' . : ' © rB/rMRS81! : fern - this first day : °·<'))>< ____ ` '.' ____ ____ ____ ____ ____ '.' ` ____ \ \__._____| |_____\ \____\ \_____ | | \ \____._____\ \_____ _\__ \ | ___ ____/ _ \_ _ \|_ | _\__ ___ ____/ _ \ \ _ | | | | | | | | | | % / |__\ _ | | | | \____\_ | | | | | | » | | | | | | / | \ | » | | | | | / | _| | ' | | | | | | | ___/| |\ \ _| | | | | | % / \__\ % |\______/ | |_ \_____/ _| | |________/_\ | | |_\_______/ . .. \___| . .... . \___/ ... ... \___/ ... ....... .. \___|. \___/ .... .. . ... . . .:.. .... ... : ... .:.. ... :..: :..: : :..: :..: : :..: : :... : APL040 >> FERN - THIS FIRST DAY [09.10.2006 | FLUID AMBIENT VIBRATIONS] ------------------------------------------------------------------------------- Netlabel Autoplate welcomes the debut release of Fern to its roster. Fern is the combined efforts of the German duo Johannes Rix and Jürgen Krause. Inspired by Aphex Twin and Nonplace Urban Field, both artists began to make electronic music independently in 1996. In 1997 they started working together using synthesizers, electronic bass, personal computer, drum computer, Boss digital delay, and multi-track tape recorder as their primary tools. The end of 2004 saw the formation of Fern, and in November the first Fern track titled "Abends" was created which appears as the final track on this first day. During the course of 2005, with their favorite samples and virtual synthesizers at hand, the other nine tracks on this first day were composed. The spring of 2006 was spent mixing and finalizing the tracks on this first day. According to Johannes, the inspiration behind this first day was twofold. Monday, being the first day of the work week for many people, can be filled with a "strange kind of emptiness." So this album is dedicated to this first day "when ideas emerge out of the void that are worth working for. "this first day is both a personal reflection of the melancholy associated with that vacuity and a means to fill this empty space with their own cinematic blend of electronic sounds and samples. There is also the aim to capture a naive wonder similar to that which arises when a child makes a new discovery, or as Johannes describes it: "It's our intention to find sounds that surprise time after time anew. Listening out with ears wide open for something in between sounds. Like a child that – for the first time in life – moves a big stone on the meadow and discovers and admires the creeping worms and woodlouses. We would like to capture this fascinating moment of discovery and make it last." The source material for the ten compositions included on this first day are derived from the artists' record collection and include samples of children's songs, classical music, progressive and psychedelic rock, folk, and jazz. Sampled sounds and fragments of melodies are blended with electronics to create an amalgam of mind affecting ambience. As a whole, this first day exudes a naive playfulness and allure that will gently draw the listener into a beguiling world of mostly beatless ambient sounds and melodies. To summarize the album in three words - beautiful, surprising, and reflective. The album begins with the atmospheric and space-filling "Morgen'' - a track that is both a lament in anticipation of that first day of the week and an initial expression of the pervading atmosphere of the album described by Johannes as "the melancholic feeling that the magic of the first moment is transient." The smooth ambience of "Morgen" is interrupted by the choppy drum programming, discordant sounds and toy-like noises of "Nachtschattenweg" which are complemented by resonant chords and a catchy bass riff. "Wolkental" follows with a blend classical nuances, wavering chords, light beats, and a rich bass melody. The noisy "Sie Kamen und... " is next with an initial frenzied collage of watery sounds, railroad crossing warning bells, voices, deep chimes, and sampled orchestra that eventually settle into the background as strummed chords, deep bass lines, and faint melodies arrive. A hazy ambience returns as the brooding "Zerinnung" delivers distorted electronics, sad droning chords, a forlorn melody, and low-end bass. The looped melody, sparse bass, and effervescent electronics on "Geysire" rise above a steady stream of minimal percussive sounds. A familiar rhythmic shuffle and improvised bass evokes a nostalgic jazzy atmosphere on the grainy "In Vitro". The hesitant metallic electronics on the beatless and dub-tinged "Stratos" orbit above a pondering flow of minor-keyed chords and bass. "Nebellauf" greets the listener with a tangled blend of muted guitar notes and odd fragments of percussive noises before an ethereal melody and reverberating sounds mark the arrival of a space-like ambience. In the end, "Abends" takes the listener back to the album's melancholic origins with beautiful choral samples, sad melodies, lush chords, and warm ambient crackle. Larry Johnson ------------------------------------------------------------------------------- :: 07 tracks :: 43min 40sec :: 61.508 MB :: 01: Segue - Glass, Reflection 02: Segue - Anon 03: Segue - g n t 04: Segue - Critters 05: Segue - Vista 06: Segue - The Faithful 07: Segue - Wind Through Trees ------------------------------------------------------------------------------- [AUTOPLATE.RELEASES] APL001 VA - "Bauhaus" APL002 Andrey Kirichenko - "00.00" APL003 Danny Kreutzfeldt - "Furtherspace" APL004 833-45 - "Solar Cycle" APL005 Affective Disorder w/ Undacova - "Study Of A Ladybug On A Rope" APL006 VA - "Constructions for Andrey Kirichenko" APL007 Taavi Tulev - "Televiisor On Tuksis" APL008 Vultrapia - "Autopianotationalismasoschism" APL009 Dighom - "Vibrating Colours - Coloured Vibrations" APL010 Sable - "Dusk" APL011 Randomajestiq - "UnclassifiEP" APL012 Gultskra Artikler - "Gruppa Turistov" APL013 The Moglass w/ Andrey Kirichenko APL014 Off The Sky - "Studies of Lifeform In Transit" APL015 Johan Wieslander - "Gas" APL016 Fernando Lagreca - "Suave" APL017 Marsen Jules - "Lazy Sunday Funerals" APL018 tlon - "acoustic lazy dolls" APL019 Gultskra Artikler - "Gololed" APL020 VA - "Many Things Worth Living For" APL021 Konrad Bayer - "Shall We Go To The Park?" APL022 Normal Music - "Let's Do Really Strange Things And Call Them Normal" APL023 Marsen Jules - "Yara" APL024 Konrad Bayer - "Songs For Sunhi (Summerrain)" APL025 Kenneth Kirschner - "May 3, 1997" APL026 Arrial - "this is my beauty, show me yours" APL027 color by numbers - "The Transitions" APL028 lomov - "Holzwege" APL029 Fernando Lagreca - "Nadador" APL030 tlon - "from elsewhere to nowhere" APