produce a flame hot enough for the task!...' The much-maligned Frank Scully, author of the 1950 book `Behind the Flying Saucers', described how he had handled some `gears' that had come from a recovered craft. `...More than 150 tests had failed to break down the metal of the gears.The gears themselves were of a ratio unfamilier to engineers on this earth; had no play and no lubrication...' It is therefore illuminating to learn of corroborative evidence supplied by Robert Bowker. `...Years ago, i had an engineer at Wright-Patterson Air Force Base approach me while i was on Active Duty and tell me about an investigation he was involved in of a gear fragment that turned out to entail Rare Earth elements in a quantity impossible on this planet for gear manufacture, and (was) not of the mathematical (cyloid) design our gears use, but one using a strange 3-level digital form...' THE NEW MEXICO ALIENS ===================== Alien bodies from one of the 1947 crashes were allegedly recovered near Magdalena, on the Plains of San Augustin, west of Socorro, New Mexico, about 150 miles west of Brazel's ranch near Corona. One witness was Grady L. Barnett, a civil engineer with the US Soil Conservation Service who was on a military assignment at the time. Barnett claimed to have come across a metallic, disc shaped aircraft about 25 or 30 feet in diameter, together with apparently dead bodies. `...They were like humans but they were not humans.The heads were round, the eyes were small, and they had no hair. The eyes were oddly spaced. They were quite small by our standards and their heads were larger in proportion to their bodies than ours. Their clothing seemed to be one-piece and grey in colour. You couldn't see any zippers, belts or buttons...' Sergeant Melvin E. Brown was stationed at Roswell Army Airfield at the time of the crashes in July 1947. Not only did he stand guard outside a hanger where the recovered material was temporarily stored, but also claimed to have observed some alien bodies, as Beverly Bean, one of his daughters said: `....Dad was reading this article in the Daily Mirror in the late 1970s, i think, and he said, "i was there!", pointing to this article. He said it was all true apart from one fact. He told us afterwards that any men available were taken to this site. They had to form a ring around whatever it was they had to cover, and everything was put on trucks. They were told not to look and to take no notice, and were sworn to secrecy. I can remember my Dad saying he couldn't understand why they wanted refrigerated trucks. And him and another guy had to sit on the back of a truck to take this stuff to a hanger. They were packed in ice. And he lifted up the tarpaulin and looked in, and saw three (or possibly two) dead bodies. He told us they were nothing to be scared of. They were friendly-looking and had nice faces. They looked Asian, he said, but had larger heads and no hair. They looked a yellowy colour. He was frightened a bit because he knew he shouldn't be doing it, so he only had a quick glimpse. But he said they could have passed for Chinese - they had slanted eyes. And he had to stand guard duty out side this hangar, and his commanding officer came up and said "I want to have a look in. Let's both have a look inside!" So they both went into the hangar, and they didn't see anything, as everything was packed away for storage to be flown out the next day.....' Melvin Brown was additionally engaged in espionage work. He also knew both Major Jesse Marcel and General Nathan Twining, commanding-General of Air Materiel Command at the time of the Roswell incident. THE MAJESTIC-12 DOCUMENT ======================== According to the controversial Majestic-12 document (MJ-12), which purports to be a 1952 preliminary briefing document for President-elect Eisenhower, four bodies from the Corona crash were recovered 2 miles east of the wreckage site at Brazel's ranch, and all were described as `dead and badly decomposed due to action by predators and exposure to the elements during the approximately one-week period before their discovery...Given the rather spurious nature of the MJ-12 document, this may well be disinformation to cover up the more sensational reports. Alternatively, it is possible that four `badly decomposed' bodies were indeed recovered by the military, especially since the evidence indicates that two such incidents occurred, and that Eisenhower was not fully apprasied of these facts until later. Page two of the MJ-12 briefing paper emphasizes that the document `has been prepared as a preliminary briefing only. It should be regarded as introductory to a full operations briefing intended to follow.' To Be Continued! #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## # ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### AVOID FOUL LANGUAGE! (D.A) - enrich your diction with these tips -------------------- From: Philip Hebbes ------------------- It has been brought to management's attention that some individuals throughout the company have been using foul language during the course of normal conversation with other employees. Due to complaints received from some employees who are more easily offended, this type of language will no longer be tolerated. None the less we do realize the critical importance of individuals being able to properly express their feelings when communicating with fellow employees. Therefore, a list of code phrase replacements has been compiled so proper exchange of ideas and information can continue in an effective manner without risk of offending our more sensitive co-workers. OLD PHRASE PREFERED NEW PHRASE No fucking way! I'm certain that's not feasible. You've got to be shitting me. Really? Tell someone who gives a fuck. Perhaps you should check with... Ask me if I give a fuck. Of course I'm concerned. It's not my fucking problem. I wasn't involved with that project. What the fuck? Interesting. Fuck it, it won't work. I'm not sure I can implement this. Why the fuck didn't you tell me that I'll try to schedule that. sooner? When the fuck do you expect me to do Perhaps I can work late. this? Who the fuck cares? Are you sure this is a problem? He's get his head up his ass. He's not familiar with the problem. Eat shit! You don't say. Eat shit and die. Excuse me? Eat shit and die motherfucker. Excuse me Sir? What the fuck do they want from my life? They weren't happy with it? Kiss my ass. So you'd like my help with it? Fuck it, I'm on salary. I don't think you understand. Shove it up your ass. I love a "challenge". Who the hell died and made you the boss? You want me to take care of this. Blow me. I see. Blow yourself. Do you see? Another fucking meeting? Yes, we really should discuss this. I really don't give a shit. I don't think it will be a problem. He's a fucking prick. He's somewhat insensitive. She's a ball-breaking bitch. She's an aggfressive go-getter. You don't know what the fuck you're doing. I think you could use more training. This place is all fucked up. We're a little disorganized. #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## # ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### Fun with AGA! Experiment & Reap the Rewards! ============================================ Okay , you guys want some more free rasters? Want more copper colours per each raster line? Well you could always try playing with the following AGA registers (and don`t forget to look at the the others too!)... Please don`t mail me with questions about them... Experiment! Work it out for yourselves! Also take care as your demos and games will have to work on T.V.`s as well as your multisync`s Okay here goes; ;------------------------ lea _custom,a6 move.w #$????,vbstrt(a6) ** vertical line for VBLANK start.. move.w #$????,vbstop(a6) ** vertical line for VBLANK end.. move.w #$????,vsstrt(a6) move.w #$????,vsstop(a6) move.w #$????,hsstrt(a6) move.w #$????,hsstop(a6) move.w #$????,hbstrt(a6) move.w #$????,hbstop(a6) move.w #$????,vtotal(a6) move.w #$????,htotal(a6) ** refresh rate = 50*312.5/n Hz move.w #$????,beamcon0(a6) move.w hhposr(a6),Dn move.w #$????,hhposw(a6) ;---------------------- Have fun! #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## # ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * ... * * ::::::.::::::. :::::::. .:: ::::::. .::::. ::: * * .::.::'.::..:: .::..::' ...`::..::..'' .::. `' * * ::: :::: ::::::: `::.::::::'::::.::.::::::' ::: * * .................................................. * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * cnf666_introduction.txt Typed by Parsec/Phuture 303 Aleister Crowley and The Law of Thelema It is reasonably clear from the introduction to this work that John Symonds does not accept the Law of Thelema. On this point we are at variance. Furthermore, I think that The Book of the Law contains the key to the principal occult mysteries of the present age. Kenneth Grant Introduction, the mind and mask of Aleister Crowley Among Aleister Crowley's papers I found a letter addressed to him by a stranger, asking for permission to attend his next Black Mass or next sabbath which, the writer presumed, would take place on Midsummer Eve. A stamped and addressed envelope (it was mentioned) was enclosed for Crowley's reply. His reply, if he did reply, was bound to be disappointing, for he was not at that time - May 1937 - putting on any more Black Masses or attending any sabbaths. In point of fact, he never attended sabbaths - he was not a witch - and the Masses that he performed were not, technically speaking, Black Masses{*1}, but that kind of thing was expected of him by the public at large. In 1947 he died, aged seventy-two. And recently those gifted young men, the Beatles, have added him to their escutcheon: Crowley stands between an Indian holy man (unnamed) and Mae West in a composite photograph of `People we like' which decorates the sleeve of the Beatles' long-playing record, `Sgt. Pepper's Lonely Hearts Club Band'{*2}. Crowley was the head of two major magical organizations and of several minor ones; he was the author of a brilliant book called Magick, which is a manual for those who wish to practise this difficult and dangerous art{*3}; and he was in the tradition of the great magicians of the past - Dr Johan Dee, Cagliostro, Count Saint-Germain, Eliphas Lévi, Madame Blavatsky. He was born in 1875. Two other events of significance to occultists happened in that year: the Theosophical Society was founded by Madame Blavatsky and others, and Eliphas Lévi, the Cabbalist and mage, died. Crowley made out that he was descended from Norman aristocrats, and mentioned the Breton family, de Quérouaille, as if the name Crowley were a corruption of that name. He claimed Louise de Kéroualle, Duchess of Portsmouth, as one of his ancestors; also the sixteenth-century poet and preacher, Robert Crowley, on no evidence at all. It would have been more pertinent to tell us something of his grandparents, whom he studiously ignored. It so happened that his father, Edward Crowley, whom he called an engineer, was a brewer, and the family fortune came from `Crowley ales', a fact which creeps into his autobiography in an oblique way. By the time Aleister was born, his father was well advanced in middle age, and spent his time travelling about the countryside, preaching Plymouthism to anyone who would listen to him. The Plymouth Brethren sect was founded about 1830 by John Nelson Darby, an Irish clergyman who was a barrister before he went into the Church. The Brethren believed that they were the only true Christians; they considered the idea of ordained ministers contrary to the teaching of Scripture; the Bible was literally true; Christ's Second Coming was imminent; the Elect would inherit the Kingdom of God. Out of this background emerged Aleister Crowley, the Beast 666. At first, he was a devout little Plymouth Brother, taking turns with his parents and the servants in reading passages from the Bible. Plymouthism was the only true faith. He could not, he said, even conceive of the existence of people who were so foolish or so wicked as to doubt it. In his childish ardour he thought of himself as a Christian knight, doing deeds of holiness and valour. As he grew older his ideas took a strange turn. He had always preferred the sounds of the Hebrew names to the actual biblical narratives; now any description of torture or blood aroused his feelings tremendously. He liked to imagine himself in agony and, in particular, degraded by, and suffering at the hands of, a woman whom he described as `wicked, independent, courageous, ambitious, and so on'. He fell in love with the False Prophet, the Beast whose number is 666, and the Scarlet Woman. And suddenly, after the death of his father - he was then eleven years old - he discovered that his sympathies were entirely on the side of the enemies of heaven. He had gone over to Satan, and did not know why. He was still searching for the reason when he came to write his autobiography at the age of forty-seven. Crowley was a contemporary of Freud; he grew out of the matrix of Vicorianism with its rosy view of the world, and its medieval ideal of beauty and of God. He was one of many who helped to tear down the false, hypocritical, self-righteous attitudes of the time. His account of his early life in a Plymouth Brethren household is no less remarkable than Edmund Gosse's{*4}. What, however, is peculiar in Crowley's case is not that he chose `evil' but that, in his revolt against his parents and God, he set himself up in God's place. `Why do you call yourself the Beast?' I asked him on the occasion of our first meeting. `My mother called me the Beast', he replied to my surprise. He went to Malvern and Tonbridge public schools; his health broke down at Tonbridge, due partly to having `caught the clap from a prostitute in Glasgow' (as he wrote in the margin of his own copy of The World's Tragedy, privately published, 1910, his first attempt at autobiography). He published his first book of verse while an undergraduate at Trinity College: Aceldama, A Place to Bury Strangers in. A Philosophical Poem. By a Gentleman of the University of Cambridge, 1898. It carried this odd preface which foreshadowed his future interests and the ambiguous direction he was going in: "It was a windy night, that memorable seventh night of December, when this philosophy was born in me. How the grave old professor wondered at my ravings! I had called at his house, for he was a valued friend of mine, and I felt strange thoughts and emotions shake within me. Ah! how I raved! I called to him to trample me, he would not. We passed together into the stormy night. I was on horseback, how I galloped round him in my phrenzy, till he became the prey of real physical fear! How I shrieked out I know not what strange words! And the poor good old man tried all he could to calm me; he thought I was mad! The fool! I was in the death struggle with self: God and Satan fought for my soul those three long hours. God conquered - now I have only one doubt left - which of the twain was God?" Mountaineering was another of his passions. He climbed in the Lake District, on Beachy Head and in Switzerland; and he was a master of that esoteric game called chess - who can ever get to the bottom of chess? - had played in two matches against Oxford and won his chess half-Blue. He had taken to wearing pure silk shirts and great floppy bow-knotted ties; on his fingers were rings of semi-precious stones. An atmosphere of luxury, studiousness and harsh effort pervaded his rooms at Cambridge. Books covered the walls to the ceiling and filled four revolving walnut bookcases. They were largely on science and philosophy, with a modest collection of Greek and Latin classics, and a sprinkling of French and Russian novels. On one shelf shone the black and gold of The Arabian Nights of Richard Burton; below was the flat canvas and square label of the Kelmscott Chaucer. Valuable first editions of the British poets stood beside extravagantly bound volumes issued by Isidor Liseux. Over the door hung an ice-axe with worn-down spike and ragged shaft, and in the corner was a canvas bag containing a salmon rod. Leaded Staunton chessmen were in their mahogany box upon a card-table scattered with poker chips. The `Gentleman of the University of Cambridge' was prolific: he had quickly followed Aceldama with The Tale of Archais, then Jephthah, A Tragedy; the pseudonym was borrowed from Shelley, whose The Necessity of Atheism, 1811, was by a Gentleman of the University of Oxford. During 1898 he was also responsible for a more pretentious production, White Stains, which Mr Peter Fryer considers the most disgusting piece of erotica in the English language; it bears on the title-page the name of Crowley's pious uncle, George Archibald Bishop, `A Neuropath of the Second Empire', and is now a rare book. Crowley prefaced the work with a statement which expressed his contempt: "The Editor hopes that Mental Pathologists, for whose eyes alone this treatise is destined, will spare no precautions to prevent it falling into other hands.' He had inherited a fortune - the size of which he exaggerated - and could afford these extravagant jests. He thought of entering the Foreign Office, but decided against it: he wanted to be someone really great, whose name would be remembered as long as life lasted on this planet; he was unlikely to achieve this in the Diplomatic Service by devoting to duty. The problem of what he should do with his life was solved by reading The Book of Black Magic and of Pacts. In the preface to this work, the author, Arthur Edward Waite, referred to certain occult sanctuaries run by a body of Initiates who dispense Truth and Wisdom to the worthy postulant. Crowley wrote to Waite, asking for more information. Waite replied, telling him to read Eckartshausen's The Cloud upon the Sanctuary. Eckartshausen confirmed what Waite had hinted at: behind the exterior church is an interior church, the most hidden of all communities, a Secret Sanctuary which preserves all the mysteries of God and nature. It was formed immediately after the fall of man. It is the hidden assembly of the Elect. In Zermatt during 1898, Crowley met a certain Julian L. Baker, and growing friendly with Mr Baker he told him about his search for the Brotherhood of Initiates who jealously guard the perfect knowledge of God, nature and humanity. Mr Baker offered to help, and when they returned to England he introduced Crowley to George Cecil Jones who was a member of a magical organization called the Hermetic Order of the Golden Dawn and at the turn of the century the most talented magician in the West. He was the Master Crowley was looking for. Crowley began his career of magic as a Neophyte in the Golden Dawn, which was the First or Outer Order of the Great White Brotherhood{*5}; he quickly rose to the highest grade (that of Philosophus) in the Outer Order. He discovered that he had a remarkable aptitude for magic; this he later ascribed to his previous incarnations. He caught glimpses of these incarnations during his deep yoga meditations on `Oesopus Island' in America during 1918. Not only had he been Eliphas Lévi - there was just enough time for Lévi's liberated spirit to have descended into the womb of Mrs Crowley - but also the great magician Cagliostro in the incarnation before that; and John Dee's skryer, Edward Kelly, before Cagliostro, and the vicious, pleasure-loving Pope Alexander VI before him. (This last-mentioned incarnation would explain Crowley's insatiable curiosity about every aspect of sex.) He left Cambridge without sitting for a degree, set himself up in a flat in Chancery Lane, and called himself Count Vladimir Svareff. In separate rooms in his Chancery Lane flat he made two temples - one white, one black. They represented the twin pillars of the Light and the Dark, Jachin and Boaz. The white temple was lined with six large looking-glasses to throw back the forces of the invocations (so that nothing of the force was lost); the black temple was empty except for a human skeleton and a large cupboard, in which stood an altar supported by the figure of an ebony Negro standing on his hands. And both rooms had their magick circle, triangle, and pentagrams inscribed on the floor. In addition to being the Head of the Golden Dawn, Mathers was the Head of the Second Order in the Great White Brotherhood, a Rosicrucian order called the Order of the Red Rose and the Golden Cross. It was not long before Crowley was hammering on the door of the Second Order. There was yet another order within the Great White Brotherhood, the top order; it bore the name of the Silver Star or A.`. A.`. (Argenteum Astrum). This contained three exalted grades - Master of the Temple, Magus, and Ipsissimus - to none of which Mathers had attained. And for the very good reason that they were on the other side of the Abyss; only the most stalwart and enlightened of Aspirants can cross the Abyss. But by whose authority did this mystical organization, this Great White Brotherhoood, exist? It obviously could not exist solely by the authority of its members; it would then have been no different from an ordinary Masonic Fraternity. The answer to this important question is that the authority of the First and Second Orders, i.e. the Golden Dawn, and the Red Rose and Golden Cross, resided in the Secret Chiefs, the upper and inner circle of the Great White Brotherhood. Madame Blavatsky had come up against the same problem. She was merely an intellectual and a medium; by herself she could do little. The siddhis, or feats, she performed, to the amazement of Anglo-Indian society of the 1880s, were made possible by the magical current which sustained her and which was derived from the Secret Chiefs, Koot Hoomi and Morya, who lived in the fastness of Tibet. She first met a Secret Chief or, to use her term, a Hidden Master, beside the Serpentine in Hyde Park one moonlit night during 1851, the year of the Great Exhibition. In 1886 a Secret Chief of the grade of Master of the Temple (living in Germany under the guise of Fräulein Anna Sprengel) gave Mathers and his colleagues a charter to establish the Hermetic Order of the Golden Dawn. And after the Golden Dawn had been split from top to bottom and Mathers authority was being disputed, his leadership of the First and Second Orders was confirmed by three Secret Chiefs whom he met in the Bois de Boulogne - or so he said. Crowley disbelieved him, swore that Deo Duce Comite Ferro (`With God as my Leader and the Sword as my Companion'), to mention one of Mathers' magical names, had only banged into three evil spirits. But saying this did not help Crowley. The only actual magic which Mathers performed, apart from employing elementals in attacks on Crowley, was to still a storm; it is not surprising therefore that Crowley, who was far mor ambitious, should have quarelled with him, and struck out on his own, taking with him, of course, all the weapons in Mathers' armory he could lay his hands on. Crowley also quarelled with the rank and file of the Order, and with W. B. Yeats, whom he accused of being jealous of his superior talent as a poet, and was virtually expelled from the Order. The most important of these weapons was the Rosicrucian system of the Great White Brotherhood, and the magic of Abra-Melin which Mathers had brought to light and published. The first was the party apparatus, the second the philosophy and driving force. Crowley therefore took from Mathers everything, except a following, necessary for a successful career as a magician. If you wish to perform the operation of conjuring up your Holy Guardian Angel, says the Egyptian Mage, Abra-Melin, you must first of all construct an oratory in a secluded place. Where should Crowley construct his oratory? His flat in Chancery Lane was far too noisy. In search of a suitable spot, he wandered about the Lake District and into Scotland, and in August 1899 he found Boleskine House near the village of Foyers. Loch Ness lay before it and a hill behind it; it was remote; the view was magnificent; it was ideal for the practice of Abra-Melin magic. The full title of the manuscript which Mathers had found in the Bibliothèque de l'Arsenal in Paris, translated (from the French) and published, is The Book of the Sacred Magic of Abra-Melin the Mage, as delivered by Abraham the Jew unto his son Lamech, A. D. 1458. There is no general ritual in this work as in other grimoires; there is only a list of several hundred spirits (angels and demons) to be evoked, and talismans to be used for such magical purpose as raising or quelling storms, finding hidden treasure, inflaming lust between persons of the magician's choosing. The spirit in question, after it has been ceremonially evoked, vitalizes the talisman which has been duly consecrated. The whole system is only possible after the aspirant has established communion with his Holy Guardian Angel, i. e. his True Self. It is the Holy Guardian Angel who imparts the method to be employed for this or that purpose. The book of the sacred magic of Abra-Melin (or Abramelin, or Abrahamelin, or Abramelim) is therefore sealed with seven seals. Everything depends upon the H. G. A., and his intercession is impossible without six months' intense ceremonial purification. In other words, Abra-Melin magic is a kind of yoga, producing psychic transformation. Crowley described it as the one startling exception to all the puerile nonsense written on the subject. Crowley made his oratory in a room facing north and began the operation at once. After some months of concentrated effort, he partially succeeded. He says that a host of demons were attracted, some of which materialized; they caused a great deal of disturbance and damage among tradespeople and others in the neighbourhood. But he did not obtain complete success in the operation - that is, knowledge of and conversation with his Holy Guardian Angel or True Self - till a few years later. He married, produced a child and more volumes of poetry and erotica. He hurried off to Mexico and, with his friend Oscar Eckenstein, climbed Ixtaccihuatl and Popocatepetl. A year later, in 1902, he joined Eckenstein's expedition to Chogo Ri: at that time all the great peaks in the Himalayas were unconquered and had hardly been attempted. Eckenstein, who was of German-Jewish extraction, devised a new type of crampons, or climbing irons, which enabled mountaineers to dispense with the laborious work of cutting steps in the ice. He was seventeen years older than Crowley. In a letter written in 1924 to Harry Doughty, Crowley summed up Eckenstein as a climber: `Eckenstein, provided he could get three fingers on something that could be described by a man far advanced in hashish as a ledge, would be smoking his pipe on that ledge a few seconds later, and none of us could tell how he had done it.' Crowley had great affection for Oscar Eckenstein. Eckenstein, as far as I know, did not record his opinion of Crowley as a climber, but we have the view of Dr Tom George Longstaff, President of the Alpine Club from 1947 to 1949. Crowley was a `fine climber, if an unconventional one. I have seen him go up the dangerous and difficult right (true) side of the great ice fall of the Mer de Glace below the Géant alone, just for a promenade. Probably the first and perhaps the only time this mad, dangerous and difficult route had been taken{*6}.' Crowley's own brief account of this climb, in which Dr Longstaff is mentioned, is in Chapter 25 of the present work. In 1904, the Abra-Melin Operation flowered and Crowley's Holy Guardian Angel, Aiwass, appeared - not, however, to enter into conversation with him, but to dictate The Book of the Law. He treated this profoundly significant event in a very quiet way, as if he did not quite believe it; he merely announced to a few friends and acquaintances, like Arnold Bennet, that the old world of Christianity had collapsed, and that a `New Aeon' for mankind had begun. Crowley has written a great deal about The Book of the Law in these Confessions. This was unavoidable, for the Book is the heart of his creed and the turning point of his career. Without the Law of Thelema (which is embodied in the Book), he would just have been a minor magician like Eliphas Lévi or MacGregor Mathers, one of the many who studied the mysteries and practised the magic of Abra-Melin or the Enochian system of John Dee or some other magical system. The Book was the force which enabled him to cross the Abyss, and to go on to become a Magus, and proclaim his word{*7}, as Allah and Buddha proclaimed theirs. If we are to believe him, he crossed the Abyss in 1909 and appeared on the other side with the grade of Master of the Temple, that is to say, he had united his consciousness with the universal consciousness, shifted the centre of gravity from himself to God. Thus he had found the Secret Sanctuary of the Saints or the abode of the Secret Chiefs, and become one of them; he had succeeded in his quest. His poetry and exploits on mountains are insignificant beside this. He could dash off a successful kind of music-hall song, like `La Gitana', and evocative verses for magic rituals like his `Hymn to Pan', which he thought `the most powerful enchantment ever written' - it certainly has a spell-binding quality about it; but he lacked the equipment for the higher flights of poetry. And he failed to climb Kangchenjunga, was driven back by the demon who protects the Five Sacred Peaks (the local name for Kangchenjunga) and who claimed as victims Alexis Pache, a thirty-one-year-old lieutenant in the Swiss Cavalry, and four coolies. The personality of Aleister Crowley was a riddle to Charles Richard Cammell, one of Crowley's biographers. `Explain me the riddle of this man!{*8}' To Arthur Gauntlett, who analysed Crowley's character from his horoscope, he is `one of the most enigmatic personalities of our time{*9}'. The sphinx with the face of Aleister Crowley propounds this riddle: `Why did I drive away my friends and followers? Why did I behave so vilely?' The answer is to be found in some of the versicles in The Book of the Law. `Bind nothing! Let there be no difference made among you between any one thing & any other thing ... The word of Sin is Restriction ... There is no law beyond Do what thou wilt.' The many roles which Crowley chose for himself show that he had taken this precept literally. He did not make any difference or distinction between one thing and another; he was not restricted; that is to say he was not contained within any particular borders. On the contrary, he was driven into anything that touched his fancy. Thus, he was an English gentleman - he was always reminding us of that - a Scottish peer, a Russian nobleman, a Persian prince, Alastor, the Spirit of Solitude, Paramahansa (the divine Swan), the Wanderer of the Waste, God and, above all, the Beast 666 who proclaimed for all mankind his word of Do What Thou Wilt. He had a guise for every mood. On no account live within your own skin. Above the grade of Magus is the top grade of all, that of Ipsissimus, who is free from all limitations whatsoever, including good and evil, someone hardly to be described. Crowley, for whom nothing was too difficult, was not going to be restrained from assuming this grade too. In the opinion of certain occultists, that is where he made a false step. The suggestion is, of course, that he illegally assumed this most exalted grade and that it choked him. The Ape of Thoth{¤1} found him unbearable after he had become the Ipsissimus, and shortly afterwards wrote about him in her magical diary that it was `damn hard' to think of `the rottenest kind of creature' as a Word (i.e. thelema). The momentous Ipsissimus event took place in the spring of 1921 when Crowley was forty-five. He was at his abbey at Cefalu, Sicily, across the door of which were painted the words DO WHAT THOU WILT. He had run out of money, was laden with the responsibility of two mistresses and several children. For a while he did not know which way to turn in spite of being a Master of every kind of Magick. But the gods had not deserted him. In a flash of intuition, which came upon him with shattering force, he penetrated the ultimate mystery. This is the meaning of Crowley's `godhead', but strictly speaking he had reached the stage earlier in his career. As Ipsissimus he was beyond the gods, beyond all mental concepts. That is why, I suppose, he had to steel himself for the deed, to acknowledge that he, even he, known among men as Aleister Crowley, was by insight and initiation the Ipsissimus. It is not surprising that he wrote in his diary (The Magical Record of the Beast 666), `I am mortally afraid to do so. I fear I might be called upon to do some insane act to prove my power to act without attachment.' Nevertheless, he entered the temple, followed by the Ape of Thoth. Of the actual ceremony he says nothing, and at the conclusion, only `As a God goes, I go.' And he left the temple as naked as he had entered it, no longer a saint - Saint Aleister Crowley of the Gnostic church - but a god. His Confessions, which he began to write and dictate shortly afterwards, should not therefore have been called an autohagiography but an autotheography. He did not reveal this Ipsissimus attainment to anyone. We know of it from his Magical Record. In Magick, privately published, 1929, page 301, there is only this hint of it: `I, The Beast 666, lift up my voice and swear that I myself have been brought hither by mine Angel ... Also He made me a Magus ... Yea, he wrought also in me a Work of Wonder beyond this, but in this matter I am sworn to hold my peace.' Under the complicated overlay, one can discern a relatively simple pattern. Other people have no ego, and are just weak, but Crowley made a religion out of his weakness, out of being ego-less. I know that ego-lessness is a condition which Indian philosophy regards as the supreme state, and towards which the Sadhaka strives, but in Crowley's case it is the point from which he begins, not the goal of his endeavours{¤2}. Besides, he was not an Oriental; he had all the restlessness of the European. Indeed, he rushed in where angels, let alone Sadhakas, fear to tread. He did not, he tells us in Section 58 of the present work, deliberately cross the Abyss; he was hurled across it. He lacked an inhibitory counterforce; he was always hurling himself into magical and other adventures. But whatever view one takes of The Book of the Law, it was not written by Crowley with tongue in check. Until the day he died, he believed it was a piece of inspired writing; he was merely the vehicle of its transmission. The year was 1904; the place, Cairo. He was on holiday with his wife, Rose. It was she who told him that Horus wanted to speak to him. He was surprised, for she knew nothing of Egyptian mythology. `Who is Horus?' he asked. She pointed out the hawk-headed god in the museum. `They are waiting for you', she said. She then told him how to get in touch with Horus, what ritual to use. He raised an eyebrow; he had been performing magic rituals continually for the previous six years. But he did as she said, went barefoot and clad in his magical robe into the room which he had consecrated as a temple and performed the invocatory ceremony. In a trance-like condition he heard a voice - not the voice of Horus but of one who introduced himself as Aiwass, the Messenger. Crowley had his Swan fountain pen with him; he began to write. The cosmology of The Book of the Law is explained by Crowley thus: there have been, as far as we know, two aeons in the history of the world. The first, that of Isis, is the aeon of the woman; hence matriarchy, the worship of the Great Mother and so on. About 500 B.C. this aeon was succeeded by the aeon of Osiris, that is, the aeon of the man, the father, hence the paternal religions of suffering and death - Judaism, Buddhism, Christianity and Mohammedanism. This aeon came to an end in 1904 when Aleister Crowley received The Book of the Law, and the new aeon, that of Horus, the child, was born. In this aeon the emphasis is on the true self or will, not on anything external such as gods and priests. The choice of Egyptian names for the aeons is purely arbitrary. The Book of the Law is a collection of sentiments of a rebellious kind, on the whole remarkably similar to the sentiments Crowley himslef expressed. He wrote a vast comment on the Book; it is unpublished. The brief comment which he did publish contains this curious statement: `The study of this Book is forbidden ... Those who discuss the contents of this Book are to be shunned by all as centres of pestilence.' Norman Mudd, Professor of Applied Mathematics of Grey University College, Bloemfontein, `guide, philosopher, and friend' of the Beast, was foolish enough to ignore this warning and was overtaken by disaster. (See note on page 925, and Section 96.) For a man who was having visions on frequent occasions, he was remarkably unintrospective. He drew no deductions from the series of Enochian visions he experienced in the North African desert with his chela, the poet Victor Neuburg{¤3}. These so-called visions present situations of hopelessness and despair, and others of an inflated, or compensatory, kind. The gates of heaven and hell are thrown wide open, wonders and horrors are revealed, withdrawn, and the skryer is back where he started. The style is that of the Old Testament, but the numinous quality of visions seems to me to be absent. From the point of view of ordinary consciousness, the wheel did not go round; there was no metabolism. Crowley had no personal problems to solve and no mundane ambitions. Instead the scene is enlivened by the appearance of the demon Choronzon, the epitome of all disharmony and confusion, whom Crowley had conjured up in the form of a naked savage; he rushed upon Neuburg and smote him (see Section 66). Crowley began to write his Confessions in a mood of optimism, but he concluded them with uncertainty and sadness. The Italian government had reacted to the attacks on his character in the Sunday Express by ordering him to leave Italy, and he dictated the last section in exile from his abbey. Another blow quickly followed: Collins, who had brought out his novel, The Diary of a Drug Fiend, decided to publish nothing more by Aleister Crowley although they had given him an advance of £125 on the autohagiography. He was forty-eight years of age, and the outlook was bleak. It did not remain so for long. A new Scarlet Woman (Dorothy Olsen) appeared, and he discarded the exhausted Ape of Thoth; he also found a new set of followers in Germany, and during 1925 he went to Thuringia to preach the Law of Thelema. In 1929, a small firm of publishers called the Mandrake Press published the first two volumes of the autohagiography in a projected series of six volumes. It bore the title: THE SPIRIT OF SOLITUDE An Autohagiography Subsequently re-Antichristened THE CONFESSIONS OF ALEISTER CROWLEY The Mandrake Press also brought out a small volume of three of Crowley's stories, The Stratagem, and his magical novel, Moonchild. The third volume of the autohagiography reached the stage of galleys but was nevery published. Crowley quarelled with the directors of the Mandrake Press. The firm was then taken over by Crowley's friends and followers, and promptly went out of business. This is the text of all six volumes, after some redundancies have been removed: Crowley dictated the work to the Ape of Thoth while under the influence of heroin, which made him at times a little verbose. At the beginning of 1945, the Prophet of the New Aeon went to live in a boarding-house in Hastings. `Netherwood' was a large Victorian mansion standing in wooded grounds in that part of the outskirts of the town called The Ridge. He had published privately several more works since the failure of the Mandrake Press, notably The Equinox of the Gods, 1937, in which The Book of the Law is presented as the new religion for mankind; three patriotic war-time broadsheets with his photograph in Arab headdress; and The Book of Thoth, 1944, a reorientation of the tarot in the light of his philosophy. The rest of his autohagiography was still unpublished; he had lost the galleys of the third volume and the typescripts of the remaining three volumes were scattered among his papers. On my suggestion, he collected them together and gave them to a typist. One copy (bound in four parts) he sent to me. In his reply to my letter of thanks, he wrote, `You were a litle lighthearted in asking me to make sure of these volumes of the Hag not being lost to the world. It cost me as near forty pounds as makes no difference.' His odd dress and sweet smell, his magic ring with the hieroglyphic inscription, Ankh-f-n-Khonsu, `his life is in Khonsu' (the moon god of Thebes), his magic wand, resting in the corner of the rather seedy room in which he ended his days, all added to his haunted presence. He had spent his whole life in struggling through the Abyss or, if you will, in exploring the Unconscious with the aid of every known stimulant and magic ritual; and in his old age he had come to look like what he claimed to be - a Secret Chief. On the wall, I remember, was a painting, badly drawn but effective, of himself as The Beast 666, an idealized self-portrait. (He had covered the walls of his bedroom - La Chambre des Cauchemars - at his abbey with magical paintings which the vulgar thought obscene.) I think he was telling the simple truth when he wrote that he immediately stopped a quarrel among Arabs in a coffee house in Algeria by striding into the scrimmage, rapidly drawing sigils in the air with his magic ring - a star sapphire stone, held in position by a band of two interlaced gold serpents - while intoning in Arabic a chapter of the Koran. With his shaven head and hypnotic eyes, he made a strong, and in some cases a lasting, impression on many people. He was erudite in all subjects relating to magic - or magick as he preferred to spell it. He used the I Ching for probing the future long before that work became popular in intellectual circles in the West. His greatest merit, perhaps, was to make the bridge between Tantrism and the Western esoteric tradition, and thus bring together Western and Eastern magical techniques. He lived through the night, not the day. Hampstead, August 1968, John Symonds *1 They were so-called Gnostic Masses,such as his `Mass of the Phoenix' and his `Gnostic Catholic Mass'. Because of their sexual component, they might be considered Gray, but not Black, Masses. *2 Daily Express, May 19th, 1967 *3 Magick (or to give it its full title Magick in Theory and Practice) is difficult to understand. It is a city within a city, and the key to the gate of the inner city is not supplied with the book; it can be got only after a study of all Crowley's works, especially his unpublished works. *4 Father and Son (Heinemann, 1907). *5 Whether this Brotherhood was Eckartshausen's hidden assembly of sages, no one, as far as I know, has said, but the implication is that they were the same. *6 This My Voyage (Murray, 1950). *7 Crowley's word was thelema, the Greek for will, best understood in the phrase Do What Thou Wilt, or in the words of The Book of the Law, There is no law beyond Do what thou wilt. *8 Aleister Crowley. The Man: the Mage: the Poet (The Richards Press, 1951). *9 `Aleister Crowley (A Study of an Enigma)', in Astrology. The Astrologer's Quarterly, June 1965. ¤1 Leah Hirsig, Crowley's scribe, who during the Cefalu period held the office of the Scarlet Woman. ¤2 In the language of psychology, he lacked integration; he was in the grip of unconscious forces. ¤3 The Vision and the Voice, Thelema Publishing Company, Barstow, California, circa 1949. This work was originally published in Crowley's periodical, The Equinox, vol. I, no. V, 1911. ---------------------------------------------------------------------- Typed down by Parsec / Phuture 303, 950731 #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## # ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * ... * * ::::::.::::::. :::::::. .:: ::::::. .::::. ::: * * .::.::'.::..:: .::..::' ...`::..::..'' .::. `' * * ::: :::: ::::::: `::.::::::'::::.::.::::::' ::: * * .................................................. * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * cnf666_preface.txt Typed by Parsec/Phuture 303 The Confessions of Aleister Crowley, preface Since the publication of this book ten years ago it has become evident that Aleister Crowley was more than just another cult hero of our time. Crowley's life was more fantastic even than that of Gurdjieff, the only comparable personality among his contemporaries, whose unconventionalities were mostly passed over in silence. Crowley's eccentricities, however, have been so much emphasized that the unique value of his work in every conceivable area of experimental occultism has been obscured until recently. It is only during the last decade that Crowley's ideas have taken wing in harmony with a vast new body of literature which fuses science, fantasy and metaphysics in a manner that may ultimately reify the wildest nightmares of an H.P. Lovecraft. Timothy Leary, for example, identifies himself so entirely with the current initiated by Crowley, and the `coincidences-sychronicities between my life and his', that he considers one of his aims to be the completion of the work of preparing the world for cosmic consciousness, which Crowley had begun. As with Carlos Castaneda - another writer deeply concerned with these matters - Leary's breakthrough came through drugs, though these were later discarded by Castaneda as inessential to the opening of the higher centres. Crowley was, however, the first systematically to co-relate such states of consciousness with various kinds of spiritual experience, as well as to facilitate contact with extra-dimensional entities. A reviewer of the Confessions had pointed out in Life that `Crowley was as superior to today's mindless cultists as Rabelais's "Do What You Will" is to their "Do Your Own Thing".' Crowley's Magick* is considered by the cognoscenti to be the most comprehensive book on the subject ever written, and the Confessions brings to life the man who wrote it. Many of the personalities - famous, infamous, or little known - whose meetings with Crowley are here described, have now been re-assessed, from Marie Desti's `brat', who transmogrified into the film director Preston Sturges, to Somerset Maugham, who, after publication of his novel, The Magician, was rumoured to have sold his soul to the devil in the form of Aleister Crowley in return for worl-wide fame. Crowley's first biographer, Major-General Fuller, forsook the `Crowned and Conquering Child' of the Book of the Law for Hitler, and quotes Hitler as saying to him on one occasion: `I hope you are pleased with your children?', a reference to a vast parade of German tanks, the brainchild of Fuller's later theories. Florence Farr, confidente of Shaw and Yeats, ended her days in Ceylon under the spiritual guidance of Allan Bennet's mentor, Sri Ramanathan; and Gerald Kelly, `painter, according to the telephone directory', was duly knighted for his many portraits of royalty. As for Crowley's pioneering attempts on the Himalayan peak K2, its `storm fiend' still claims victims. The seeds of the most interesting speculations regarding the future will be found in what Allan Watts - one of a hundred reviewers of the Confessions - has called `this huge volume which from beginning to end is almost entirely fascinating, witty, arrogant, immodest, and yet curiously wise'. London 1978, Kenneth Grant * The complete edition, comprising Book 4, Part One, Book 4, Part Two, and Magick in Theory and Practice, edited, annotated and introduced by Symonds and Grant, Routledge & Kegan Paul, 1973. ---------------------------------------------------------------------- Typed down by Parsec / Phuture 303, 950731 #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## # ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * ... * * ::::::.::::::. :::::::. .:: ::::::. .::::. ::: * * .::.::'.::..:: .::..::' ...`::..::..'' .::. `' * * ::: :::: ::::::: `::.::::::'::::.::.::::::' ::: * * .................................................. * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * cnf666_chapter87.txt Typed by Parsec/Phuture 303 The Confessions of Aleister Crowley, chapter 87 However, now that we have been sufficiently surprised and shocked to satisfy our feeling of what is due to ourselves, we may as well realize that what in Europe is crudely called falsehood is in America a virtue withouth which the structure of society would collapse. Roughly speaking, they are the same size as we are; but their environment is so much more huge and hostile that it would crush them out of existence unless they persuaded themselves that they were very much bigger than we are. Our total ignorance of American conditions, our failure to understand that what we regard as fundamental truths and virtues, may be to them mere prejudices, is creating a chasm between the continents into which civilization itself is only too likely to fall. I was simply too young, ignorant and bigoted to make any impression on the United States. The real work which I accomplished in my five years was the unconscious preparation for my real mission, which is not a matter of flags and trumpets, but of silent growth in darkness. This preparation was now practically complete. With the appearance of the cynocephalus my journey through the desert had reached its last stage. I went on struggling for some months to get things done, not understanding that I was attempting what was not impossible but undesirable. But at least my impotence was only too evident; and I returned to Europe in December. Even at the time, i felt more or less clearly that I had come to a definite turning-place in my career. It is still difficult to interpret the next period, if only because, for one thing, it is incomplete, and for another, too close to see in proper perspective. But so far as I understand it at all, it seems as if my work were to construct a model of a new civilization to replace that which we see before our eyes reeling towards catastrophe. For the next three years, then, I was to build, as it were, an ark of refuge, in which that which was worth saving from the Aeon of the Dying God might be in safety while the floods covered the face of the earth; and it is really not for me but for history to record and interpret the events of my life following my return to England at the end of 1919. I will only say that my main idea had been to found a community on the principles of the Book of the Law, to form an archetype of a new society. The main ethical principle is that each human being has his own definite object in life. He has every right to fulfil this purpose, and none to do anything else. It is the business of the community to help each of its members to achive this aim; in consequence all rules shuld be made, and all questions of policy decided, by the application of the principle to the circumstances. We have thus made a clean sweep of all the rough and ready codes of convention which have characterized past civilizations. Such codes, besides doing injustice to the individual, fail by being based on arbitrary assumptions which are not only false, but insult and damage the moral sense. Their authority rested on definitions of right and wrong which were untenable. As soon as Nietzsche and others demonstrated that fact, they lost their validity. The result has been that the new generation, demanding a reason for acting with ordinary decency, and refusing to be put off with fables and sophistries, has drifted into anarchy. Nothing can save the world but the universal acceptance of the Law of Thelema as the sole and sufficient basis of conduct. Its truth is self-evident. It is as susceptible of the strictest mathematical demonstration as any other theorem in biology. It admits that each member of the human race is unique, sovereign and responsible only to himself. In this way it is the logical climax of the idea of democracy. Yet at the same time it is the climax of aristrocracy by asserting each individual equally to be the centre of the universe. When, therefore, it comes to the question of the relations between groups, those truths whose utterance has smashed all theories of governement lose their destructive qualities. The Law of Thelema does not require the individual to behave himself because God set the squire and the parson to boss him. In obeying the law of his country he is fighting for his own hand. Modern social unrest is largely due to misunderstanding of the Law of Thelema. The workman has learnt to covet motor cars and portfolios, which he was not born to have. When he gets them, he becomes still more unhappy - a fish out of water - and ruins the community into the bargain. Under the Law of Thelema, all false ideals and incongruous ambitions will be driven away as delusions. The first principle of moral education will be the biological truth that the health and happiness of a cell depends upon the fulfilment of those functions which are natural to it. Intellectual education, which is not education at all, is the basis of our present critical position. It has, so to speak, insisted on each cell becoming conscious. The result has been to make society hyper-aesthetic. Those elements which were satisfying themselves and supporting the total organism have been forced to suffer; they have been rendered conscious of their apparent inferiority to other elements. So, what between artificial anguish and false ambition for impossible attainments, they have become intensely painful to themselves and unable to perform their proper function; to their own ruin and that of the state. The Book of the Law was given to mankind chiefly in order to provide it with an impeccable principle of practical politics. I regard this as more important for the moment than its function as a guide in its evolution towards conscious godhead. It is only while writing this chapter that I have come to understand the real purport of the Book, and it is evident that the Secret Chiefs have prevented me from putting in the clutch, as I may say, from releasing the enormous energy of the New Aeon, until on the one hand, I had become capable of directing that energy wisely, and of the other, until civilization had reached the crisis in which my interference would save the race from crashing into chaos. For three years I have laboured to construct an Abbey of Thelema in Sicily on the principles of the Law, so that I might have experience of the problems of government. Those years have taught me how to deal with all classes of people of all ages and races. It had been practically proved to me that the intelligent application of the Law of Thelema solves all social problems, and that its violation is immediately and automatically avenged. I am now getting ready to write the Comment on The Book of the Law as it bade me do. I had stupidly supposed this Comment to be a scholarly exposition of the Book, an elucidation of its obscurities and a demonstration of its praeterhuman origin. I understand at last that this idea is nonsense. The Comment must be an interpretation of the Book intelligible to the simplest minds, and as practical as the Ten Commandments. For the time is at hand when the bankruptcy of all theories of religion, all systems of government, will become obvious to all. Already we see the corruption of tsarism collapsing in the chaos of communism. We see that communism is utterly unable to put its principles into practice, being in fact a desperate despotism which is bound to break down even more completely than the system which it replaced, because of the internal conflict between its principles and its performances. We see the paralysis of parliamentary government. In Italy, for instance, those very classes who naturally respect the law and the constitution have acquiesced in the usurpation of power by the chief of a gang of banditti, simply on his promise to put an end to the insecurity of exercising power because uninspired by any principle of action sufficiently rigid to contend with circumstances. It is evident to all serious thinkers that the only hope of saving mankind from a catastrophe so complete that the very name of civilization will perish is in the appearance of a new religion. The Law of Thelema fulfils the necessary conditions. It is not limited by ethnological, social, religious or linguistic barriers. Its metaphysical basis is strictly scientific. Its principle is single, simple and self-evident. It does not deny human nature or demand impossible virtues. It offers to every individual the fullest satisfaction of his true aspirations; and it supplies a justification for all types of political systems beyond the criticism which have undermined all previous theories of government. There is no need for the fraud of divine right or the cant of democracy. The right of the ruler to rule depends solely upon the scientific proof of his fitness to do so, and this proof is capable of confirmation by the evidence of the experience that his measures really result in enabling each individual in his jurisdiction to fulfil his own peculiar function as freely as possible. In many respects, no doubt, the Law of Thelema is revolutionary. It insists on the absolute sovereignty of the individual within the limits of his proper function. And this principle will be resented by all those who like to interfere with other people's business. The battle will rage most fiercely around the question of sex. Hardly any one is willing to allow others their freedom on this point. Sometimes it is a personal matter; false vanity makes men try to enslave those whom they desire. They cannot understand `there is no bound that can unite the divided but love', and they outrage others in every way in order to obtain the outward show of affection. It is the most hideous error conceivable, yet nearly all men make it, and nine tenths of the misery caused by wrong sexual relations is due to this determination to enslave the soul of another. It seems impossible to make men see what to me is obious; that the only love worth having or indeed worthy of the name is the spontaneous sympathy of a free soul. Social conventions which trammel love are either extensions of this stupid selfishness, or expressions of the almost universal shame which results from false ideas on the subject. Mankind must learn that the sexual instinct is in its true nature ennobling. The shocking evils which we all deplore are principally due to the perversions produced by suppressions. The feeling that it is shameful and the sense of sin cause concealment, which is ignoble, and internal conflict which creates distortion, neurosis, and ends in explosion. We deliberately produce an abscess, and wonder why it is full of pus, why it hurts, why it bursts in stench and corruption. When other physical appetites are treated in this way, we find the same phenomenon. Persuade a man that hunger is wicked, prevent him satisfying it by eating whatever food suits him best, and he soon becomes a crazy and dangerous brute. Murder, robbery, sedition and many meaner crimes come of the suppression of the bodily need of nourishment. The Book of the Law solves the sexual problem completely. Each individual has an absolute right to satisfy his sexual instinct as is physiologically proper for him. The one injunction is to treat all such acts as sacraments. One should not eat as the brutes, but in order to enable one to do one's will. The same applies to sex. We must use every faculty to further the one object of our existence. The sexual instinct thus freed from its bonds will no more be liable to assume monstrous shapes. Perversion will become as rare as the freaks in a dime museum. I have insisted on this because my experience in the Abbey of Thelema demonstrated the possibility of emancipating humanity from this obsession. At first and in the case of newcomers, the familiar troubles threatened our harmony. But by sticking to the Law, by training ourselves to treat our sexual life as a strictly personal matter, we abolished jealousy, intrigue and all the other evils usually connected with it. We eliminated quarrels, spitefulness, back-biting and the rest. So far so good. But the gods had a surprise in store for me. I had rather expected that by releasing and encouraging the instinct it would loom larger in our lives. The exact contrary was the case. In healthy people this instinct is not particularly predominant. The importance of the subjects, its omnipresence, is due to the constant irritation set up by its suppression. We are always thinking of it, like an Anglo-Indian of his liver. In the abbey we removed the sources of irritation, with the result that it slipped back into its proper physiological proportion, into serenity and silence. We almost forgot its existence. It began to surprise us when the sexual symbols which we had exhibited in the abbey, so that familiarity might breed forgetfulness, excited strangers. A man who is either stimulated or shocked by an obscene photograph is just as much of an invalid as one whose mouth waters at the sight of a cookery book. Economic relations, again, were solved by the Law. Whatever funds we had - and we experienced all conditions from absolute want of the barest necessities of life to overflowing abundance - were regarded as means to enable each of us equally to do his or her will. Whatever anyone needed in his work was provided without a moment's grudging. None of us hankered after anything unnecessary to our work. We had found out and fixed in our minds that all such possessions, however delightful as new toys, were in the long run a nuisance. Whatever is not ultimately useful is a source of distraction and anxiety. It gets in one's way. It is like having to live with someone whom one does not love. We thus got rid of that senseless envy which embitters life by filling the mind with perverse cravings for things neither good nor bad in themselves, things fruitful of pleasure and profit to the people to whom they properly belong, but a source of misery to oneself, yet desired and hugged by the foolish who have not sense enough to see that what the mass of men imagine they want on the evidence of newspapers and salesmen may bring to themselves nothing but disappointment. We accordingly found in the abbey that happiness and peace which comes from contentment. We each had all we wanted; and nobody made himself wretched by wanting something belonging to somebody else merely because it was in itself beautiful or convenient. It should be clear to the stupidest statesman that the economic problem can be solved on these lines, and that any other principles are wasteful as well as irrational. The world is bankrupt today chiefly because well-meaning philanthropists have tried to make people happy by loading them with what they beleive to be benefits because they are so to themselves. `The mind is improved by reading.' We therefore insist on everyone learning to read, with the result that their minds have been unsettled, clouded, confused and filled with falsehood by cheap fiction, sensational nonsense and deliberately dishonest propaganda. We praise the dressmakers of Paris and the tailors of London till we persuade the poor to deny themselves comfort in order to imitate the leaders of fashion. The logical error is essentially this unfitness which violates the Law of Thelema. In the abbey each of us respected the will of the others as absolutely as they respected his. It was nobody's business to inquire what the will of another might be. And so the total energy of each of us was perfectly free to achieve its own end, sure that no one would interfere, and that he could count on the moral support of the rest to assist him. He therefore saw that in giving his own support to the abbey he was helping himself. He did not have to be threatened with hell or urged to be altruistic. Society has alway been asked to regulate its actions either on grounds which everyone knows in his heart to be absurd, or on motives which nobody really accepts. The Law of Thelema avows and justifies selfishness; it confirms the inmost conviction of each one of us that he is the centre of the cosmos. Previous prophets have invariably tried to dodge this truth as making all social systems impossible. Now, for the first time, we can build practically every variety of social structure on this fact. All laws, customs and co-operative efforts can be constructed by the application of this principle for the conditions of environment. And all such structures will be stable, being free from the flaw which has been the bane of all previous systems. The theocracies of antiquity broke down as soon as their theory was challenged by science. Divine right met with disaster immediately that its absurdity became apparent, so that humanity will never repeat the experiment; despite the fact that in many cases the absurd axiom led to the greatest prosperity. Social systems founded upon philosophy have failed even more frightfully, for the premisses of the syllogism were false. It was always implied that man as such possessed various virtues which are in reality only found in a few individuals. In the New Aeon, each man will be a king, and his relation to the state will be determined solely by considerations of what is most to his advantage. The worker will support a strong government as his best protection from foreign aggression and seditious disturbance instead of thinking it tyrannical. Everyone, whatever his ambition, will feel that he can rely on the whole force of the state to assist him; for all ambitions alike will be respected by all, with the single proviso that they shall not tend to restrict the equal right of the rest. No man will be ashamed of himself, and so be forced into concealment and hypocrisy, while at the same time having his idea distorted into monstrous shapes of disease by the pressure of public opinion. Of course (in practice) many people, perhaps the majority, will not accept the Law of Thelema. We found that life in the abbey with its absolute freedom was too severe a strain on those who were accustomed to depend on others. The responsibility of being truly themselves was too much for them; but sooner or later, without any action on our part, without any quarrel or ostensible reason, they found themselves ejected into their `previous conditions of servitude'. The Book of the Law anticipates this: `The slaves shall serve.' The bulk of humanity, having no true will, will find themselves powerless. It will be for us to rule them wisely. We must secure their happiness and train them for ultimate freedom by setting them tasks for which their nature fits them. In the past, the mob without will or mind have been treated without sense or scruple; a mistake socially, economically and politically, no less than from the humanitarian point of view. We must remember that each man and woman being a star, it is our duty to maintain the order of nature by seeing to it that his orbit is correctly calculated. The revolutions and catastrophes with which history is crammed are invariably due to the rulers having failed to find fitting functions for the people. The obvious result has been social discontent ending in the refusal of the cells to perform their work in the organism. So-called education (on which countless millions are squandered with the sole result of unsettling and unfitting the vast majority of its victims for their work in the world) becomes inexpensive, efficient and profitable when the Law of Thelema dictates its principles. The very word means `leading out' of each child the faculties which he naturally possesses. The present system deliberately discourages the development of individuality and deforms minds by forcing them to perform functions for which they were not designed. In the abbey, our plan was to watch the children to discover in what direction they wanted to develop, having given them the greatest possible variety of facts from which to choose. We helped them in every way to carry out their choice, but refrained from any efforts to persuade them to pursue any line of study, however necessary it might seem to ourselves. Extending this principle to the world at large, my plan would be to classify children in infancy according to the subtle indications afforded by their gestures and reactions to various stimuli. Any child who showed a desire to read and write would be given every possible encouragement altogether irrespective of social and other considerations. Similar principles would apply to other activities: draughtsmanship, building, mechanics and the rest. He would be made to understand that the fulfilment of his ambitions would depend on his willing submission to discipline, the conquest of idleness and so on. But unless and until a child showed real discontent with his ignorance on any subject, we should not try to enlighten him. His lessons should be a relief; the satisfaction of a real appetite. By this plan the resources of the state available for education would be concentrated on the development of all really promising children instead of being in the first place wasted on stuffing all alike with a smattering of knowledge and then leaving them to shift for themselves, probably in danger of moral ruin by acquiring a taste for bad fiction and shallow sedition, and in the second, of blunting the best minds by penning them with the herd. The Abbey of Thelema has thus demonstrated practically how to cope with the three main problems of our time: sex, economics and education. We dealt with a host of minor difficulties. But the most striking phenomenon of all was that the majority of petty worries never appeared at all. It became clear that many such troubles have no real root in the facts of life, but are artificial symptoms suggested by the fundamental diseases. My final interpretation of my five years in America may be summarized somewhat as follows. Firstly, before I was fit to take my place as the prophet of the Law of Thelema I must complete my personal initiation into the mysteries of the Grade of Magus. Secondly, that I might understand the problems which I should later on be called upon to settle, it was necessary to bring me into intimate personal contact with the very varied conditions of mankind. Before this journey I had not even begun to understand what America meant. I ignored it, disliked it; my only idea of dealing with it was that of an ignorant nurse to smack it into propriety. It had hardly occured to me to inquire why such poetry as that of Keats and myself was not the daily joy of Minnesota farmers. I thought it simply showed their baseness. I now understand that the bonds of brotherhood which make mankind a spiritual unity are everywhere identical, though their appearance varies so as to be unrecognizable to all but very few initiates. I have attained to understanding, I have made my magical model of society, and I await the moment when those who have chosen me to carry out their colossal conception summon me to stand forth before the world and execute their purpose. At this point, then, I leave my memoirs. My individual life is ended forever. It was always a mere means of bringing The Book of the Law to mankind. No man yet lived whose personal adventures were worth wasting a word on. I feel a sort of shame at intruding myself in this way on the public. And yet this book will not be altogether an impudent inanity if it shows how every adventure may serve to bring about some achivement of eternal importance. Typed down by Parsec / Phuture 303, 950723 #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## # ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * ... * * ::::::.::::::. :::::::. .:: ::::::. .::::. ::: * * .::.::'.::..:: .::..::' ...`::..::..'' .::. `' * * ::: :::: ::::::: `::.::::::'::::.::.::::::' ::: * * .................................................. * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * cnf666_prelude.txt Typed by Parsec/Phuture 303 The Confessions of Aleister Crowley, Prelude `Do what thou wilt shall be the whole of the Law.' Not only to this autohagiography - as he amusedly insists on calling it - of Aleister Crowley, but to every form of biography, biology, even chemistry, these words are the key. `Every man and every woman is a star.' What can we know about a star? By the telescope, a faint phantasm of its optical value. By the spectroscope, a hint of its composition. By the telescope, and our mathematics, its course. In this last case we may legitimately argue from the known to the unknown: by our measure of the brief visible curve, we can calculate whence it has come and whither it will go. Experience justifies our assumptions. Considerations of this sort are essential to any serious attempt at biography. An infant is not - as our grandmothers thought - an arbitrary jest flung into the world by a cynical deity, to be saved or damned as predestination or freewill required. We know now that `that, that is, is', as the old hermit of Prague that never saw pen and ink very wittily said to a niece of King Gorboduc. Nothing can ever be created or destroyed; and therefore the `life' of any individual must be comparable to that brief visible curve, and the object of writing it to divine by the proper measurements the remainder of its career. The writer of any biography must ask, in the deepest sense, who is he? This question `who art thou?' is the first which is put to any candidate for initiation. Also, it is the last. What so-and-so is, did and suffered: these are merely clues to that great problem. So then the earliest memories of any autohagiographer will be immensely valuable; their very incoherence will be an infallible guide. For, as Freud has shown, we remember (in the main) what we wish to remember, and forget what is painful. There is thus great danger of deception as to the `facts' of the case; but our memories indicate with uncanny accuracy what is our true will. And, as above made manifest, it is this true will which shows the nature of our proper motion. In writing the life of the average man, there is this fundamental difficulty, that the performance is futile and meaningless, even from the standpoint of the matter-of-fact philosopher; there is, that is to say, no artistic unity. In the case of Aleister Crowley no such Boyg appeared on the hillside; for he himself regards his career as a definitely dramatic composition. It comes to a climax on April 8th, 9th and 10th, 1904 E.V. The slightest incident in the history of the whole universe appears to him as a preparation for that event; and his subsequent life is merely the aftermath of that crisis. On the other hand, however, there is the circumstance that his time has been spent in three very distinct manners: the Secret Way of the Initiate, the Path of Poetry and Philosophy, and the Open Sea of Romance and Adventure. It is indeed not unusual to find the first two, or the last two, elements in the molecule of a man: Byron exemplifies this, and Poe that. But it is rare indeed for so strenuous and out-of-doors a life to be associated with such profound devotion to the arts of the quietist; and in this particular instance all three careers are so full that posterity might well be excused for surmising that not one but several individuals were combined in a legend, or even for taking the next step and saying: This Aleister Crowley was not a man, or even a number of men; he is obviously a solar myth. Nor could he himself deny such an impeachment too brutally; for already, before he has attained the prime of life, his name is associated with fables not less fantastic than those which have thrown doubt upon the historicity of the Buddha. It should be the true will of this book to make plain the truth about the man. Yet here again there is a lion in the way. The truth must be falsehood unless it be the whole truth; and the whole truth is partly inaccessible, partly unintelligible, partly incredible and partly unpublishable - that is, in any country where truth in itself is recognized as a dangerous explosive. A further difficulty is introduced by the nature of the mind, and especially of the memory, of the man himself. We shall come to incidents which show that he is doubtful about clearly remembered circumstances, whether they belong to `real life' or to dreams, and even that he has utterly forgotten things which no normal man could forget. He has, moreover, so completely overcome the illusion of time (in the sense used by the philosophers, from Lao Tzu and Plotinus to Kant and Whitehead) that he often finds it impossible to disentangle events as a sequence. He has so thoroughly referred phenomena to a single standard that they have lost their individual significance, just as when one has understood the word `cat', the letters c a t have lost their own value and become mere arbitrary elements of an idea. Further: on reviewing one's life in perspective the astronomical sequence ceases to be significant. Events rearrange themselves in an order outside time and space, just as in a picture there is no way of distinguishing at what point on the canvas the artist began to paint. Alas! it is impossible to make this a satisfactory book; hurrah! that furnishes the necessary stimulus; it becomes worth while to do it, and by Styx! it shall be done. It would be absurd to apologize for the form of this book. Excuses are always nauseating. I do not believe for a moment that it would have turned out any better if it had been written in the most favourable circumstances. I mention merely as a matter of general interest the actual difficulties attending the composition. From the start my position was precarious. I was practically penniless, I had been betrayed in the most shameless and senseless way by practically everyone with whom I was in business relations, I had no means of access to any of the normal conveniences which are considered essential to people engaged in such tasks. On the top of this there sprang up a sudden whirlwind of wanton treachery and brainless persecution, so imbecile yet so violent as to throw even quite sensible people off their base. I ignored this and carried on, but almost immediately both I and one of my principal assistants were stricken down with lingering illness. I carried on. My assistant died. I carried on. His death was the signal for a fresh outburst of venomous falsehoods. I carried on. The agitation resulted in my being exiled from Italy; though no accusation of any kind was, or could be, alleged against me. That meant that I was torn away from even the most elementary conveniences for writing this book. I carried on. At the moment of writing this paragraph everything in connection with the book is entirely in the air. I am carrying on. But apart from any of this, I have felt throughout an essential diffculty with regard to the form of the book. The subject is too big to be susceptible of organic structure unless I make a deliberate effort of will and a strict arbitrary selection. It would, as a matter of fact, be easy for me to choose any one of fifty meanings for my life, and illustrate it by carefully chosen facts. Any such method would be open to the criticism which is always ready to devastate any form of idealism. I myself feel that it would be unfair and, what is more, untrue. The alternative has been to make the incidents as full as possible, to state them as they occured, entirely regardless of any possible bearing upon any possible spiritual significance. This method involves a certain faith in life itself, that it will declare its own meaning and apportion the relative importance of every set of incidents automatically. In other words, it is to assert the theory that destiny is a supreme artist, which is notoriously not the case on any accepted definition of art. And yet - a mountain! What a mass of heterogeneous accidents determine its shape! Yet, in the case of a fine mountain, who denies the beauty and even the significance of its form? In the later years of my life, as I have attained to some understanding of the unity behind the diverse phenomena of experience, and as the natural restriction of elasticity which comes with age has gained ground, it has become progressively easier to group events about a central purpose. But this only means that the principle of selection has been changed. In my early years the actual seasons, climates and occupations determined the sections of my life. My spiritual activities fit into those frames, whereas, more recently, the converse is the case. My physical environment fits into my spiritual preoccupation. This change would be sufficient by itself to ensure the theoretical impossibility of editing a life like mine on any consistent principle. I find myself obliged, for these and many other reasons, to abandon altogether any idea of conceiving an artistic structure for the work of formulating an artistic purpose. All that I can do is to describe everything that I remember, as best I can, as if it were, in itself, the centre of interest. I must trust nature so to order matters that, in the multiplicity of the material, the proper proportion will somehow appear automatically, just as in the operations of pure chance or inexorable law a unity ennobled by strength and beautified by harmony arises inscrutably out of the chaotic concatenation of circumstances. At least one claim may be made; nothing has been invented, nothing suppressed, nothing altered and nothing `yellowed up'. I believe that truth is not only stranger than fiction, but more interesting. And I have no motive for deception, because I don't give a damn for the whole human race - `you're nothing but a pack of cards.' ---------------------------------------------------------------------- Typed down by Parsec / Phuture 303, 950801  ###### ##### #### ## ###### #### ### ## ## ## # ## ##### ##### ## # ##### ### ## ####### # # # ## ##### # # ## ### ## ## #### ### ## ###### ## # ## ## ### ## ## ## ## # ### #### ### ### ## ### ###### ### ## ## ## ### ## ## ### ## ## #### ## ######## ## #### ## ## ###### ## ### ## ### ## ### ## ### ###### ## ## ######## ####### ###### ###### ###### ###### ###### ###### ## ## ###### ###### ###### ###### ###### ###### ###### ##### ###### ### ### ##### SUBCULTURE MESSAGES ~~~~~~~~~~~~~~~~~~~ DON'T FORGET THAT THERE IS NOW A SEARCH FUNCTION!!! PRESS S TO TRY IT!!! ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## # ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### ______________________________________________________ _ _ _ \___________________ _____________________ __________________ /___ \/ _/ / / / / / /___ \/_____/ /____ / __ /____ / /_____/___ / / / / / /___¬_/_____/ _/___ / / /_/__ / / / / / / / / / / / / / / / / / / / / / /__/ /__/__/_____/__/_____/__/__/\____/ /_____/_____/_____/[rC7] PHUTURE 303 IS STILL SEEKING NEW MEMBERS ALL OVER THE WORLD SO IF YOU FEEL THAT THIS IS THE GROUP FOR YOU THEN CONTACT LFO IF YOU ARE A CODER/MUSICIAN/GRAPHICIAN THEN SEND A SMALL EXAMPLE OF WHAT YOU ARE CAPABLE OF....SWAPPERS CAN ALSO JOIN BUT THEY MUST BE FAST AND RELIABLE....TIMEWASTERS SHOULD NOT EVEN TRY TO JOIN..... #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## # ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### -------------------------------------------------------------------------- ... messages-box... Beavis / Phuture 303... no chaos.. alpha etc... date of release : 29.08.1995 ad... -------------------------------------------------------------------------- from BEAVIS to ALHAZRED/SPASM&MELTING POT hello Aymeric... wherever you are!.. i remembered a sending to ya with sum kind of tapez & disx... pleeze cum home from da beach, and write soon... or die!!.hehe... from BEAVIS to ANGELWINGS/SYNDROME flzttzttt.t.t.t.... yo Simod... Beavis youre MS Patient here streikin back to ya department (store)... i've sended you sumthing, but don't try to read it... it's absoluteley senseless... was ist eigentlich eine Torfgrubenartillerieinfanterieattake?!?!?... from BEAVIS to BADGER/PHUTURE 303 ho & hi.. Badger... i really thank you for ya big d-lays, it gives me the time, to think about new topics to write you... in case you're letters get even more longer... hope you got sum nice new photos for me to look at!... (try to shoot naked girls... lechz!)... from BEAVIS to BASE/PHUTURE 303 hi Base du alte Nase!.. yo... Titten-Susi rulez wirklich vieles mehr als Blas(en) Mary... sie ist sehr intelligent, und blond..und..äheh.. tja, mehr fällt mir dazu momentan nicht ein... i hope you hattest a wonderful Denmark-Trip... Tripper?!?... from BEAVIS to CHELSEA/DEPTH ... hi.. äh... how's ya name?!?.. i forget it!!.. you're d-lay is massive, and i dunno how to reach ya, so i take a chance in thiz very important magacine, from a very important Group!!.. to give ya a sign.... pleeze write immediately!!... from BEAVIS to CHRIS/SARDONYX .. ohho.. der große Musician hat wohl zu tief in die Tuba geblasen oder wie?!?.. wo bleibsts du eigentlich?!?.. ich warte hier schon seit 4 Monaten oder so!!.. mach mal Tempo!!... (und schick gleich mal nen kewles Module mit!)... from BEAVIS to CIE/PHUTURE 303&RNO&BONZAI BROS. huch..ächz.. also allmählich krepier ich, beim Ausschreiben deiner Bezeichnung... ich hoffe mal, Bonzai Bros. war dein letzter Streich! weißte schon das neueste?!... hehe.. Subculture ist wieder da, und der LFO im Handgepäck!... kewl wa?!?... aber inzwischen dürfteste ja schon wenigstens eine Disx damit inne Hand gehabt haben... c'ya alter Haudegen... Spanien ist bald unser?!!... from BEAVIS to CLEVER/PHUTURE 303 und noch nen memba!.. hi Clever... i really like ya kewl sendinx! übersetzt... ich really lechz ya sending... tja, wie du siehst komm ich schon ganz durcheinander hier, in diesem Mix-Max aus Eng- lisch und Germanisch... ist schon etwas verwirrend das ganze... mit der Cd könnte es klappen, denn morgen krieg ich wahrscheinlich erstmal wieder Kohle... yep... lechz... sabber.. grunz... from BEAVIS to CYBORG/NEOPLASIA yup.. hi Helge alter Ex-m8... das ModuleTrading mit dir ist echt eine Riesensache... nie hatte ich soviel Modulez wie heute.. lo- gisch oder?!... nun ja, wir schreiben ja sowieso im 5 Minuten- Takt hier, und somit... bye... bis demnext!... from BEAVIS to CYCLONE/PHUTURE 303&BLACK CODE DESIGN hi du Black Coder... irgendwie schon shit, das du da wieder ge- joint hast, erst recht jetzt, da LFO mitsamt Subculture wieder da ist... so.. das haste jetzt davon..hehe.. na ja, hast ja jetzt wohl wenichstens nen paar richtig kewle Sachen zum Spreaden.. from BEAVIS to DEVASTATOR/SALAMANDER hi dewd!.. Beavis would like to thank you for all the Assembly Stuff you've sended me... first i also would like to go to Assembly, but then i took away from decision, coz the fucking distance, and primary the fuckin money... c'ya soon... i'll be back for sure!... p.s. Any new UFO sighted?!?... hehe... from BEAVIS to DEVISTATOR/NEO howdy Neil.. here's ya well known Contax called Beavis, with a new and fresh issue of Subculture... you know i like ya sendinx, and i hope you like it too... yes.. nothing more to say today... bye from BEAVIS to DNA/DANCE ANTHEM hi dewd... thanx for contacting me, and as a result, you now here holding Subculture # 6 in ya arms... that is an success or not?! yo... LFO now is back for swapping and so on... and perhaps you also would like to swap with the "Left Hand of him"... would u?!? from BEAVIS to DOOMSDAY/BIZARRE ARTS hi du Duumtach... also ich meine deine d-layz immer!.. arghll.. na ja... wat soll ich jetzt sagen... send fast und schnell..hehe.. und soweiter... bis denne... from BEAVIS to DRAC/AMBROSIA howdy Jan!!.. shit.. i forgot to paint sumthing kewl for ya Psycho Pack!.. pleeze forgive me!... i also had thiz fuckin big d-lay, but if all will be well, i sended to u, before you read diz crap in Subculture # 6.... bye... from BEAVIS to EXON/RIOT hi Maik.. naja.. wie du siehst, ist hier mal wieder ein Subculture vom Himmel gekommen... ach wie schön... tja, aber ich befürchte fast, du hast es eh in den Mülleimer gefeuert, oder?!.. tja ja.. schlimm schlimm... wart mal nur ab... eines Tages kommen bla bla.. from BEAVIS to FISHWAVE/SARDONYX alter Fischkopp!!.. erst große Klappe, und dann mit Swapping auf- hören.. ts ts... kannst meine Disx auch ruhig behalten, ist ja auch nicht mal 2 Mark wert.. mehr würde ich dir sowieso nie geben!! from BEAVIS to FUGAZI/GIANTS hey Fugazi!.. kewl.. you are here, and i am here.. that's kewl.. yo.. big sorry for looong d-lay, but now the sendinx out... hope you can enjoy diz new Subculture... how's ja health?!?.. how's ya Doctor?!?.. (is he a Doctor?!?!)... from BEAVIS to GANGSTA/SCOOPEX hi Rene.. yo... mega-sending ist am laufen.. müßteste ja eigent- lich schon haben nech?!.. die ganzen Sachen waren natürlich nicht ganz leicht zu kopieren, aber wat tut man nicht alles für seine Contax.. tja..ja... bis bald my friend... übrigens : Artcore is kewwlll!!!.. from BEAVIS to GROWL/INDEPENDENT hi u Indy!.. Beavis has taken ya letter, and wroted back.. yep.. a while ago, i've done the same to ya... but u didn't wroted back do u remember... well.. and (funny) after all the time, now you are writing to me... with the helpin hand of Drac!.. thanx Drac.. from BEAVIS to HARDFIRE/INTENSE&NGC salut Johan!.. ju te.. öhh.. i better stop attempting to write french... you know, english is the better solution for one of us... isn't it?!.. thanx for all the kewl Modules & Infoz about Saturne Party... and now it's finally cancelled... heull...!!.. from BEAVIS to IRO/DEPTH hi Eir-Ho.. na Alter Kamerad... Stillgestanden!.. ach ne.. das bin ja ich, der stillstehen muß... shit!.. kruzifix... hmm, für dein Latein haste sicherlich keine Eins bekommen oder?!.. oki.. mehr dazu später, im Läter... Äther?!?... bye... grüß mal den Cie, und die Türkenschlampe vom Kirchenchor!..hehe.. from BEAVIS to JANOSH/NEOPLASIA moin Jan!.. yo.. dein friendly Help mit dem Playsid in aller Ehren, bislang hat's leider nichts gebracht... yo.. leider artet das allmählich in ein richtiges Problem aus... vielleicht sollte ich mir ja nen neuen Amiga kaufen.. wa?!.. thanx for Modulez and so on... bye.. bis demnext... from BEAVIS to JENNIE/DIFFUSION hi there Jennie or Pennie.. where are u?!?.. i missed u in sum way, and u didn't missed me?!?... shit... pleeze fasten ya seat- belt or sumthing, and write....!!!... from BEAVIS to KLF/INTENSE hi.. another d-lay?!.. 2 Month again?!.. arghh.. you're not fast dewd!.. that's a fact.. but.. Beavis don't care.. just send, and all will be well... cum to Beavis!!... bye... from BEAVIS to LFO/PHUTURE 303 yeah!.. hii Paul!!.. i'm Glad that you're back in Bizz, and right now you're watching my new and fresh-bacon Support-Sheet!!.. kewl?! anyway Phuture 303 Germany is still alive, as you see, and i hope our sooncummin Proddys will successess and not stresses... it rhymes! doesn't it?!?!.. bye.. c'ya later in da leter!... from BEAVIS to MALY/LADYBIRD DESIGN arghh.. Dobry Dzien or sumthing to u Maly!.. why in Hell do you are so fuckin lazy!?!.. why does it takes Months until you write me back?!?... thousand questions!.. any answers!?.. c'ya.. i really hope so.... from BEAVIS to MOONE/RAM JAM salute Moone!.. you Silver Groover... hey!.. real kewl Compo Mod from yaself..it sounds pretty in my eyes.. äh.. ears.. hehe..yo.. of courze thanx for ya speed... you are one of my fastest foreign contax!!.. double-dupa-mega-thanx!!... bye.. c'ya later and so on.. from BEAVIS to MR.KING/TRSI Moin Mr.King!.. hier ist ihr erhabener Beavis u.s.w..!..hehe.. yo.. schick immer schön Nevermind, dann kann nichts schiefgehen! vielleicht support ich dich ja sogar mal mit Subculture oder Nostalgia oder so... wenns die anderen denn nicht schon längst (mal wieder!) getan haben... yo... bis demnext... from BEAVIS to MR.P/REKTUM hi Mr.P alter Knabe!.. na.. wie gehts?!?.. ich meine jetzt wo du in Rektum bist, kann ja eigentlich alles nur noch besser werden oder?!?.. tja, hier ist unser neues Subculture, und... n-joyen sie jetzt, oder schalten sie bitte auf ein anderes Programm um! ne.. wäre dumm!... c'ya sooooooooooonnnn.. bye... from BEAVIS to NIGHTMARE/ELICMA heul!.. der Nightmare ist also wech vom Fenster... hmm, ist die Umwandlung schon vollzogen?!?.. ich meine den ganzen Tag so nen PC anglotzen!.. das kann ja gar nicht gutgehen!..hehe.. ich contacte dich aber trotzdem irgendwann wohl nochmal, ich weiß nur noch nicht genau wann!.. wart's ab... & bye... from BEAVIS to PALM/INDEPENDENT yo.. hi dewd.. hier's Beavis.. schick deinen PC doch zur Hölle! kack drauf... zersetz ihn, bevor es dich zersetzt!..hehe.. ich schick dir also mal wieder nen paar Amiga-Dos Disx, und du schickst mir nen paar IBM-Kack-Disx!!.. na schön... das nenn ich Swapping!! eheh... from BEAVIS to PARSEC/PHUTURE 303 hiho Parsec!!.. yes.. hope u already have visited Axehandle, so he's been prepared to code for us!.. is he?!.. yeah.. LFO is finally back, and all seems to be even better than before.. our strenght is stronger than before, and all cannons are fodderd or sumthing... wish you a nice health and a kewl scanning!.. if it could ever be kewl to be scanned!!.. c'ya dewd!!... from BEAVIS to PHASE/NEOPLASIA hi Phaso!.. hier siehste ein erneutes Produkt aus dem Traditions- reichen bla bla bla Hause.. sülz.. laber.. Phuture 303.. gacker.. thanx für all deine Festplatten-Tips, aber war oder ist leider alles nur Kaltes Büffet... shit.. ich krieg das mit den Jumpers einfach nicht auf die Reihe!!.. komm doch einfach mal rüber, dann kannst du es ja mal persönlich begutachten... in dem Sinne... bis nexte woche oder so!... from BEAVIS to RAYER/FATE hi Rayer!.. thanx for contacting me... wish you and me a nice and succesful swapping time... ok.. looks like a standard messy, seems like bla bla bla... yep.. it is... until next... bye.. from BEAVIS to SCRABY/PICCO hmm, what's up with u?!?.. have u sum personal problems with the post in Poland, or has the polish post problems in general.. i mean practically ever send from u d-layz... and also from other dewdz from Poland!!.. what's up?!?.. did they send the post by foot or sumthing!?!?.. hmm... well.. bye.. c'ya soon... from BEAVIS to SONIC FLASH/RIOT&TECHNOLOGY moin Holger!.. also!.. mach hinne dewd!.. jetzt hast du mittler- weile schon über nen Monat d-lay... ist doch irgendwie scheiße.. komm nicht mit der Ausrede, ich war in Urlaub oder so!.. Urlaub ist längst gegessen, Schule ist wieder angefangen.. die Pflicht ruft!.. also .. für's Vaterland... für die Ehre!?!.. pleeze send!! from BEAVIS to SPLATTERHEAD/SCOOPEX hi Vesa!!.. thanx for kewl Sending last time.. did you also were on Assembly?!?.. pleeze report... sorry for d-lay, but i was very lazy in summertime... hmm, like the most dudz were... seems to be only natural!... hope to hear from ya soon... bye... from BEAVIS to STYLES/S2 yoho.. hello dewd.. thanx for ya kewl Sends & Letters.. it's nice to hear, that you are a winter-maniac... hehe.. coz the most dewdz are already even more summer-maniacs.. so i hope you were even much more kewler,faster in Winter... yo... bye until next... from BEAVIS to SYNTAX/AMBROSIA yoho.. hi m8.. nice to hear from u, after ya little d-lay.. yep.. fucking HD-Bitches!!.. i know the problem.. i also had sum kind of problem with my new Conner.. but those troubles on a big party! what a conquisition of conquisitions!!.. ... oki... and now... i'm ending... i have typed thiz fuck in less than 45 Minutes.. guess it's a new personal record... pleeze don't slaughter me for any stupidous passages of text... wish you a nice day, and a perfect demo... c'ya all... BeAvIs #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## # ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### MESSAGES FROM CIE / PHUTURE 303^BONZAI BROS.^RNO TO... (in alpha order!) ========================================================================= 4T-THIEVES/INDEPENDENT: Hi dude! What's up?? PLEASE WRITE!! I miss your FANTASTIC sendinx!!!! BASE/PHUTURE 303^KINKY: Schreib demnäxt mal bitte längere lettas! Sonst bringts ja no fun! Und bitte rememba endlich, daß ich immer noch einen A500 bedienen muss!! Also ECS!!!!!! BEAVIS/PHUTURE 303^RNO: Hi friend! Unser Reich weitet sich aus... und unser erstes Intro könnte rein theoretisch schon released sein... long letters rulen... auf dich kann man zählen!! CHUCKY/SARDONYX: Hm... tja... Du bist nicht gerade der fasteste... (was fürn Wort...) Speed up your engine... CLARY/NOVA: I've dropped you, you silly bitch. I haven't heard from you since ages... CLEVER/PHUTURE 303: Hi groupmate! Some groupmate greets... how about some swapping?? Just gimme a sign! CRAZYWILD/GRASSHOPPER DEVS: Well... perhaps we can speed up our swappin' a bit?? Nice sendings anyway... CURT COOL/DEPTH: Hi friend... I guess we can celebrate our very long swapping time at the next party-place...? CYCLONE/PHUTURE 303: Na, du Rave-Hasser!? Hehe... Mayday rules... Low Spirit rules... yep... und deine coolen sendinx + lettas sowieso. Ich call dich demnäxt mal! DR.AVALANCHE/BONZAI BROS.: YESSSS.... Rave rules... ich hoffe wir sehen uns mal im Index, Frisco oder im Tarm Center?? Oda auf der näxten MAYDAY! (Spätestens!!) Ich höre gerade Steve Mason. Ultrageil! Er fands am 19.8. cool im Index! Hat er auf seinem Experience gesagt. Und WENN er schon mal was lobt, dann muß es auch geil gewesen sein... War vorgestern bei DAZ SAUND und CARL COX... im Tarm Center... nur geil!! DJ MLNO: Last chance! Wenn ich bis zur näxten SC keine Answer bekomme, haste Pech gehabt! ESQUIRE/LEGACY: Due that we aren't the fastest, I love swapping with someone in Turkey... C ya! FUNNY GIRL/MYSTIC: Ich hoffe, Du kommst gut zurecht in Deutschland. Konnteste mein Mod brauchen?? I hope so... C U! Spiel nicht so viel mit deinen rosa Barbie-Puppen und verbrenne deine Take That Poster :-) ! HANSA/APPENDIX: I've dropped you. Biste immer sonen toller GHQ von APX? Haste mittlerweile mal ne Memberlist, do Lamer?? HARDFIRE/INTENSE^NGC: I think I will support your chip-pack with some own-mods... IRO/DEPTH: Tja, Du Raver! Jezz haste endlich deine Flyer-Wand in Ordnung gebracht! Wo soll ich denn jezz noch meckern?? Ich find schon noch watt... scheiße, der Sommer is wahrscheinlich schon um... aber wir haben ja bald Sylvester, hehe... schrubb nich soviel! Falls Du neue Pix für deine Ultracoole A1200-WB brauchst, ask the local picture-dealer nebenan! Hau mal den dummen Kerpenern auf die Fresse! JANOSH/NEOPLASIA: Wär geil, wenn Du das Pack hinbekommen würdest. Hey, du bist einer der schnellsten!! Cool... JAXX/AMBROSIA: I've dropped you. I haven't heard from you since ages! KURCZAK OZONEFREE: You are my one and only polish contact. How about getting faster??? LFO/PHUTURE 303: Hi chief!! I hope it's all right now with your moving-activities... The german division is missing our hero... MIKO63/IRIS: Yo friend! Thanx for very long letters the last times... tell me more about your visits on the greec islands... perhaps you someday come to a German Island [PLEASE DO NOT - it's terrible!!] but you can enjoy the marvellous city called Erftstadt... or even Cologne? MIKROKOMMISSION/SAINTS: A very complicated handle I think... write soon... MR.P/REKTUM: Demnäxt mal was freundlicher, kapiert!? Habe kein Bock immer dieses Rumgemotze ertragen zu müssen. Remember, daß Du der schlechteste Faker der Scene bist! Haste schon was blechen müssen? Wenn nich, dann kannste dich ja noch drauf freun!! RAVANA/INDY: Hola mi amigo. Well, I will improve my espana. Yo como un pan con mante- quilla y jamon... puis untos de leche, jugo de naranja, coca-cola... y va a la piscina por nado un poco porque es hot. This sentences make no sense I think... but I'll improve it!!! C ya! RAVE/BIZARRE ARTS: Alles Roger?? Some greets to ya... vielleicht sehen wir uns ja auf der näxten Party... SDS/RNO: Techno rules... Wow! Nice Flyers & Mods & Samples... great! SOLDIER/WAVERIDERS: I'll visit the CHECHESLOVANIA in one year... perhaps I'll make a short visit in your country too... I hope so! SONICFLASH/RIOT: I've dropped you. Habe kein Bock mehr auf deine beschissenen Lettas. Deine Mods sind genauso damaged wie dein brain, du kranke Sau!! Und hämmer nich immer Deine Matsch-Birne auf die Bordsteinkanten!! Lern mal laufen und reden!! SUBSTANCE/KINKY^RNO: Yo! Great finish Flyer Support! Thx... TBC/RNO: Hi! When do you release your next CD...? Nice swapping with ya! TERMINATOR/MYTH: Yes... you are back again... I will of coz forgive you and give you a VIP-ticket for the Australian Open for the cool letters you write... hehe... perhaps you'll see me in final against Pat Cash. THE RIPPER/RAM JAM: Thank you for support. I hope to see you on the next party. There we can drink a lot.. C U! TLS/RETIRE: Cooler Tape Swap. Also der Steve Mason ist echt der Hammer. Habe ihn schon live im Index erlebt. Nur cool! Vielleicht raven wir demnäxt mal zusammen ab... bis bald! WOOBER/SAINTS: I've contacted you. I hope to hear from ya soon... #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## # ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### -------------------------------------------------------------------------- ___________ ______________ _ ____: __\ _______/__/__ _________/__ |________ _ _/ \__________ / \/¯ ____ !¯ ___/____ _ \ \ ¯\/ / /¯ . / / \_________ __________ /_______!______ / `------.\______/.-----.\_____/.-------:---.\____/. -g `--------` `-------` `------` messages from gangsta/scoopex. . `----------------------[ cut here if you have to ]-----------------------` message from da gangsta to CHAOS/FACE-T`S PUSSY/DESIRE: ------------------------------------------------------ sorry for unusual delay and for not sending the tape, but where is your sending ? always nice`n brandnew stuff from you, mate. so please write soon indeed. message from da gangsta to STING/BONZAI BROS: -------------------------------------------- thanks for always sending great stuff.wie läuft der zwei- te versuch mit deiner freundin ? okay ich hoffe wir sehen uns einmal. message from da gangsta to TRASHER/SANITY^ARTWORK: ------------------------------------------------- hey alter, wo ist dein sending ? schreib mal wieder ! ich warte jetzt schon recht lange - verdammte Post ! message from da gangsta to NORBY/TRSI: ------------------------------------- yo norbert, everything`s fine today ? well please write again to me, i am waiting for your sending mate ! i guess da post has `lost` your sending or mine. message from da gangsta to MOUNT/POLKA BROTHERS: ----------------------------------------------- thanks for answering me, tage. i hope that i can support you and upstream as good as possible. sorry for my delay. message from da gangsta to PAYDAY/RAM JAM: ----------------------------------------- chill my nasty friend in sweden. sorry that i can `t send you any porno-tape at the moment. enjoy da music tape and please write soon back. message from da gangsta to QBA/TRSI^MASQUE: ------------------------------------------ good luck mate with your new pack and your new group. I hope you will have much fun. peace. message from da gangsta to FISHWAVE/SARDONYX^SWAP ATTACK: -------------------------------------------------------- chill adrian. schade, daß du das swappen weitestgehend enigestellt hast ! ich hoffe, dein neues mag kann rom das wasser reichen. den support von mir hast hoffentlich noch rechtzeitig bekommen, oder ? call me up ! message from da gangsta to MIKE/MYSTIC: -------------------------------------- thanks for your nice sendings. i really like most of the mystic releases you send me. keep sending them ! bye. message from da gangsta to NAPOLEON/DREAM DEALERS: ------------------------------------------------- salut mon ami. eh ben, ou est ton sending ? j`espere que tu vas m`ecrire encore une fois, non ? I thought you were quite a friendly guy. Please write to me again. message from da gangsta to DANNY KANE/KINKY^FLYING COWS: ------------------------------------------------------- how d`ya doing my friend ? sorry for not wanting to re- build the eskimos posse, but i thought it would be bet- ter that way. write soon. message from da gangsta to CHUCKY/SARDONYX: ------------------------------------------ hey, wo ist denn dein sending geblieben ? früher warste doch schneller, oder ? egal. wir sprechen uns mal wieder am phone. write soon. message from da gangsta to IRON/TRSI: ---------------------------------------- hey ireneusz. why haven`t you written to me for about two months ? fuck the post, i guess. anyway, please write to me again and send me the latest update of adresser. message from da gangsta to MR.KING/TRSI: --------------------------------------- na, jörg wie läuft`s ? hartes leben, was ? Nevermind ist echt ungeschlagen. please write soon. message from da gangsta to LAXICAL/SCOOPEX: ------------------------------------------ na, alles klar joachim ? ich hoffe, daß sich bei uns in bälde etwas tun wird. na ja, wir telefonieren mal wieder. message from da gangsta to NOODLE/FP/DESIRE: ------------------------------------------- so, i have recontacted you two weeks ago. where is your answer, mate ? please write soon, because i think we two were quite good friends, weren`t we ? message from da gangsta to SASCHA/MELLOW^TALENT: ----------------------------------------------- chill sascha. thanks for your nice sending. i agree with you that swapping isn`t what it has been in the earlier times. let`s keep trading some modules. write soon. message from da gangsta to BOO/TALENT: ------------------------------------- hey ulf. thanks a lot for the fabulous modules from you and DON CATO (- hi mate). i hope you will get your chance for working at FUNCOM. send soon my friend (-perhaps 42) message from da gangsta to DECOY/PASSION: ---------------------------------------- thanks for always sending great own productions. passion is really one of da ruling danish groups today. bye. message from da gangsta to FRAME/C-LOUS: --------------------------------------- thanks for your own graphics - i love your logos. perhaps you would like to paint some for scoopex ? write soon. message from da gangsta to CRUSADER/GIANTS: ------------------------------------------ hey janne, where are you ? we had such a nice relation- ship in my opinion. i guess it has been the post. please write to me one more time or gimme a message. message from da gangsta to DARREN/SCOOPEX: ----------------------------------------- how d`ya doing mate ? i hope you will soon be able to re- lease again your new designed pack. please write soon. message from da gangsta to LORD/ABSOLUTE^US: ------------------------------------------- thanks for your sending. it would be really a pity if US had to die. i really liked your productions. write soon. message from da gangsta to FATE/OUTLAWS: --------------------------------------- hello erwin. where is your sending mate ? write soon. message from da gangsta to PAPERBOY/SIMPLEX: ------------------------------------------- congratulations jarkko that you`ve made it into the cha- rts. you are really a great swapper. please write soon. message from da gangsta to STEFFEN/PARASITE: ------------------------------------------- so, you have joined parasite ? good luck mate. i hope you have enjoyed the mpegs which i have sent you. write soon. message from da gangsta to DECEIVER/DECNITE^JORMAS: -------------------------------------------------- thanks for your sending. i have heard that you may quit decnite and join an other group, is it true ? send soon. message from da gangsta to KARPOW/SCOOPEX: ----------------------------------------- howdy seppo. what`s up with your infestation pack ?please write soon and send latest issue. message from da gangsta to DAVE/VACUUM: -------------------------------------- thanks for re-contacting me, mate. i really enjoyed your new music-disk. you`re one of the few ones who still keep writing letters by hand - amazing, hehe. message from da gangsta to POW/IRIS: ----------------------------------- thanks for the hell of modules you`ve sent me. i like the modules from you and i would be damn glad if you could co mpose a nice`n funky chiptune for my pack. message from da gangsta to PSYCHO/IMPULSE^X-TRADE: ------------------------------------------------- thanks for contacting. i hope your board`s running fine. do you need some asciis ? just tell me. message from da gangsta to GODFATHER/GODS^INFERNO: ------------------------------------------------- chill. danke für deine coolen sendings. jup, ich würde gerne weiterswappen mit dir. i`ll send you some asciis. message from da gangsta to NEWT/SIMPLEX: --------------------------------------- hey, mate, where`s your sending ? i`ve surely answered you. now i hope you write soon. message from da gangsta to LFO/PHUTURE 303: ------------------------------------------ hello paul. i hope your move to england was good. well, i hope you will soon be able to re-begin swapping. see ya. message from da gangsta to HOT SHORTS/INDEPENDANT: ------------------------------------------------- how do you do ? nice sending from you. write soon. message from da gangsta to GOLD DRAGON/ACT: ------------------------------------------ hallo christian. danke für deine `own painted` pictures. ich hoffe, daß ich noch`n paar logos für act malen kann. message from da gangsta to THE SWATCH MAN/TRSI: ---------------------------------------------- yup, alle mißverständnise aus dem weg geräumt - danke für deinen coolen pack. ich hoffe das du mir mehr davon in zu kunft schicken kannst. see you ! message from da gangsta to CYBORG/NEOPLASIA: ------------------------------------------- chill helge ! danke für deinen ständigen module support. ich hoffe, daß neoplasia mit diesen neuen guten members zur `creme de la creme` avanciert. see you. message from da gangsta to STIMPY/SURPRISED PRODUCTIONS: ------------------------------------------------------- hey david, what`s up with you, mate ? long time no send- ing from you. hope to hear something from you soon. message from da gangsta to DRAC/AMBROSIA: ---------------------------------------- thanks for your friendly sending and especially for your new and surely only toolpack in the scene. send mo`. message from da gangsta to MONSUN/ACT: ------------------------------------- hallo marc. alles klar, alter skater ?ich hoffe du callst mich mal wieder per phone, oder schreib mal wieder. message from da gangsta to SPLATTERHEAD/SCOOPEX: ----------------------------------------------- chill and welcome in our happy posse. i hope we will have a nice time together. handshakes to Akiro. see you! message from da gangsta to MJ/IRIS: ---------------------------------- how do you do, my friend ? thanks for your sending. message from da gangsta to RAZE/AMBROSIA: ---------------------------------------- very nice and looong letters from you, mate. thanks. well i hope that you`ll get your pack soon. send it ! message from da gangsta to BEAVIS/PHUTURE 303: --------------------------------------------- hallo markus. ich hoffe, daß du viel spaß hast in deiner neuen group. danke für deinen picture-support ! message from da gangsta to RAVANA/NECROPOLIS: -------------------------------------------- well, what`s up doc ? i am waiting for your sending. message from da gangsta to DADDY FREDDY/SCOOPEX: ----------------------------------------------- thanks for your chiptune for my pack. i hope you enjoy being in scoopex as much as i do. let`s meet on the party five in denmark this year. see you there, mate. message from da gangsta to ENZYME/NEO^KINKY: ------------------------------------------- good luck in your new (and surely good) group. i hope to see some releases from you soon. bye. message from da gangsta to MALAKAI/SUPERNOVA: -------------------------------------------- thanks for your sending. i hope you can join sardonyx. message from da gangsta to LORD LECH/HUMBUGS: -------------------------------------------- yep. ich hoffe du kannst mir bald mein heiß ersehntes grafitti papermag schicken ! write soon. message from da gangsta to DEVISTATOR/NEO: ----------------------------------------- did you like the rave tape which i have sent you last ti- me ? i hope so. if you have any non-live jungle records, then please send me some of those. message from da gangsta to BLACKWULF/INDEPENDANT: ------------------------------------------------ hey, mate, what`s up in australia ? i hope you have rece- ived my sending. please write again to me ! message from da gangsta to HANSA/APPENDIX: ----------------------------------------- hmmm, ich warte schon lange auf dein sending. wo isses ? message from da gangsta to HEPTAGON/TRIBE: ----------------------------------------- well, ich dachte du schreibst mal wieder - oder call mich doch einfach mal an. nummer hast ja. message from da gangsta to HYSTERIC/RAM JAM: ------------------------------------------- thanks for always sending nice stuff.i hope you liked our brandnew demo. write soon, mate. message from da gangsta to SNOOP/APPLAUSE: ----------------------------------------- hey, what`s up ? why don`t you write anymore. i thought you were kind a cool guy. please write again. message from da gangsta to ALHAZRED/SPASM: ----------------------------------------- thanks for sending latest issue of bim bam. It is really a nice and very well designed mag. write soon ! message from da gangsta to VADER/TRIBE: -------------------------------------- hallo ulrich. wat is los ? ich warte schon lange auf dein sending. please write again soon ! message from da gangsta to KRUSEN/METRO: --------------------------------------- well, my spanish mate, what`s up ? hot shorts has told me that you are in the army now. ss this true ? well, please recontact me in that case afterwards. message from da gangsta to GIZMODUCK/DEPTH: ------------------------------------------ thanks for always writing nice letters and sending cool stuff. i`m looking forward for your new demo. message from da gangsta to STARKILLER/SAVIOUR: --------------------------------------------- hey, was ist los mit dir ? lange nicht gehört ! message from da gangsta to MR.KEEL/NOVA: --------------------------------------- s`lut mon ami. ou est ton sending ? j`espere que tu vas m`ecrire, non ? please write again. message from da gangsta to GHANDY/REBELS: ---------------------------------------- hmm, es scheint so wie wenn die post mal wieder ein paar sendings aus dem verkehr gezogen hat. damn. ich schreibe. message from da gangsta to CHRIS/SCOOPEX: ---------------------------------------- salut chris. comment vas-tu ? eh ben, aimes-tu notre nou- veau demo ? j`espere. please write soon, mate. message from da gangsta to HOGAN/LADYBIRD DESIGN: ------------------------------------------------ thanks for your sending. i am really looking forward for your new pack. the old menu-panel really looked great. message from da gangsta to THE KING/OBSESSION: --------------------------------------------- what`s up mate ? why haven`t you written to me for such a long period ? i am still waiting for your next sending. message from da gangsta to DERK/OBSESSION: ----------------------------------------- chill waldek. are you angry because i`ve left obs ? nope, i don`t think so. please write again. message from da gangsta to THE KNIGHT/OBSESSION: ----------------------------------------------- please write again to me, mate. i`m waiting for your one. message from da gangsta to CHE/FEAR: ----------------------------------- salut dennis. what`s up ? ich habe schon lange nichts von dir mehr gehört. also schreib mal wieder. ciao. message from da gangsta to DANNY KANE/KINKY^FLYING COWS: ------------------------------------------------------- how do you do, juha ? thanks for always being a friend. i hope we`ll meet on the party V this year, won`t we ? message from da gangsta to TECHNOKING/NEOPLASIA^ILLUSION: --------------------------------------------------------- jup michael. danke für deinen coolen stuff support. ich denke noch über dein angebot nach. chill. asciis werden hoffentlich bald mal fertig. message from da gangsta to GROWL/INDEPENDANT: -------------------------------------------- hello kim, my only mate on the peecee.i hope you`re doing fine. thanks for the modules. i hope you can soon send me the promised stickers. bye. message from da gangsta to MUADIB/ILLUSION: ------------------------------------------ salut. eh ben, merci beaucoup pour les images ! i really enjoy most of your sending, so keep`em up ! message from da gangsta to TOS/SILICON: -------------------------------------- hey, fabre. what`s up mate ? we have been in such a good relationship, haven`t we ? anyway, please write again ! message from da gangsta to TSP/INDEPENDANT: ------------------------------------------ hallo ralf. wo bleiben meine disks ? message from da gangsta to MAC FIGHT/MADOR: ------------------------------------------ what`s up ? please write one more time ! i am waiting. message from da gangsta to SLAYER/BLAZE: --------------------------------------- hmmm, another year passes by without any sign from you. message from da gangsta to DRAGON/INCAL: --------------------------------------- chill richard. always cool asciis from you, aber bist du jetzt definitiv ausgestiegen aus der szene oder haste nur mit dem mailtraden ausgehört ? message from da gangsta to SIR JINX/ILLUSION^INSECTS: ---------------------------------------------------- hey ingo, was is los mit dir ? defender (-get lost) mein- te, daß du ausgestiegen bist. if not, please write to me! message from da gangsta to PINKI/ILLUSION^OZONE FREE: ---------------------------------------------------- na, markus, alles klar in weilheim ? schreib mir doch mal wieder, ich warte schon recht lange auf dein sending. message from da gangsta to GALAHAD/SHRIMPS DESIGN: ------------------------------------------------- jummmie john, what`s up ? bitte schreib doch bald wieder. message from da gangsta to BEAVER MASTER/FLYING COWS: ---------------------------------------------------- okay, thanks for your one disk sendings. but please write some longer messages, couldn`t you do so ? chill mate. message from da gangsta to LOVELY/APPLAUSE: ------------------------------------------ hi krzysztof (- isn`t it much easier to call you chris- toph, hehe ?). thanks for your nice sending. write soon - btw, what`s up with the incredible `thing`-magazine ? message from da gangsta to ANGELWINGS/SYNDROME: ---------------------------------------------- na, simon, alles klar ? ich hoffe, daß ihr beiden nun en- dlich eueren pack bekommt. good luck in syndrome. message from da gangsta to DAFFY/INDEPENDANT: -------------------------------------------- i have heard from mista king that you`ve been kicked just after having joined trsi. well, i hope you`ll find a new and good group to join. write soon. message from da gangsta to PHASE/CHAOS DESIGN^NEOPLASIA: ------------------------------------------------------- hey, stephan, was ist los ? wo bleibt denn dein sending ? ich hoffe, daß du mir bald schreibst. see ya. message from da gangsta to CLEVER/TFD: ------------------------------------- yup, thanks for your pictures-support. ich hoffe, daß wir doch einmal ein treffen auf die beine stellen. see ya. message from da gangsta to ANTI/INFECT: -------------------------------------- na, probezeit überstanden, alter ? hoffentlich. na dann, call mich mal wieder und schreib bald ! see ya. message from da gangsta to DOOMSDAY/BIZARRE ARTS: ------------------------------------------------ hmm, lange zeit nicht von dir gehört ?ich call dich viel- leicht mal wieder an demnächst. write soon, mate ! message from da gangsta to KESTREL/SYNDROME: ------------------------------------------- alles klar in schwabstedt ? tja, good luck in syndrome, i hope you`ve enjoyed da last sending. bye. message from da gangsta to HYPER HYPE/SARDONYX: ---------------------------------------------- hey, danny, wilste nun doch nicht mehr mit mir swappen, oder hat dir der horra keine message übermittelt. see ya. message from da gangsta to PSYCHO/TRITEC: ---------------------------------------- sorry, ich konnte doch nicht ein treffen in rosenheim ar- rangieren, da wir mit dem wettkampf echt genug zu tun hat ten. sorry, aber wir telefonieren mal wieder. bye. message from da gangsta to ALL IN SCOOPEX: ----------------------------------------- i am damn lucky to be with you ! i hope we will all meet one time (- perhaps at the party V). let`s keep the spi- rit alive - G E N E R A T I O N S A H E A D ! #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## # ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### Messages from Devistator/NEo^K! SPANGLY/NEO Alright my raving friend, good that your coding Vocal Point.. i'll get those panel grafix back to you as soon I get them done m8.. from what you've told me about what it's gonna finish out like is sounds bloody cool!! Kepp up da cool phone calls, had to cut da last one very short as I had to get my hair mowed!! TUC/NEO Yo TUC, I love the code for the Digi-pix #2 m8 and like the Outcast it'll defintely be very popular... is the trackmo still going ahead as i've got shit loads of time now as i've finished crappy college and have a GOOD few months off.. cool!! DOG1/NEO Well m8, write soon, on da phone ya said about you sending a jiffy but I ain't got anything since... everyones got pressure in some kind these days which really suxx, fucking jobs eh... i'm glad (or maybe not!) that I have'nt got one for the moment!! Anyway, send soon... BON/NEO Hello Bon, seems like your getting enough members to join in Norway m8, very cool indeed!! I heard about your unfortunate accident with some dick-head driver... hope ya return to normal scene activities very soon!! Get well soon!! ENZYME/NEO Erm, yep Watts has left for a while which really suxx but we will survive, yep cool to see that many dudes are trying(!) to join NEo but your right we only want quality... so whoever you think is right for us then get them to join!! MENTOR/NEO Hello Simon, Well I hope that we can get loadsa more support for Vocal Point as it is well into production because of Spangly! :) I'm getting loadsa support from my contax anyway which is really cool so within no time we should have a pile of support to use!! CRACK/NEO AlRight Crack, well thanx for writing back m8 and as Watts has gone for a bit I need to be in contact with all the dudes... and also with all that going on with Bon and everything, we'll pull through though even though we seem to have the worst of luck hehe!! Anyway keep those cool sends coming!! RANDY/NEO Hello Robert!! Well good to see that we are in contact m8 as I wanna keep the friendship at a maximum within NEo... Bummer about Watts eh but we will live... good luck with finding a coder for the swedish division!! NOODLE/FP^DESIRE Hello, where are ya m8?? I've heard nothing from you since you contacted me quite some time ago... anyway I hope to hear from you soon and also having a cool swap-time!! REACT/SATURNE Yo Joeri, hows it going m8, nice ascii collies from you m8, I agree you should have both things... friendship and long letters and also kewl wares... sorry for the delays lately but i've been held up by all the work i've got to do at college like you at that art school.... FRAME/C-LOUS Hello Frame, very cool to hear from you so often, I loved your latest ascii colly, very cool indeed... Glad to hear that you liked my ascii colly m8 as I was pretty releaved when I finally got it finished... my next collys if I get the time to do them will be slightly smaller as that last one took too long for my liking and gets boring after a while!! GANGSTA/SCOOPEX Hello gangsta, well thanx for the cool sends as usual m8, also that support for Digi-pix #2 and the amazing trackmo `Alien'!! Keep up the usual good sends, oh yeh by the way.. thanx for the tape!! DAMIEN/PHUTURE 303 Erm, hello damien, nice sends from you m8, I look forward to some more mpegs hehehe, i'll do you the asciis very soon m8 so look out for em'!! Send soon!! Cool new menu for Subculture!! MEPHISTO/SPR/RETIRE Hello Mephisto, thanks for replying m8, I thought you were'nt going to reply first of all... anyway I hope we can have a cool swaptime... I like your asciis by the way..cool!! What about me joining DG?? DVIZE/DEVIOUS DESIGNS Yo Mark, thanks for you very cool sends as usual m8, delays again from me but i'll promise to send the right letter this time hehehehehe.... I liked ya last ascii colly so keep up the good work!! Famous football player eh hehe!! BEAVIS/PHUTURE 303 Yo Markus(?), Nice sendings from you m8, so you have now moved to Phuture 303 eh, hope you like it in there!! I'll get those asciis done for ya so i'll send em' very soon.... DIGITIZER/SUPER NOVA So whats up m8, you got a coder to join yet.... nice sends from you so keep it up... as in other messages i've had some time problems with college work so sorry about the delays!! ALHAZRED/SPASM Hello there, thanks for replying and I hope we can have a cool swap time... i'll do load of ascii for ya very soon so look out for em' in a send near you soon hehe... I like Bim Bam, very cool, the layout is very cool! DEVICE/INFECT Hello Gianluca, Very cool to hear from you again m8, i've been very buisy lately so you have'nt missed much really except all thats happened to NEo... another Device logo is forthcoming... thanks for the tape by the way, i'll send some English Jungle vibes... CHAOS/DESIRE Hello Derk, so then your moving home eh, good luck with that m8!! Your last letter was so cool, you should be a Desktop publisher hehe!!! I love your sends m8... Send soon if you have got the time.. good luck!! MARS/MYSTIC Hi, whats happened to you my old m8, I have not heard from you since the first time you replied... shit happens eh? CRUSADER/GIANTS Hello Janne, your last collys were very cool indeed... the style has changed again and like it.. thanks for the cool sends lately m8 as always!! I've changed my ascii style now, well i've got 2 as I still do them both but ones smaller and looks better on certain logos!! DISTORTION/STORM Hi Disty, nice to hear from you again m8... I don't mind the delays ... the post office always mucks the post up and if my postie steals the stamps again i'll twat her hehehehe!! ARGGGHHHH!!! Anyway she did'nt last time so she was lucky hehe!! Actually I think she does'nt care now!! SKY/BLAZE/FREEZERS Hello Sky, erm last send I had from you was ages ago... has the post lost the package (not un-common!) if you have'nt had anything from me then write again!! STIMPY/S!P Hello David, thanks for contacting me... I hope we can have a very cool swap time... send soon as I have'nt heard from you since the first sending.. GHANDY/BONZAI BROS. Thanx for contacting me and I hope we can have a cool swap time!! Heres a greet to you from Poppy... Meeooooooowwww!!! hehehe!! MIKE/MYSTIC Hello Mikko! Well thanx for the cool reply m8 and I hope we have a cool swap-time! Cool that you also liked my ascii art... i'll do that one for ya in the next send as you requested! SPLATTERHEAD/SCOOPEX Yo Splatterhead!! Thanx for writing back m8ey... thanx also for those cool wares... I hope we can have a cool swap-time as i'm sure we will!! Good also to hear your in contact with many other dudes in NEo! :) D-CODE/ELTECH Hello Amjid, Very cool sends as usual m8... thanks for all those ascii requests :) no seriously if you need more then just ask... i'll have all of them done very soon!!! Very good move joining Eltech becoz they are cool and friendly... and you will get your grafix used for once hehehe... WILSH/NERVE AXIS Hello m8ey, well sorry about your mindblasting delay m8 but it could not be helped really, college work has to be done... I don't want to be re-taking the whole year again... Nice sends m8!! LITHIUM/ELTECH Hello Glen, m8, friend, cooooooool hehehehe.... well good to see your on the Vocal Point team m8 as we need as much help as we can get, what do ya think of this pack then m8, pretty cool huh?! Nice sends as always m8!! REALITOR/ELTECH Hi Realitor, erm, sorry about not sending any messages on meridian lately but i've been held up... college suxx!!! It's also slowed my swpping down which suxx too... Glen tells me that the new Lunch Pak code is almost finished, cool to see your active and also that you joined KiNKy... unfortunately we all are too buisy at da moment in NEo & Eltech to do any KiNKy although i'll be contributing some grafix to intros for other divisions!! ARTANGEL/CARNAGE Friendly dude... hello Marcel (cool!), thanks for the MASSIVE letters as usual m8... yep you are right college does slow everything down, I just can't wait until this year is over.. the second year of my course is meant to be more relaxed so that will much better!! Those asciis are forthcoming!! Erm, one point... keep your fucking handle.. I will seriously drop you if you keep on changing it!! :) HORROR/INDY Hello Geoff, Nice sendings from you l8ly... all that cycling around to copy stuff must make you fit... hehehe.. good to hear that you have now got an A1200, I could'nt do without mine as I hate using the old A500.. I sold mine about a year ago! I'll get some ascii out soon.. THE JULIE DOLPHIN/INDY Well nice to hear from you again m8, all lame computer shops suck but thats my opinion.. If I buy hardware it's normally from Silica Systems as we have got a store in Bristol so I don't have to order it through post... I liked all those X-Files becoz I like reading spooky things.. WADE/ELTECH Hello Dan, I love your grafix m8 especially the un-proportionised womans face... very cool and it looks original and surreal... I really like Salvador Dali's pictures too as I did a lot about him in school... very cool artist!!! Erm, I agree with you about Grapevine, what a load of bollox 21 was... We need to get Vocal Point off the ground so please contribute... MIC FLAIR/ELTECH Hello Mic, thanks for contacting, at last, very cool that you got the time to write to me... Yep in my opinion ROM RULES and me and Glen always talk about it in letters as it's the coolest mag being released... CAGE/CARNAGE Erm, where are you?? Are you still in Florida/USA or have you just stopped swapping for a while, send soon anyway!! DEVOE/INDY(?) Hello Chris, well sorry for the delay in the last send m8 but I had these dreaded exams which really pissed me off, I ain't heard back that quick from when I sent so send soon... with a cool letter like usual!! So you joined a new crew yet atall?? FURBALL/QUI Erm, i'll send soon... sorry for the delay but ya know how things can be!! ZINC/GHD Erm, hello m8, sorry about that MASSIVE delay, you forgot to put a letter on any of the disks but no worries, all is forgiven.. hehehe.. D-Code has joined Eltech now... I'll send some more jungle vibes very soon... EVERYONE Well I ain't got much more time for messages now so i'll have to leave it here.. sorry to some I did'nt have time to write messages... next time ok!! Remember request ascii's from me and tell me what style ya want them in, either the small new style or the big style used in my first colly... l8ers!!! #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## # ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### MESSAGES FROM IRO/DEPTH TO......... CONDOR: Na Oller!Wie gehts wie stehs?!Bei euch in Berlin scheints ja voll abzu rulen...na ja....gleich gehts wohl wider zum N.J. ne bisschen Sensible Soccer zocken gell?Na mach den Compi auch mal fuer mich alle!C U yourz friend iro DIRE/TDD: Hehehe..FC RULZ!!,nech?Wie haben die nochmal gegen Schalke gespielt??Wuerg! 0:1,aber davon lassen wir uns nicht beeindrucken,gell!Ach ja,bei dem Meeting mit den Ruhrgebiet Leuten kannst auf ich zaehlen....bring noch ne paar Bonzai Bros. puls Illusion Typen mit,Ok? STING/ABYSS Hey Sting!Lang nix mehr von dir gehoert!Hast wohl momentan stressig mit deiner neuen Group oder was??Na ja,was will man machen.Oder haste du vieleicht ne neuen Girlfriend?!Wie dem auch sein....write soon...iro EXON/RIOT Tja Maik,es ist wahr,ich hab Riot geleftet.....aber das Leben geht weiter!!! Hehehehe.....nenene....wir seh uns ja bestimmt auf der Coma-Party oder vieleicht auch irgentwann mal auf der Saturne.....C U yourz iro RANDY/NEO Yø Robert!Sorry for my huge delay!Mhmm....i hope u have enjoyed my Sending and write soon back.C U yourz iro ANGELWINGS/SYNDROME Na streber Leiche!!Wie fuehlt man den sich so mit Abi??Hahaha!Jetzt warte das harte Berufsleben auf dich!!!HEHEHEHEHE!!DER GNADENLOSE KAMPF UMS UEBERLEBEN!!! ARGH!!........na also bis denne alter Mongole...yourz iro CYCLONE/PHUTURE 303 Na friend!Wir langsam mal Zeit das ich dich anrufe!Also stell dich schonmal drauf ein das bald das Ding mit den Hoerner klingelt (nein!nicht das!sondern das mit dem dicken Kabel ;-))und du mein vocie da rauf blubbert..hehe..cu iro ANDY/ESSENCE Au man!Lang nix von dir gehoert!Ich glaub ich recontact dich jetztmal... also bis denne....iro! KESTREL/SYNDROME Hey Jan,auf welche Party gehts du den nach der Gasp??Vieleicht seh wir uns ja nochmal like on the fuckin Nexus,gell?Na ja,ich muss dich nochmal daran erinner den Doomsday in seine Crossoverarsch zu treten...der faule Sack hat schon ueber ein halbes Jarh delay.....ok,cu iro DRAC/AMBROSIA Hi Jan!Nice to be an offical spreader from your cool Pack.Ok,but please tell me in the next letter something about releases in the future from Ambrosia.....write soon back friend....iro ADONIS/MAD ELKS Hey Henrik!Really nice group you have joined!!!I think Mad Elks are on of the best pack group in the wohle scene!Ok,i will leave u now...yourz iro BEAVIS/PHUTURE 303 Dos callipos Senior Markus!!But beware:Vix Aurora tenebras noctis de caelo fugaverat,et iam murmur et strepitus erant in Olympo.Tja..Latein Rulz,gell?! Jajaja....mit den Sprachen is schon so ne Sache...brauchst dir ja nur mal mein Kruepel Englisch anzugucken und schon weiste alles....ich da immer nur adios embrios!! SONICFLASH/RIOT Tja du Ratte,dich drop ich du Lamer!!Ich glaube du bist der groesste Spinner in der ganze Scene.Guck dir doch nur mal deine Letters an!!Haste die etwa mit einer Zwangsjacke geschrieben oder warum sind die immer so kurz und fickisch!!(dasselbe gilt fuer deine Mods) PEARL/PASSION Argh!You have stop swapping activities???Shit,but please greets Decoy from me....iro RAVE/BIZZARE ARTS Hey,lange nix mehr gehoert von dir?Kein Bock mehr mit mir zu swappen?? Ja oder is es bei dir momentan auch ne bisschen stressing angesagt?!Wie dem auch sei...write back soon....yourz iro DJ MELLOW NOISE/INFECT Yo Dennis!Hab hir ne paar coole Mods von dir rumfliegen.Da sag ich nur ACID RULZ!!Wau!Kann es sein das du auf der Nexus mit TLS/Retire am Compi rumgehangen hast??!Den Typ kennt naemlich der Cie und daher hab ich jetzt hier ein paar ultra coole Dinger von dem rumfliegen....ok,machs gut iro ALHAZED/SPASM Hey,Alhazed!Have u really drop me??No!Perhaps the post has lost our Sendings!! So please write back or i will recontact you.cu iro BALD HORSE/TRSI Hi Adam!Really nice Stuff from you,but have u now left the scene??Please write back soon as possible yourz iro! COMING-ART/BIZZARE ARTS Hey Oller!Was macht das composen den so??!!Please guck mal da oben nach ob du vieleicht das ein oder andere Game hast.Mhmm...tut mir leid wenn ich bis jetzt noch nix brauchbares fuer dich finden konnte.(ich versuchs ja bei jeden Typen aber ich bekomm nur so alte Sachen)Also bis dann.....iro CHELSEA/DEPTH Hey Groupmate!Yeah!Really!I am also in Depth!Cool eh?!Perhaps our friendship will get better now and we can write long Letters,(not long Messages!;-))can we??Ok,write fast back please...yourz iro CULTURE/SHRIMS DESING Hi!Ist mein Sending auch angekommen oder warum antwortest du nicht??Na ich wart noch ne bisschen.....iro BARMAN/NEOCROPOLIS Cool Stuff from you last Sending.Well,in wich Group are u now??Neocropolis or what??I hope u have found a kewl Group and write back soon....iro MOONE/RAM JAM Thanks for the cool Mods and the nice Demo.Please send more Mods from you and try to send some techno-mods!Thanks....yourz iro MEPHISTO/RETIRE Hey Oller!Ich bin jezz nicht mehr in Riot,sonder hab jezz Depth gejoint... wollt ich ja nur nochmal sagen,gell??Bist du eigentlich auch so ein Techno- Freak???Na also bis dann...yourz iro MIKE/MYSTIC Hi Mikko!Nice Sending from you.Well i think you have notice that i am not still in Riot and that i have join Depth.Cu yourz Iro ZIBI/F.C.I. Mhmm....you are the Whq-F.C.I???!!Cool!!I think F.C.I is a really big group,isn`t it??!I hope i will see many productions from your crew.cu iro MUTAGEN/CASYOPAYA Sorry for my huge delay!I will write back soooon! TRASHER/SANITY^ARTWORK Hallo Oli!Na,was machen die swapping activities??Noch alles klor??Mhmm... wann seh ich den endlich mal was "richtiges"von Artwork??Bin ja schon gespannt was ihr so drauf habt....Artwork ist fuer mich naemlich die letzte Hoffnung auf ne German Elite-Group....is wahr,oder wenn gibst noch??Rebels hat Exciter verloren,bei Sanity hat Chaos kein bock mehr gehabt und Jester hat geleftet...und Trsi is auch nicht mehr das was es einmal war.Und wen gibst sonst noch??Ok,bis denne iro SUICIDAL/UNLIMITED Sorry for my huge delay,i write soon back.....cu iro RISK/BONZAI BROS^ILLUSION Hey!Danke fuers coole Ascii,nur leider bin ich ja jezz nicht mehr in Riot...aber trotzdem danke!...yourz iro DECOY/PASSION Hey Decoy!!PLEASE RECONTACT ME,BECAUSE I HAVE LOST YOUR ADDY!!!! Ps:I have join Depth not Control..... GHANDY/GODS Na Lars,was macht euer board??Ist es ueberhaupt 100% legal??Na ja,viel fun damit und schreib nochmal....yourz iro TROOPER/LEGO Scheinst ja kein bock zu haben mit mir zu swappen,oder warum antwortest du nicht mehr??Also hoffentlich tust du es bald.....yourz iro! FELIX/SPEDDY Sorry for my huge delay!I write back soon.......yourz iro BASTARD/??? Na du Arsch!!Ich wette das du dreck hier sowieso nie zulesen bekommst weil so ne fuckin C.F.-Scener eh von nix ne Ahnung hat und daher auch nicht so ein geniales Pack wie hir von P303 bekommt!!!Achso,die Nexus is schon laengst vorbei und daher kannst du wohl auch kaum noch dahin gehn du Doof!!(20.5.1995 war sie du Hempel!!Und dein Sending wo drin stand das du da hin gehen willst kam am 12.6.1995 an!!!Wie willst du den das machen??!!) TESTSUO/SATURNE Damm!Again the Saturne Party is delayed!!Please tell me the latest news about it!...yourz iro GANGSTA/SCOOPEX Na Rene!Techno Rulz nur mal so nebenbei...ach ja,du wolltest doch bestimmt auf die Mayday gehen,gell??Dann nur mal so ein kleiner Tip von mir:Ich glaub nicht das die da NUR Rave Sachen auflegen wie man sie ja auf der CD oder bei Einslive gehoert hat.Die legen da auch Acid Dinger auf da geht dir die Hose floeten!Also wenn du nur Rave magst kann ich sie dir nicht empehlen weil immerhin kostet der Spass ja auch ueber 60DM!!!Warum ich dir das sag??Na ganz einfach,weil ich kenn viele Leute die haben sich dann die CD angehoert und fanden die auch ganz gut,sind daher auch ruckzuck ab zur Mayday und fanden sie tierisch beschiessen!!Klar!Die legen da ja auch hoechstens 4 Stunden Rave auf.Ok,gnug gelallt...cu iro PHASE/NPL Hi Stephan!Schick nochmal please ne paar Mods von Djml vorbei aber diesmal nicht xpacked.Thanks.Hey,bist du nicht ne Mainstreamer??!!Na das waer ja ein Ding!;-)Ok,mach mal schluss hier....cu iro SYLICON/INTENS Sorry 4 huge delay,write back soooon.....iro PLASMA/HUMBUGS Hey,Holger!Warum schickst du mir hier immer tausend Disketten??Ich bin doch dran!Ich antworte dir schin bald....iro MR KING/TRSI Hallo Joerg!Wir haben gerade gester erst telefoniert und du hast gesagt ich soll noch ne Woche warten bis wider was neues raus kommt.Ok,aber glaubst du wirklich das ich irgentwas schneller bekomm als du?!Und dann auch noch 4 Disks!argh!Na ja,ich bekomm das schon hin.C U Iro SPLATTERHEAD/SCOOPEX Hey,u have a brother who has also a kewl Amiga???Is he also in the scene?? Send some friendly greets to him....iro CURT COOL/DEPTH Hi Frank!Sorry for my delay but i am very busy.Well,some friendly greets fly to you from Cie/Phuture 303^Bonzai Bros.^Rave Network Overscan!!He said you should write back soon.Ok,cu yourz iro THE KING/ILLUSION King-Pack is a really cool Pack i think...please put the adverts i have send to you in it!Thanks!yourz iro HEPTAGON/TRIBE Find ich irgentwie scheisse das du geleft hast....na ja....dann mal viel fun im real life...falls es das gibt ;-)...iro DOOMSDAY/BIZZARE ARTS Langssam bin ich irgentwie sauer auf dich....jezz hast du schon ne halbes Jahr delay bei mir...lebst du ueberhaupt noch??? VOYAGE/ARTWORK Na,hast wohl kein bock mit mir zu swappen,nech??Tja,was will ich da machen, haettes aber wenigstens meine Disks zurueckschicken koennen. MR P/REKTUM Na Florian!Depth findste nicht so gut??!Mhmm....kann man nix machen... was macht eigentlich Bastard und co.???Scheinst ja auch nicht mehr all zuviel Contact zu dennen zu haben,gell?Ok,bis dann mal....iro SKULL/EMERATION Thanks for reply Skull.I hope we will have a nice swapping-time together. Ok,Cu....iro JANOSH/NPL Hey,find ich echt cool das du uns was codest!Wie weit bist du den schon??Ok,machs mal gut....iro CIE/PHUTURE 303 Na du Fritte!!Junge Junge,das war ja heute tierisch cool das kicken mit deinem Bruder und seinem Girlfriend....also ich mein das Fussballspiel,gell! Haben wir ueberhaupt gewonnen??Nachdem die Alte mir den Ball in die Fresse gehauen hat hab ich nix mehr mitbekommen...tja...undsonst??was sagst du ueberhaupt zumeiner ultimativen Flyerwand...hahaha...da kann deine doch echt gegen einpacken...ich kann ja gleichmal vorbeigucken,oder was??Nenene, lieber nicht,wir haben namlich halb drei morgens und ich haeng immer noch vor der Kiste und seh schon Spinnen im Lateinbuch!!!Ok,gleich geh ich erst mal noch ne paar Katzen kicken und die Lassonummer kennst ja schon...was machen eigentlich deine Eltern gerade??Also was meine machen ist echt nicht zu ueberhoeren!!!;-)hehehehe....jaajaajaaa...ich werd auch langsman muede, aber ich bin ja der geboren Sado wie du weisst....das geilste was ich bis jezz gemach habe war ganz viel Wasser trinken bis ich ne Blase wie ein Fussball hab,dann ab zum Klo heizen,Hose runter und drauf setzten,und dann einhalten...das brings echt tierisch....musste auch mal machen...ok,ich spiel jezz noch ein bisschen mit dem Tacker oder werf mich auf ne Reisnagel.. CU u later yourz friendly friendshipper friend IRO!! TO ALL OTHER CONTACTS: Sorry,but i can`t write to everybody a message,i hope u understand... yourz iro! #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## # ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### Greetz from da Raving Nemesis/R.N.O. + Phuture 303 goto: - T.B.C./R.N.O. + K!NKY Your musics kewl,hope ya sound cable gets fixed soon....... has Dose joined R.N.O. ? - Lfo/Phuture 303 Thanx for putting these few words on you Magdisk,and thanx for the cool stuff you sent !! - Messiah/R.N.O. If you weren`t in R.N.O. I would have voted for yaz as the best ASCII artist ! - Michael/Anathema Channel 4 was kewl but not as good as Chip Attack,Can`t wait to see issue 2 - Angeldust/Phuture 303 + R.N.O. Great pictures ya sent me !! How`s the German division going ? - Mentor/Magic Are you gonna reply my letter ? - Modman/Ex.Prophets haven`t seen ya since the last club a long time ago....... - M.A.D./Ex.Prophets Excellent Grafix,shame about Prophets spitting up eh? - Slavery/Smoke What happened to ya mothers pizza`s at your place ?? - Jonnix/Smoke How ya going with your scanner ? Prodigy rule !!! - Rage/Smoke Nice going on holiday with you in not so sunny Spain !! #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## # ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### *!SUBCULTURE MESSAGE CHART!* *!JUST FOR FUN!* Just had the idea to run a chart on how many messages sceners have sent or recieved in issues of subculture from issue #3 up to but not including the current issue.I soon realised that it would take far too long to count the recieved messages...so you'll have to settle for the sent message chart..after all it's just for fun anyway!! How i have worked it out... The Top 20 senders of messages is based upon how many messages you have sent to different contacts that have been published in Subculture.In the case of messages being repeated in different issues then these will only be counted once! Top 15 Message Senders from issue #3 to issue #5 of Subculture ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ POS | HANDLE | GROUP | # MESSAGES ~~~~~:~~~~~~~~~~~~~~:~~~~~~~~~~~~~:~~~~~~~~~~~~ 1 : ALHAZRED : SPASM : #106 2 : ANGELDUST : PHUTURE 303 : #94 3 : GANGSTA : SCOOPEX : #91 4 : IRO : RIOT : #75 5 : LFO : PHUTURE 303 : #72 6 : DAVE : VACUUM : #64 7 : DRAC : AMBROSIA : #63 8 : P.o.W : iRIs : #53 9 : CELIC : REKTUM : #47 10 : CIE : PHUTURE 303 : #46 11 : ANGELWINGS : APEX : #45 12 : TfT : Iris : #44 13 : DRAW : VACUUM : #38 14 : MUTAGEN : CASYOPEA : #36 15 : MR.P : VAXINE : #16 #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## # ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### ## ###### # ####### #### ####### ## ## ### # ### ## ## # #### #### ## ## ###### END OF MESSAGES FOR THIS ISSUE =/ #### # ## ####### ### ## ####### IF YOU WANT SOME MESSAGES HERE THEN ### ##### ##### #### ### ### ### YOU KNOW WHERE TO SEND THEM =) ## #### ### #### #### #### #### # # #### ####### ### ## ##### ### ##### ## # #### ### ### ### ## # ### ## # ### ### # ## ## ## # ### ### # # ## ### #### ######### ## ### ### ##### # ## ## # ### ### ### # ## ## # ## ###### ## ## ## ### ###### # #### ##### ### #### ## ### ### ## ## ### ##### ###### ####### #### #### ### # ## ###### ##### #### ## ###### #### ### ## ## ## # ## ##### ##### ## # ##### ### ## ####### # # # ## ##### # # ## ### ## ## #### ### ## ###### ## # ## ## ### ## ## ## ## # ### #### ### ### ## ### ###### ### ## ## ## ### ## ## ### ## ## #### ## ######## ## #### ## ## ###### ## ### ## ### ## ### ## ### ###### ## ## ######## ####### ###### ###### ###### ###### ###### ###### ## ## ###### ###### ###### ###### ###### ###### ###### ##### ###### ### ### ##### REQUESTS ======== : : : ---:---------------:--------------:--------------------------------------- : [-dNA!!-] |!dANCE ANtHEM!: REQUESTS ---:---------------:--------------:--------------------------------------- | | | New Protracker (V2.x or 3.x) | | | Kewl Stickers | | | Quality Modules'n'Samples | | | Player (P62? or even newer..) | | | Demos: Virtual Dreams - Breathtaker | | | Polka Brothers - The Prey! | | | Parallax/CnCd. - The Deep!!! | | | New & Cool Magazines | | | Normal Demo^Intro-stuff! | | | (-! ++ COOL CHIPTUNES !!! ++ !-) | | | HC ^ HARDTRANCE CoMpOsErS aRe AlSo | | | VeRy WeLcOmEd!! | | | ..And please, no Lha-Files! | | | 87% Answer2everyone! 100% 2 Musicians! ---:---------------:--------------:--------------------------------------- : Angeldust | pHuTuRe ³ø³ : REQUESTS ---:---------------:--------------:--------------------------------------- | | | . All Mod-Stuff, newest releases | | | prefered... | | | . Newest Protracker releases >3.15! | | | . Kewl and easy use raytracers... | | | . Directory Opus V5.0... | | | . Brilliance V2.0 or PPaint V6.0... | | | . Texture Mappings for DPaintV5.0... | | | . New Prowizard releases >2.16! | | | | | | . GERMAN CODERS with or without | | | a reputation... write me!!... | | | . GERMAN GRAPHICIANS, who are able | | | to paint kewler than me!... | | | . GERMAN MUSICIANS, who know what | | | "Protracker" means!... | | | . (I'm no Nazi.. i'm only searching | | | especially for GERMAN dewdz, coz | | | i'm the GERMAN HQ of P303!... | | | . (Dewdz in other Countries write to | | | LFO instead... yep.. it's true... | | | he's back!)... | | | ---:---------------:--------------:--------------------------------------- :[--> EXON <--] | ..RIOT.. : REQUESTS ---:---------------:--------------:--------------------------------------- | | | | | | SourceCodes | | | Fast Contacts | | | ---:---------------:--------------:--------------------------------------- : MOONE | RAM JAM : REQUESTS ---:---------------:--------------:--------------------------------------- | | | Yez, if ya love the best posse evermade | | | called: MELON DEZIGN. Just send to me | | | ya prods-list and i will reply to ya | | | all i have.. | | | And contact me also for joining! No | | | French dudes are welcome.. | | | ---:---------------:--------------:--------------------------------------- : pHASE | nEOPLASIA : REQUESTS ---:---------------:--------------:--------------------------------------- | | | * Asm, E-sources | | | * Crunchmania >1.91 (registered ?) | | | * TurboCalc 3.0 | | | * modules by Dizzy, Nao, 911 | | | * Flight of the Amazon Queen AGA | | | * RobNorten-Copy | | | * VCheck >6.53 (registered ?) ---:---------------:--------------:--------------------------------------- : CIE | PHUTURE 303 : REQUESTS ---:---------------:--------------:--------------------------------------- | | | - HIGH QUALITY SAMPLES | | | - Modules | | | - Techno-Tapes | | | - Flyers | | | - Latest scene stuff | | | - Music-Tools ---:---------------:--------------:--------------------------------------- : THe RiPPeR | rAM jAM : REQUESTS ---:---------------:--------------:--------------------------------------- | | | High seas traders *AGA* | | | Shadow Fighters *AGA* | | | Fifa Soccer -must be *FINAL* not | | | Loons version!- | | | Pinball Illusions *AGA* | | | Super Stardust | | | The Charts #11 (unbelievable eh?) ---:---------------:--------------:--------------------------------------- : Scraby | Picco : REQUESTS ---:---------------:--------------:--------------------------------------- | | | friendly contacts from the whole world | | | | | | 2nd disk from Motion/Bomb | | | | | | some old prodz from Melon Design, | | | Movement and Polka Brothers | | | | | | | | | the latest legal utilities | | | and games | | | | | | Inside/Polka Brothers | | | | | | gfx from Gathering'95 and other foreign | | | parties | | | ---|---------------:--------------|--------------------------------------- | LFO | PHUTURE 303 | REQUESTS ---:---------------:--------------:--------------------------------------- | | | | | | Quality Rave/techno modules | | | (preferably own made!) | | | ROM issue 4 | | | Good ECS intro's | | | New stuff!! | | | | | | Kewl contacts over the globe! | | | | | | And above all YOUR support for | | | SubCulture!! | | | ---|---------------:--------------|--------------------------------------- | FUGAZI | GIANTS | REQUESTS ---:---------------:--------------:--------------------------------------- | | | None that I know of... ---|---------------:--------------|--------------------------------------- : IRO | DEPTH : REQUESTS ---:---------------:--------------:--------------------------------------- | | |-Rise of the Robots(AGA) | | |-Banshee(AGA) | | |-Aladdin(AGA) | | |-Superstardust(AGA) | | |-The Lion King(Koenig der Loewen)(AGA) | | |-Elfmania(AGA?) | | |-Skeleton Krew(AGA?) | | |-Roadkill(AGA) | | |-Mirco Machiens 2(AGA) | | |If u have any of this Games PLEASE | | |send it to me!U get 100% your Disks back! | | | ---:---------------:--------------:--------------------------------------- : GANGSTA | SCOOPEX : REQUESTS ---:---------------:--------------:--------------------------------------- | | | - winning modules and pictures from | | | the Assembly`95 and Intel Outside II | | | - latest utilities for use with CD-Rom | | | - new pictures, icons, docks for use | | | with Toolmanager and/or MagicWB | | | - Flyers, Posters and all kind of | | | Graffiti support you can gimme me! | | | - latest CDs: illegal or legal | | | - Games: Fears (100%), Speris Legacy, | | | Alien Breed 3d (100%) | | | - Modules from Dizzy, Chorus&Sid, Au- | | | diomonster, SuperNao and others. | | | - Pictures from Facet, Ra, Peachy | | | - all kind of x-rated stuff... | | | ---|---------------:--------------|--------------------------------------- : | | ## ###### # ####### #### ####### ## ## ### # ### ## ## # #### #### ## ## ###### #### # ## ####### jUSt tHINk...If yoU'Re SeARcHINg ### ## ####### ### ##### ##### foR New coNtActS AND HAve oNe of tHe #### ### ### ### ## #### ### #### wARez tHAt SoMeoNe IS ReqUeStINg.. #### #### #### # # #### ####### ### wHAt BetteR wAy to INtRoDUce ## ##### ### ##### ## # #### ### ### yoURSeLf..DoN't foRget to MeNtIoN ### ## # ### ## # ### ### # ## ## ## # ### tHAt yoU SAw tHeIR ReqUeStS ### # # ## ### #### ######### ## ### ### IN SUBcULtURe.... ##### # ## ## # ### ### ### # ## ## # ## ###### ## ## ## ### ###### # #### ##### ### #### ## ### ### ## ## ### ##### ###### ####### #### #### ### # ## ###### ##### #### ## ###### #### ### ## ## ## # ## ##### ##### ## # ##### ### ## ####### # # # ## ##### # # ## ### ## ## #### ### ## ###### ## # ## ## ### ## ## ## ## # ### #### ### ### ## ### ###### ### ## ## ## ### ## ## ### ## ## #### ## ######## ## #### ## ## ###### ## ### ## ### ## ### ## ### ###### ## ## ######## ####### ###### ###### ###### ###### ###### ###### ## ## ###### ###### ###### ###### ###### ###### ###### ##### ###### ### ### ##### Advert Section ~~~~~~~~~~~~~~ This Advert section is totally free..but in order to have an advert included you must have sent some support.In other words the only adverts that will be included are adverts to people who have sent support.Just think if you write to me you can still get a free advert and diskback service!!None of this "send 2 error free disks.." at least not yet!! So grab your chance for some free advert space!! Regular supporters will always have their adverts included even if they miss an issue! Seeing as Subculture uses a unique `CED'-like vertical text displayer,the only limitation on sizes are 78 cols. You can add as many lines as needed to your adverts.So you dont have to worry about wheather that disk you posted had the correct advert size...Life is easy!! So grab an envelope and fill the space!! *LFO* ¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤ *-------------------* ¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤ | For fast swapping | ¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤ | and supporting | ¤¤¤¤¤¤¤¤¤¤ ¤¤¤ | SubCulture! | ¤¤¤¤¤¤¤¤¤ ¤ ¤ *-------------------* ¤¤¤¤¤¤¤¤¤ ¤¤ ¤¤¤¤¤¤¤¤¤ ¤ ¤ ¤ ¤ ¤¤¤¤¤¤¤¤¤ ¤ ¤ ¤¤ ¤¤¤¤¤¤¤¤¤ ¤¤ ¤ ¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤ ¤ ¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤ ¤ ¤¤¤¤¤¤ ¤¤¤ ¤¤¤¤¤¤ ¤ ¤¤¤¤¤¤¤ ¤ ¤ ¤ ¤¤¤¤ ¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤ ¤ ¤¤¤¤¤ ¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤ ¤ ¤¤¤¤¤ ¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤ ¤¤¤¤¤¤ ¤¤¤¤ ¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤ ¤¤¤ ¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤ ¤¤¤ ¤¤ ¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤ ¤¤¤ ¤¤¤¤¤¤¤ ¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤ ¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤ ¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤ ¤¤ ¤¤¤¤¤¤ ¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤ ¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤ ¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤ ¤¤¤¤ ¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤ ¤¤ ¤¤¤ ¤¤ ¤¤¤ ¤¤¤¤ ¤¤ ¤¤¤¤ ¤¤¤ ¤¤¤¤ ¤¤¤¤ *---------------------* ¤¤¤¤ ¤¤¤¤¤ | LFO/PHUTURE 303 WHQ | ¤¤¤¤¤ ¤¤¤ ¤¤ | PAUL BARKER | ¤¤¤¤¤¤ ¤¤¤ ¤¤¤¤ | 135 STOURTON AVE | ¤¤¤¤¤¤ ¤¤¤¤ ¤¤¤¤ | HANWORTH MIDDX | ¤¤¤¤¤¤¤ ¤¤ ¤¤ ¤¤¤¤¤ | TW13 6LD | ¤¤¤¤¤¤¤ ¤¤ ¤¤¤ ¤¤¤¤ | ENGLAND | ¤¤¤¤¤¤¤¤ ¤¤¤ ¤¤¤¤ *---------------------* ¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤[LFO]¤¤¤¤¤ *ALSO FOR JOINING PHUTURE 303* ALL SWAPPERS ARE GUARANTEED 100% ANSWER!! #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## ============================================================================== ADVERTS IN SUBCULTURE ARE FREE AS LONG AS YOU SUPPORT IN SOME WAY ============================================================================== ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### .........-----........------......................... : ______| | __l_ _|__ : _____:__\__ | |_ \___ ___/ ___________________:_______ \_________ \_ ¡ | \/¯¯ \_ | ¯¯\/ \_________ \_ _________//¯ : ________/ . | \_ / | _/ / ____ _/_ ______|__ ¡ ______|____| |______/ |_______/____\ /__________/ `---:-------.l_____|.----.| |.-----------.\_____/.---:------` : `-------` :l______|: 3 0 3 `-------` : ·....................`--------`.......................· gEt a nEw fRiEnD aT tHiS pHuTuRe 3ø3 sTaTiOn bAsE oF pHuTuRe 3ø3 pOsTfAcH 1102 24585 nOrToRf gErMaNy aNsWeR iS gUaRaNtEeD tO eVeRyOnE! #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## ============================================================================== YOU CAN SUPPORT BY SENDING YOUR VOTES,REQUESTS AND MESSAGES ============================================================================== ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### _____ ___ ___ __ ___ ______ __ ___ ____ _______ ______ _____ _____ / _ \ _/ / // /__ __/ // /___ \ ______/ /____ / _ /____ / / // / _ / // / / / // / _ _/ __/_ _/___ / / /_/__ / / ____/ // / // / / / / // / // / // / / / / / / / / / // / / / / / / / / / / / / / / / / _/ / / / /___/ /___/__/______/ /__/ /______/___/__/\_____[rC7]_____/_____/_____/ DAMIEN/PHUTURE 303 50% gfx Robban Hedell Bäckelidsvägen 10 50% muzak 683 33 Hagfors Sweden 100% fast swapping #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## ============================================================================== TO ME (LFO) OR ANY OTHER MEMBER OF PHUTURE 303! ============================================================================== ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### ______________________________________ _____ _____ _____ \____ \ / / /__ __// \___ \_ ___/ /__ // _ //__ / / ____/ / / / / / / _ _/ __/_ _/_ // / /_/_ / /__//__/__/_____/__/_____/__/ /_____/ / / //____// / / =[LFO]======================/__/========/____/======/____/=== - Cyclone / Phuture 303 - Mike Munz Fürstenallee 92 33102 Paderborn GERMANY ------->> Contact me 4 hot'n fast swappin' without tabus! <<------- #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## ============================================================================== YOU CAN ALSO WRITE TO ME IF YOU WOULD LIKE TO JOIN PHUTURE 303 ============================================================================== ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### ______________________________________ _____ _____ _____ \____ \ / / /__ __// \___ \_ ___/ /__ // _ //__ / / ____/ / / / / / / _ _/ __/_ _/_ // / /_/_ / /__//__/__/_____/__/_____/__/ /_____/ / / //____// / / =[LFO]======================/__/========/____/======/____/=== . . :. · .: All Techno-Freaks write 2: ·:. : .:· ·:. ::: .:· CIE / PHUTURE 303 ·:. ::::: .:· Thilo Geertzen ::::::::: Ruwerstr. 8 . . ::::::::::: . . 50374 Erftstadt ···:: ::::RAVE!:::: ::··· Germany · · ::::::::::: · · ::::::::: For: HQ-Samples, Modules ! .:· ::::: ·:. Techno-Tapes & Flyers .:· ::: ·:. Latest Scene Stuff .:· : ·:. .:· · ·:. Especially MUSICIANS · · · · are welcomed! LOVE, PEACE, RESPECT & ENERGY TO ALL THE REAL RAVERS OUT THERE! =============================================================== #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## ============================================================================== TALENTED GUYS ARE ALWAYS WELCOME! ESPECIALLY CODERS..! ============================================================================== ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### ___ ___ ___ . . ___|_ \ ___|_ \ ___|_ \ . . \/__/ \___ ___/ | \___ __/ _ _\__\/ /\__ __/ \__ __/ \· l______/\ ·__/_ T _\__ __/_ Y _\__ __/______ _\__· \·o | o·/ \·o | o·/ \·o T o·/ /\ | /\ /\ | /\ /\ ! /\ .(_ · | · _)(_ · | · _)(_ · · _). \l_______|_______| l_______¦_______| l_______________|/ ___ /\ /\ (msh)_ · · · · ¯°O(_) ·o. · cOnTaCt NeMeS¡S/r.N.o. & PhUtUrE 303 At: 30 FaRrIeR cLoSe fAtF¡ElD wAsH¡NgToN tYnE & wEaR nE38 8Rw EnGlAnD cOnTaCt Me fOr jO¡N¡Ng ThE eNgL¡Sh D¡V¡S¡On Of R.n.O. #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## ============================================================================== BUT DON'T WORRY BECAUSE WE'D LIKE TO GET MORE SWAPPERS TOO! ============================================================================== ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### Contact for legal reason only: _______________________ _______________ \ ¬\ _____ ¬\ \ ¬\ ¬\ /. /____/. ___/_/. /___/. /. /____/ // / // ¬ // / // // / / /_______ /______ /_______ /____ /_______ / ¬\/ ¬\/ ¬\/ ¬\/ ¬\/ of ___________ .______ _________ ____ \________ \ /\______._____| // \___/\l |_______/\_ / ____/ \/ | | // _ _ \ | |\ / \ _/ | / ____/| /\\___/ |___/ | |/ _/ \ \ | / __)__| | \ / | l | | \ \ \ | \__ | \ | \/ | | | | \/ / \_____l______/________/_____|______/\_____l l_________l_____/\____/ We are back to kick sum as!!!! ___________________ ___________________ / / / / / /\________________________________/\ \ \ \ \ \ /______/__/__/__/__/ /________________________________\ \__\__\__\__\______\ \______\ ¬\ ¬\ ¬\ ¬\ \\ // / ¬/ ¬/ ¬/ ¬/______/ \__\ \ \ \ \\THE HIGHEST FORM OF COOLNES!// / / / /__/ \__\ \ \ \___________________________ / / / /__/ \__\ \ / \ / /__/ \__\/ \/__/ To swap all da newzt stuff Demos,Logos, Ansis,Modules or just for friendship A.Baska Im Ohligs 12 42697 Solingen Wild West Germany Voice:++49/(0)212/75668 ask for Alf (only after 8 P.M.) #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## ============================================================================== SUBCULTURE RUNS ON A OCS MACHINE AS LONG AS YOU HAVE ENUFF MEMORY ;) ============================================================================== ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### .--------. _________ ________ ___________¦________¦_______ .-----. _______\_ _____/___/_ _____ \_ _____ \_ _____. / _______/---! / _/ ____/_____\/¯ : / ¬\/ / ¬\/ / \_____/ _____|_\_ | /_. .-\_________ /____ :/____ . /____ . /_____|________ .:/¯ _ _/ ¬| l________¬\/ /.-.\____/.-.\____/.-.\____/.--+--------¦\____/____/ .: | `-----.\____/ ¦ `------` `------` `------` ¦ ¦-------->/______| `-------` ¦ _¦ -g! ¦ _\/_ .fOr fASt aNd fRIENDly mAILTRADINg. ¦ \/\/ _ .fOr gRAFFITi aNd fLYEr sWAPPIn`. ¦ ¦ _(_)_ .cONTACt tHe nEXt gENERATIOn uNDEr ... `--------` (_(_)_) (_) .-----------------· gANGSta/sCOOPEx ·-----------------_|_----. ¦ rENe rUMMEl (_|_) ¦ ¦ hUTSCHENREUTHERKOl.5 | ¦ `-------------------. 95100 sELb .--------------------\//----g! gERMANy #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## ============================================================================== BUT YOU NEED AT LEAST ONE MEG CHIP AND THEN ANOTHER 1/4 MEG OF EITHER! ============================================================================== ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### : ______ /\________ /\____ : : _\___ \/____\__ _\/ ___/\ : : / __/ / / // /\_\/ : : /___/ /___/\______/_ // / : : \__/_ //\___\/\_____\_\/ / : . \_\/ / tRm\/ . \/ . . for fast swapping write to this addy: exon of riot Maik Nieke Siemensstr. 18 40721 Hilden Germany greets to: Scoopex, Essence, Trsi, Lego, P303, Passion, Applause, Iris, Neoplasia Trackers, Intense, Spasm, NGC, Gods, LBD and all others.........................: #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## ============================================================================== BUT THEN THIS DOESN'T APPLY TO YOU DOES IT!? ============================================================================== ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### ____________________ ___________________________ /\ \_ _/ _ _/ __/ | _/ _/ ____/ __/ _ _/ /\ \/_/ \_ _ \___ \_ \_ | \_ \_ __\_ _ \_\/ \______/_|___/_____/_____/_____/_____/_____/_|___«M» ©1995 Casyopea Inc. All right reserved in my bathroom. -=-=-=-=-=-=-=-=-=-=-=-=-=-=- Mutagen/Casyopea /\ Smile/Casyopea ul.Kubicy 1/11 \/ ul.Glowna 59 43-100 Tychy POLAND 89-500 Tuchola -=-=-=-=-=-=-=-=-=-=- 1oo% answer2everyone #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## ============================================================================== I STILL HAVE ONLY AN A500+ BUT WITH A 3.1 ROM AND 7 MEGS OF MEMORY ============================================================================== ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### ___ ____. ____ .__. ____ .__ ____. ._________/ \________/ \\\__ \_/ \\\__ \_/ \________/ \\ ._____ // \__ __ \_ ___ \_/ | \_/ | \_ \ \\__ \_/ _/ _) __/ \_______/ : _/ : _// \ _/ | \__ \_ \__ _/ \_ . \ . \/ \_/ .: / \\ \____/ .: /____ .: /______ .: /_____ .: / |______// \\\_____ .: /.--.\_____/,-.\______/,---.\_____/,--.\_____/\______/,-----' `---.\____// `------· `-------· ------· `------'`------·[Ðraw] `-----· ^ 100% aNSWEr nO jOKe! ^ ^ dRAw oF vACUUm p.O.BOx 8705 91·494 lODz 87 pOLANd ^ #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## ============================================================================== I'D LIKE TO HAVE AN A1200 SURE BUT WHAT ABOUT MY SCSI HARDDRIVES?? ============================================================================== ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### ________________ ________ _______ ____._ /____ \ /_____ .- ----- |/ / _/ \_ / \------- -. : /______/ \ / ______ \_ : `----uMn-________| ________\______/______________/aC!----' If ya want to have one more good and friendly ctx don't hestate to write 2: > PAY/ MICRO < PATRICK LINDGREN LILJEGATAN 1 545 31 TOREBODA SWEDEN Your disk = no risk ! #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## ============================================================================== YEAH SURE WE AIN'T ALL MADE OF MONEY!! ============================================================================== ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### _ ______________________________________________ _(_)_ _¦¦¦¦¦¦¦_ | \_ |_#_| (_______) | wANT yOUR wAREZ sPREAD bY tHIS uLTIMATE ¦ _| |_ / `-' \ | (M)ail (B)oard (S)ystem [tm] . |_ |_ __\ ~U~ /__ | _ (_) (_)_/ \___/ \_| [ r3AC7! / sA7URNE ] [ nOODLE / dESIRE ] (_) (_) ¦ \ | (_) () . r3AC7IFI3D! | jOERI tAN s7EPHAN sCHIPPER (_) | |_ _¯¯¯¯¯¯¯¯¯¯¯ | fAUNA 17 tIJM 20 () `---' \| V/| 1273 GV HUIZEN 1273 EC HUIZEN | | ¦ | dA nEVERLANDS! dA nEVERLANDS! | /_____________\| | | Y | | ÷ aLSO aSCII'S^rAP ÷ ÷ aLSO mODS^gFX ÷ | | ¦ | | ^lONG lE77ERS! ^fRIENDSHIP | ( V ) | | | | | ¦ ] !nO fAKED / lOWPAYED sENDINGS! [ | | ___ |_____) : aLSO sEND iN yOUR cON7RIBUTION fOR tHE dU7CH | (/___\) .._/_. cHAR7S cALLED 'hOKUS pOKUS'! nEWS^aDDS! etc. | (_._._) \_ | /_____\________/[rC7]- - - ---------------------------------' `'`'`'`'`''`'`' #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## ============================================================================== ECS RULES!! OCS KICKS ASS!! AGA SUXX!! OK I'LL ADMIT IT AGA KICKS ASS!! ============================================================================== ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### _____ ___ ____________________________________ | |_____/ |_____ / _____/ _____/_____ \ ___ \| |____/ | _/ \_______ \ 7 \| _/ __/ ___ \ | \______ \ _/ 7 \ | \ \_ 7 7 \ | \ 7 \ \___________/_____ /____7 | |____/_______/ ______/ ===============\___/=====|___|____|========-Scr\____/==== For some cool, friendly swapping with unknown (???) swapper from Poland simply write a letter to: Scraby/Picco ul. Waska 2/19 78-100 Kolobrzeg Poland Write also for: Ascii, tapez, grafitti, flyers swapping. Friendly people are very welcome. #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## ============================================================================== NO THE TRUTH!! AMIGA RULES! ============================================================================== ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### ________________ _________ \ __/_____ __________ \_______/ ______ __________ .____\ .______\ _____ \__\ /___|_ |___\ \____\ /_ | \ | ____/ \ \_ ____/__ / | _ \_ \ ________/ \ l__\ \ l________\ \ _____/__/¯\ |___\ \________/_ \ /\ ^rave^ / /\ \_____/ \ | /\ \ \ \ /___________/ /__________\ /___________\ | /__________\ \___________\ l_____| | `-> tHE nEW aGE <-' cOntact me for fast `n` some hellos to my friends in> friendly swapping Humbugs · Phuture 303 · Riot Bizzarre arts · TRL Designs mr.p/vaxine Illusion · Syndrome · Platin Florian Pfister Infect · TFD · ACT · Apendix Dorffeldstr.4 90427 Nuernberg Germoney vaxine - the new age 98,7% answer wer glaubt gut zu sein, hat aufgehoert, besser zu werden #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## ============================================================================== HEY ANY TALENTED ASCII DEWDS OUT THERE WANT TO MAKE SOME LOGOS FOR SUBCULTURE? ============================================================================== ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### ___ ___ _____ / _ \/ _ \/\/\ / / _ \/\/\ / / _/ _ / \ /\/ / _ / \ \/\ \_// (_/\/\ \\__/ //_/ /\/\_) \_) \/ \/ \/ \/ A nEw sUb-grOup oF rAm jAm frAnce iZ bORn,caLLed: ETNIES! tHe stYle oF tHIz subGRoup iZ baSed iN pURe delIRium! wE nEEd A graFiti-gFx & A 68000 coDer (nOt quaLity rEQs!) sENd yOUr wORk iN tHIz nEw hoUse: mOOne/Ram Jam bartOlOzzi florent 70 rue hectOr berliOz f-77380 cOmbs la ville france (100% rePly certIfied!) #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## ============================================================================== I'M RUNNING OUT OF IDEAS OF WHAT TO WRITE HERE.. ============================================================================== ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### -+- ! . . _______________ ________ . __\___ _._______/ ____/______. \ ¦/ | \_ | .\______________|____¦/_________| fOR TWELWE INCHES oF MADNESS oR SiMPLY lONG LETTERS TOGETHER WITH A FRIEND THAT WONT DROP YOU UNLESS YOU BEHAVE LIKe A SHITHEAD -- - ----- -. `-. .------------------------------------' `cYBERGOD!·RAMJAM -- FALTHAREV.9--. .--------------------------' `-- - 722 43 V-AS, sWEDEN- -- ! LiVe, aND LET LiVe ! #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## ============================================================================== ============================================================================== ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### ------------------- -for pure fun swap- - phase/neoplasia - - st.cremer - - dankwartstr.61a - -23966 wismar/germ- ------------------- greetz to everyone! ------------------- #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## ============================================================================== I MISSED ONE... ============================================================================== ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### ______ _ _ | __ \ /\ /\ | | | | | | \ \/ \ / / | |__| | | | / / /\ \ _____ / \ | __ | | |_/ / \ \/| _ \\/\ \ | | | | |_____/ /\/ | | \ | \ \|_| |_| \ \ | |_/ | \ \ \ \ | ___/ \/ \/ | | |_| 4 friendly swapping try : IRO øf DEPTH Bastian Effertz Ruwerstr.10 50374 Erftstadt Germany Greets to: Trsi-Abyss-Sanity-F.c.i-Gods Phuture 303-Artwork-Scoopex Mad Elks-Bomb-Speedy-Saturne Ram Jam-Bizzare Arts-Ambrosia #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## ============================================================================== I JUST HAD TO.. ============================================================================== ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### _____________________ _____ _____________ __________ _____ ____ \______ \______ \\_ \ / /\____. \\______ \\_ \ / / / _/ _/ _ \/ _ \/ _ \_____| \/ _ \/ _ \/ _ \ / \ \ Y \ \ / \ ! \ Y \ \ / \ \_____\ \_________/____\/_____/__________/__________/____\/_____/ sct\______/ --» THE RIPPER / RAM-JAM «-- nightfall C.P. 102 I-34100 Trieste Italia * Send here news, articles, letters and suggestions regarding THE CHARTS * * Also for clever swapping and 1oo% answers * #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## ============================================================================== IT WAS GETTING TOO MUCH FOR ME... ============================================================================== ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### ____ _ _ ______ _ \ _ ________ \//\______ ________ __\\ ._/ /____/ /____/ / !!OVERSEAS ONLY!! ___ _\_ \\| / _ ___ / __ _ / ____ _ __ _// \\_ ___/ __/ / \ __/_/ ___ _ __/_/_/ \_ \ \_______/_ \ \_\___ \_ FAST & FRIENDLY! · \ \________| \____________/____________/ ·\_ _ WAREZ & ASCII! ¦ .fRm/e^Dl________/ ¦ SWAP WITH..... | & | | ._______ __ _ . .___ _ . | Devistator/NEO^K! | ____| __________|\______| ___/|____ | 9 Leaholme Gardens | \__ | __/__________ _____ | __/__ | __/ | Whitchurch | / _ \_/ \_/ | \_/ _ \_/___ \ | Bristol | _/ | \_ \_ | \_ | \_ | \_ | BS14 OLQ `---\____¦_ ÷/_._ ÷/__¦_ ÷/__¦_ ÷/__._ ÷/----' ENGLAND -dV$|___/ |__/ |___/ |___/ |___/ ASCII ORDERS! FOR A COOL/FRIENDLY/FUN SWAP... SEND OUTCAST SUPPORT TO DA DV$! #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## ============================================================================== ============================================================================== ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### .----- -_______________________/\____- ----. :e _____\___ /.____`-. \ _/______ /____ c: :d/ ___/ \/ | `- | \ \ / \/ ___/ D: :\ \_ \-----'---\__|--\___/------\---. \r: +-\______\ g ÷ I ÷ A ÷ N ÷ T ÷ s _ _______\+ FUGAZI/GIANTS Robin Forsberg Norrtullsgatan 37B S-826 37 Soederhamn SWEDEN Greets to TRSI·SCOOPEX·DIGIPIX·RAM JAM·STELLAR·IRIS·GODS·BALANCE·FLYING COWS·BRONX·SATURNE·CRYSTAL·PICCO·SAINTS·KEFRENS^POLKA·KESO·TALENT·PULSE #### #### #### #### #### # ######## ######## ######## ######## ######## ## ########## ########## ########## ########## ########## ============================================================================== ============================================================================== ###### ### ###### ### ###### ### ###### ### ###### ### # ###### ########## ########## ########## ########## ####### ##### ######## ######## ######## ######## ###### ## #### #### #### #### #### ___ ___ _ _ ___ ___ _ ___ |_ |_| |\ | |_| | | | | | | | \| | | | | |__ THE HOOLIGAN/FNC SPLATTERHEAD/FNC^SCX MIKKO VIRTANEN VESA KIVISILTA URPUPOLKU 6A13 PL 62 SF-15240 LAHTI 15141 LAHTI FINLAND FINLAND ___ ___ _ _ ___ ___ _ ___ |_ |_| |\ | |_| | | | | | | | \| | | | | |__ ============================================================================== NO MORE ADVERTS!? PHEW! DO YOU HAVE ENOUGH STAMPS? ============================================================================== ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤ ¤¤ ¤¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤ ¤¤ ¤ ¤ ¤¤ ¤ ¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤ ¤¤¤¤ ¤ ¤ ¤¤¤¤ ¤ ¤ ¤ ¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤ ¤ ¤¤¤ ¤ ¤¤ ¤ ¤¤ ¤ ¤¤¤¤ ¤¤¤¤¤ ¤ ¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤ ¤ ¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤ ¤¤ ¤ ¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤ ¤¤¤¤ ¤¤¤¤¤ ¤¤ ¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤ ¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤ ¤¤ ¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤ ¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤ ¤¤ ¤¤¤¤¤ ¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤ ¤ ¤ ¸¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤ ¤¤ ¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤ ¤ ¤¤ ¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤ ¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤ ¤¤¤¤¤ ¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤ ¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤ ¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤ ¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤ ¤¤ ¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤ ¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤ ¤ ¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤ ¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤ ¤¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤ ¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤ ¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤ ¤ ¤¤¤¤¤ ¤¤¤¤¤ ¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤ ¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤ ¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤ ¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤ ¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤ ¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤ ¤¤¤¤¤¤ ¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤ ¤¤¤ ¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤ ¤ ¤¤¤¤ ¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤ ¤ ¤¤¤¤ ¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤ ¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤ ¤¤ ¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤ ¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤ ¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤ ¤¤ ¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤ ¤ ¤ ¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤[LFO]¤¤ DON'T DISTRESS!! YOU SHOULD KNOW BY NOW HOW TO GET AN ADVERT INCLUDED!! * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * ... * * ::::::.::::::. :::::::. .:: ::::::. .::::. ::: * * .::.::'.::..:: .::..::' ...`::..::..'' .::. `' * * ::: :::: ::::::: `::.::::::'::::.::.::::::' ::: * * .................................................. * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * ************************ Mon 24-Jul-95 14:40 ************************ Some words about the code from Parsec... Since more than 2 months I have been sick, thus not able to code... I am better now, but new features will have to wait until the next issue. **************** BUGS ?? **************** Since I am not using doublebuffering on the buttons they might flicker a bit sometimes, depending on your monoscope settings. Dont expect everything to run as usual when you have set the accuracy too high. Dont run this when you have a player running which uses level 2 interrupts. Most players use level 6 but some (like quadraplayer) doesnt. Just stop it before you start it... which you probably have to do anyway since Subculture uses A LOT of chipmemory. It wont crash or anything, but two modules will be played at the same time... The reason for this is that I call the level 2 interrupt to signal that the keycode has been processed. I could do that myself, but routines like that tend to lock up the keyboard on some computers... This is a very lazy way of doing it and I will rewrite that routine when I have time (and feel like doing something really boring). Anyway, it works fine... most of the times. And if I would allocate the audio channels in the beginning then you would have to stop your player anyway, so it really doesnt make any difference... this is after all not a utility... and you will probably only start it once or twice. I know that my routines for keeping track of the current sample positions are not 100 % accurate. I absolutely *HATE* going through other peoples sources (in this case The Player 6.1a) and see whats going on... I would prefer to write a replayroutine myself, so I might never fix that. Therefore I would really appreciate if someone could give me a fully working routine like that. Thats the only thing that stops me from releasing a Wrapped Monoscope player. If the Aliens are not running, that's just because there's not enough memory. They are an animation... no point in making a raster-consuming bob-routine to interfer with the text-writer. One alternative could be to stop their movements when the text is scrolled, but... Its not worth the trouble. I hope there wont be any bugs left when this issue is released. If you would see one, the best thing to do is to laugh maliciously, although I would appreciate if you informed me... **************** ABOUT THE MONOSCOPE MODES **************** The reason why raped girls feel so bad after the rape is that they cant stand the fact that they actually enjoyed it! ...Wrapped Monoscopes... When I saw the great monoscope in quadraplayer I got inspired and started to code my own... But what was the principle behind it ? I didnt know... but thought they ought to be plain scopes but wrapped around in a circle... Well when the routine finally was finished I noticed that it didnt look at all like quadraplayer... it looked MUCH better! In fact, I beleive I invented the coolest monoscope ever made! Or have someone already done it ? Not that I know of... I call my version Wrapped Monoscopes... If you want to do one yourself, do like this: Imagine a scope in protracker that is not active... just a straight line. Now form a circle of it, and then stretch out the circle into a square. Thats what I did. Theres a lot of calculations for each dot so the best thing to do is to precalculate it... Takes a lot of memory, but its worth it!! ...Traditional Monoscopes... a0 = sample pointer a1 = sample pointer + 8 (or close to 8) Now get raw positions from (a0)+,(a1)+ ... ...Traditional, special version... a0 = sample pointer a1 = sample pointer + number of displayed dots + 1 And set the dots on the adjusted positions (a0)+,-(a1)... In most cases the Wrapped monoscope will look best, but some samples look cooler when displayed in the traditional way. If the normal monoscope looks bad, the special version usually looks better. Once you have seen a wrapped monoscope, normal ones look VERY boring... **************** ABOUT THE MONOSCOPE ACCURACY **************** Its very easy to specify the exact amount of dots for normal monoscopes, but since the wrapped one is precalculated its not that easy... To just add one more dot to the display would make the precalculated data useless (unless the new dot starts on another lap). So I precalculate data for 128*4 positions in the circle... and then its possible to use every 4th position, every 2nd, etc. The accuracy for this monoscope is either 25, 50, 100 or 200 percent. I recommend 100 percent, not more, not less... But then again, thats the maximum amount on my A1200... If I had seen 200 % every frame, maybe I would recommend that... On a normal A500 you can only have the accuracy set to 50% if you want it to run every frame. That looks a bit boring when you have seen it on 100 % ! But if you havent you will enjoy it for sure... Since the traditional monoscope is only implemented to show the difference, I didnt bother to make it possible to adjust their accuracy more precisely. They are set to 100*4 for 25 % and 2, 4 and 8 hundred for the other percentages. I have to admit that they are rather slow since I have had no time for optimizing... **************** MESSAGES **************** - Axehandle/Phuture 3O3 - Hope your finished intro will have at least two bitplanes :-) Daze/Phuture 303 I hope you like it in your new home, and don't miss your cat too much... LFO/Phuture 303 I have a pretty good idea about what you have been doing, when you haven't been busy writing to me... - Thunor - Coincidently, it's your birthday today... or do I mix up the dates? And short greetings to these dudes... Amphetamine, Badger, Blodskam, Cable, Calvin, Dragonfly, Hex, Neuromancer, Noice, Nurgle, Pencl, Pervo, Slice, Tony, Wizzo, Zed, Zpiff, Zipex **************** A STORY ABOUT ALLAN, A TYPICAL SWEDISH GUY **************** If you understand Swedish you are lucky... because here is a great story written by a friend of mine... in Swedish. * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * FÖRBJUDNA BEGÄR * * * * BLODSKAM 1994-1995 * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * Det var en vanlig tisdagkväll, Allan satt på sitt rum och festade. Han tänkte inte gå till skolan nästa dag. Med tanke på att han inte varit där de senaste veckorna var det helt enkelt logiskt. Allan ansåg att skolan var alltför generell och meningslös. Han föredrog att söka kunskaper på sina egna sätt, via böcker. Vad var tramsiga debatter med sinnesslöa elever mot böcker av stora författare ? Vad var fanatiska lärare med subjektiva åsikter och s k kunnskaper, mot sida efter sida av djup visdom ? Ingenting, ansåg Allan. Hela hans rum var fullt av uppslagna, tjocka böcker. Här, kunde man tro, bodde en seriös student. Det var i alla fall intrycket Allan ville ge, även om det för tillfället såg ut som en kvart. Allan nickade åt sina tankar och sög fundersamt på sin pipa. "Ah ! Opium ! Ingenting går upp mot Opium !" utbrast han och kolkade i sig en deciliter sprit. "Detta! ska bli en kväll att minnas." Sedan mindes Allan ingenting förrän han vaknade upp nästa morgon i sin säng. Det första han lade märke till var att han var väldigt bakfull. - "Aaaaj... djävlar, nu är jag sjuk igen." Det andra han lade märke till var varm naken hud mot hans lika nakna och varma stjärt. - "Vad i...?" Allan vände sig försiktigt om. Jodå, där vänd från honom, låg som han hade hoppats en naken brud. Han kunde inte se hennes ansikte, men DJÄVLAR! vad kroppen bådade gott. Tydligen hade han gjort bra ifrån sig kvällen innan. Allans kuk reste sig omedelbart och pressade mot flickans stjärt. Det kändes varmt och skönt. "Vilken djävla tur !! färsk fitta till frukost, satan vad skönt!" En upphetsad hand, darrande av baksmälla, fördes försiktigt ned mellan flickans perfekt formade ben. Pekfingret nådde fram till fittan och började automatiskt smeka den. Allan tryckte sin sprängkåta kuk hårdare mot flickan. Den hade lagt sig i skåran mellan hennes skinkor, och där trivdes den minsann. Kroppen gungade fram och tillbaka, så att förhuden sakta rörde sig smekande över ollonet. Mycket snart hade fittan blivit blöt, härligt blöt. Allan stoppade in handen i munnen och sög på den, rysande av lycka. "Det är så DJÄVLA gott med fittsaft!!". Han tog försiktigt tag om flickans höfter, justerade hennes ben lite och förde sedan kuken mot det varma och blöta. Just där! Det kändes skönt. Lite längre upp... - "ååh...", ett frånvarande stönande undslapp hans läppar. Den här fittan var så fräsch ! så varm ! så underbar ! Allan började knulla henne rytmiskt, hårdare och hårdare, men ändå med en viss ömhet. Efter ett par minuter märkte han att flickan började göra motjuck. Gud så skönt det var ! Han förde ena handen till fittan igen för att känna på denna fantastiska skapelse. Flickan stönade till. Allan fick en kåt-ilning då han märkte att fittan var helt rakad. Efter ytterligare några minuter stönade de båda rytmiskt. Plötsligt lyfte flickan huvudet från kudden, det hade tidigare varit dolt av det blonda håret. De fick ögonkontakt i spegeln, just då Allan stött in kuken i botten. Han stelnade till då han såg den lössläppta flickan. Hon var oerhört vacker och hade en dimmigt frånvarande men enormt kåt blick. Det var Allans syster! - "ååh, sluta inte Allan! det är så skönt! knulla mig!! ta på min fitta igen, snälla!!" Vilken chock !! Där låg han, en helt vanlig kille, och knullade sin 14-åriga syster ! och hon var inte oskuld, tom rakad ! Det här måste få ett stopp, genast. Han hade en hel del att säga henne, den hycklande slynan ! Han öppnade munnen, drog ut kuken... en bit. Sedan körde han hårt in den igen och stönade av njutningen. Hela situationen gjorde honom enormt upphetsad ! Här låg han och knullade sin söta syster... detta hade han drömt om många gånger minsann. Han mindes hur han i början av sin pubertet stått och kikat på henne genom nyckelhålet i badrummet. Hennes fitta hade varit lika kal då och han hade tyckt den var det vackraste han någonsin sett. Han hade fantiserat om att slicka den, nästan äta upp den ! sedan brutalt knulla den. Längre kom han sällan innan han sprutade ner badrumsdörren. Det finns ingenting som får det att gå så fort för en kroniskt kåt 15-åring som levande porr. Utom möjligtvis fitta. Allan placerade vänsterhanden på systerns slida igen och samordnade dess smekningar med sina brutala stötar och stön. Detta var sannolikt det bästa knull han någonsin upplevt. Det sägs ju ofta att första gången ofta är misslyckad, och det höll Allan med om. Det var förra året då han och "Fitt-Margit" hade hamnat i säng. Då Allan stoppat in den (egentligen var det Fitt-Margit som stoppat in den efter att nästan ha blivit penetrerad i röven) hade det gått nästan omedelbart för honom, en så omtumlande orgasm att han förlorat medvetandet en stund. När han kommit till sans igen hade Fitt-Margit gråtande stått och klätt på sig. När han frågade vad som stod på rusade hon bara iväg utan ett ord. Men det här ! Frisk fräsh fitta på en enormt kåt och snygg 14-årig brud. Systern började stöna och väsnas allt högre, tydligen höll det på att gå för henne. Allan ökade tempot och pressade sig allt längre in i henne. Underbart! Han stimulerade den varma blöta fittan hårt och lyckades greppa ett ungt men lagom stort bröst med högerhanden. Då han just börjat bearbeta bröstvårtan gick det för henne. Hon skrek högt, och vilket skrik sedan ! Att det var Allan som var orsaken till den unga flickans djuriska beteende var enormt tillfredställande! Han stötte in kuken så djupt det gick och medan systern genomlevde sitt livs orgasm (knullad av sin storebror, finns det något mer upphetsande?) förhöjde Allan hennes njutning genom att ge hennes klitoris och bröst professionell och för stunden mycket hårdhänt behandling. Och flickan älskade det ! Hon stönade och väsnades och hade det så skönt att det nästan gjorde ont. Efter en stund, omöjligt för de knullande tu att bedöma hur länge, lugnade systern ner sig. Musklerna i slidan, som under orgasmen tagit hand om Allans lyckliga kuk, slappnade av. Den nyknullade flickan berättade snyftande för brodern att så skönt hade hon aldrig haft det förut, inte ens när hon onanerat i badkaret. Allan talade lugnande till henne, fortfarande med sin stenhårda kuk inne i henne, och sade att hon var det bästa knull han någonsin haft. Säga vad man vill om familjen Berggren, men de skräder inte orden. Då plötsligt slets dörren till Allans rum upp! En medelålders man med gråsprängt hår stirrade som en vansinnig på de av kött förenade syskonen. - "Tracy !!! Din djävla fitta !! Du sade ju att du bara älskade mig !! fyfaan vad jag hatar dig, du är ett äckligt luder och jag spottar på dig!!" Stora mängder saliv rann längs med den bedragna mannens haka och droppade sakta ner på golvet. Tracy snyftade och skakade i hela kroppen. Trots att Allan blivit hemskt upprörd av vad han bevittnat kunde han inte undgå att njuta av kroppens skakande, som gjorde att fittan rörde sig vibrerade fram och tillbaka över kuken. Härligt! Ingen man har problem så länge hans kuk är inne i en fitta. Allan lade beskyddande sin vänstra arm om Tracy och tryckte henne intill sig. Kuken passade han på att diskret dra ut och in några gånger, innan han lät den vila djupt inne i flickan. Handen slöt sig vant om ett mjukt och varmt bröst. - "Förlåt pappa! Förlåt !" bölade Tracy och skakade ännu mer. Allan upptäckte förfärat att det höll på att gå för honom, det skulle verkligen vara opassande ! Han har just fått reda på att hans egenhändigt nyknullade syster har blivit sexuellt utnyttjad av deras far, och vad gör han ? Sprutar henne full. - "Kalla mig inte pappa !! Jag är inte din lilla pappa längre !!" drog fadern till med, innan han skyndade ut och vräkte igen dörren. Det blev tyst. Allan försökte gripas av den hemska stämningen och på så vis lugna ner den sprutkåta kuken. Han lyckades, trots systerns snyftanden. - "Tracy... gråt inte, det var bäst det som skedde. Inte ska du knulla med farsan, det är inte bra för dig." - "Nähä, men det är helt okej att jag knullar med dig ?" fräste Tracy. - "Så så... det är annorlunda, vi älskar ju varandra!" - "Det säger du bara för att jag ska suga av dig!" - "Ja kanske det, vad spelar det för roll ?" Systern skrattade till och hoppade upp. Hon tog tag om Allans handleder och pressade ned honom på rygg. Gud vad vacker hon var! Hennes långa blonda hår hängde mellan dem och skymde hennes perfekta ansikte. Hon log genom tårarna. - "Ska jag suga av dig? Jag är bra på det." Det sista yttrade hon med en barnslig stolthet samtidigt som hon kastade huvudet bakåt så att håret lade sig till rätta. Hon satt grensle på Allans mage, så att han kände hennes varma blöta fitta tryckas mot honom. En fantastisk känsla. Den var nyrakad och stacks lite retfullt. Kuken stod och hoppade straxt bakom Tracys höfter. Den försökte desperat nå hennes underbart söta lilla stjärt, men det var precis så att den inte nådde. - "Senare, nu vill jag bara knulla dig. Snälla Tracy !! Jag är så kåt! Rid mig, sätt dig på min kuk !!" Systern tystnade. Hon hade ögonkontakt med Allan. Hon rörde sig långsamt bakåt så att hennes stjärt närmade sig Allans kuk. Där! fick de kontakt. Ollonet pressade ivrigt mot Tracys stjärt och det var fruktansvärt upphetsande ! Allan ville knulla henne till döds, överallt ! Spruta henne full med sperma tills hon kvävdes ! Vad som helst för att bli av med detta ENORMA begär ! Tracys leende hade försvunnit, stämningen hade påverkat henne. Hennes ansikte uttryckte den ofattbara kåthet som drabbat de båda syskonen. Med ett flämtande reste hon sig upp och flyttade sig bakåt. Hon tog tag om broderns kuk, runkade några drag och förde den sedan till sin fitta. En lång stund satt hon och tittade med stora ögon på kuken, som hon förde smekande fram och tillbaka mellan sina blygdläppar. Hon använde den som en massagestav och det var oerhört skönt, särskilt för Allan. Han kunde inte påminna sig om att hans ollon någonsin blivit så härligt smekt. Blöta mjuka varma smekningar. Och så plötsligt ! Satte sig systern tungt ned över kuken. De båda stönade till exakt samtidigt, Allan greppade reflexmässigt systerns solmogna skinkor och grävde in händerna i dem. Inget går upp mot en ung flickas stjärt och Allan tackade sin gud att han satt upp speglar även bakom sängen, så att han nu hade full uppsikt över systerns skinkor. Han njöt av att se musklerna arbeta då hon sakta red honom. Då och då slappnade hon av och skönk helt ned på honom, så att Allan kom så långt in i henne som det var möjligt. Han växlade nu mellan att se på hennes stjärt och den underbara synen av sin egna kuk glidandes in och ut ur en rakad fitta. Det var VACKERT !! En, i stundens upphetsning, underbar doft hade spritt sig i rummet. Brunstiga ljud kunde höras, t o m av syskonens Mor som stod utanför dörren och onanerade. Uppenbarligen kände hon inte till att det var hennes dotter som fick sig ett skjut. När Tracy sjönk ner så långt det gick kved hon till, det gjorde Allan också men det var han inte medveten om. Det var mycket nära nu. Han slappnade av och lade ner huvudet på kudden. Automatiskt sökte sig blicken till spegeln i taket. Det var en ny intressant vinkel. Men kuken tog intryck av vad ögonen såg, så han tvingades sluta dem. Det blev mörkt. En ung vacker flicka red honom flämtandes. Allan kunde inte låta bli att föreställa sig hur hon måste se ut; naken och lite svettig. Han kunde känna den underbara doften från hennes kön. Plötsligt slant Tracy till på väg upp och föll tungt ned igen över hans kuk. Det var så oerhört skönt att han skrek till. Tracy fann den äldre broderns skrik enormt upphetsande. Tänk att hon, en liten tjej, kunde få en vuxen man så exalterad. Hon stönade själv till högt, då tanken gjorde henne så kåt att hon började närma sig en andra orgasm. Det kändes så underbart i fittan, varmt och pirrande... fast så starkt ! Allan kunde inte undgå att höra systerns stönande. Det var det vackraste man kunde höra, näst orgasmskrik. Det bultade och värkte i kuken av den ofattbart sköna fittan. Det var oerhört nära nu. Allan inledde ett regelbundet flåsande kobinerat av ett stön då och då. Den kåta systern likaså. Detta borde jag spela in, tänkte Allan frånvarande. - "Tracy, det går för mig!" - "Mmm..." Tracy fortsatte att i lugn takt röra sig upp och ner. Det var så skönt att känna kuken i sig. Men det vore inte bra om brodern kom i henne, hur underbart det än skulle vara. - "Vill du spruta på mina bröst?" flämtade hon fram. - "JA !" Allan hade ofta sett en bröst-sprutning i porrfilmer, men han hade aldrig gjort det själv. Tjejerna han varit med hade varit ganska fantasilösa, och föga intresserade av hans sperma. De ville bara krama ur honom den så fort som möjligt så de kunde ta emot nästa kund. Tracy fortsatte rida honom en stund. Synen i spegeln, då hennes lilla stjärt rörde sig upp och ner över kuken var helt otrolig. - "Nu Tracy!" Motvilligt drog sig Tracy ifrån brodern och satte sig på knä mellan hans ben. Allan reste sig hastigt upp, med höger hand om kuken. Han runkade den skickligt, noterade Tracy då hon öppnade munnen och stack ut sin röda lilla tunga. Allan stönade medan han runkade. Ollonet pressade han mot Tracys tunga. Den rörde sig kvickt fram och tillbaka och retade honom till vansinne. Han körde in hela kuken i hennes mun och kände hur systern snabbt lät tungan följa med in. Den virvlade runt runt, det var otroligt skönt. Han fick lust att köra ner hela kuken i hennes hals, men det fanns inte tid för sånt för nu kom han ! Med ett högt stönande drog han ut kuken ur hennes mun. Tracy såg djävligt kåt ut, där hon halvsatt, själv vilt onanerandes. Blicken var riktad mot Allans kuk som hade börjat rycka rytmiskt. Hon njöt av den underbara scenen. Så kom sperman! Med en otrolig kraft sköt den första strålen ut ur Allan. Första delen hamnade på hennes läpp och i näsan, till hennes förtjusning. Allan hann dock justera kuken så att det mesta hamnade i hennes mun på den utsträckta tungan. Det var allt som behövdes för Tracy, det gick för henne igen. Hon skrek och hade sig då den andra strålen kom. Allan, som inte såg ut att vara närvarande hade det djävligt skönt. Han hade riktat kuken mot hennes bröst och där hamnade sperman nu. Rätt mellan hennes vackra ungflicks frukter. Tracy sörplade och smaskade i sig sperman och klämde ihop sina bröst då nästa stråle het saft landade på det högra. Allan masserade in det i henne medan sperman fortsatte att komma. Att spruta på en ung flicka är något av det trevligaste en man kan ägna sig åt. Allan verkligen gottade sig i det hela och försökte pricka så många upphetsande ställen som möjligt. Då han till slut var klar, efter ca 7 kraftiga strålar, var Tracy helt nedkletad. Hon hade sperma i håret, i ögonbrynen, näsan... munnen men det hade hon svalt, och framförallt på brösten. De var täckta av sperma ! Både hon och Allan njöt en stund av att massera in det i henne. Efter en stund lade sig Allan över Tracy. Kuken lät han lugnt trycka mot slidan. För första gången kysste han sin lillasyster, mest för att smaka lite av sin delikata sperma. Tracy såg harmonisk ut, trots all sperma i hennes ansikte. - "Det var fint" sa hon lyckligt. - "Ja verkligen. Du har en så skön fitta." - "Tack Allan, det var rart sagt." Plötsligt drabbades Allan av plötslig ångest, och det får man väl förstå. Allt känns så bra och naturligt när man knullar, men då det är över är man tillbaka i den hårda verkligheten, med alla svåra beslut och krav. - "Jo Tracy..." - "Mmm ?" - "Jag får väl knulla dig igen ?" - "Ja det är klart ! Jag är ju din syster, det är klart jag ställer upp när du är kåt. Men..." - "MEN !?" - "Men jag förvänar mig samma sak av dig." - "Ja naturligtvis. Hmm... skulle du kunna vara snäll och hämta ett par panodil och en liter vatten ?" Allan fick stånd igen, då Tracy stod naken bredvid sängen och samlade upp all sperma med handen. Hon slickade begärligt i sig den. Sedan böjde hon sig ned, med stjärten mot Allan, och plockade upp sina kläder. Vilken fantastisk syster! Han började fantisera om alla olika ställningar och hål som han tänkte ta henne i. Men det skulle tyvärr inte bli någon mer gång. Redan samma dag träffade Tracy Muhammed, en kroppsbyggare som var 2 år yngre än Allan. Tracy blev dödsförälskad och kände sig tvungen att nämna för Muhammed att hon och brodern hade samlag. Muhammed sade att det var helt okey, han hade själv ofta sex med sina 10 systrar. Men Tracy tyckte det var så hyggligt av honom att säga så att hon beslöt att vara honom trogen. Så nästa gång Allan var bakfull fick han nöja sig med att runka till några porrtidningar, som vanligt folk. BUDSKAP: Har du en lämplig syster, knulla henne. Om du ser till att hon inte träffar andra killar kan ni ha flera härliga år tillsammans. / Blodskam Enter string to find Too few characters ! String not found ! (Press Return) Continue? (Y/N) >>PANORAMIC This track has some rather kewl samples, and so some big thanks must go to Daze for supplying some of them! (what would i do without you?).. Since i wrote this i just can't stop playing it!!.. a change of pace for me...but still a thick analogue bass just happens to creep in =) >>BOSS PSU How did i think up the name for this?? well i was sampling my SH-101 and just happened to notice that the power supply was made by BOSS (ROLAND).. hmmm... Well my mate ARISTON thought that the keyboard part should be in the Drum and Bass section..but i'm happier with the slower tempo... i'm getting tired of Break Beats a little and returning to my roots... >>ACID SPACE More spaced out acid from me... .. as usual its my 101.. it's amazing what kind of sounds come out of this.. If any of are interested i can send you a collection of 101 samples.. in fact because the 101 is monophonic it would be like me giving you a 101... well almost =) Enuff said!! you know my address by now...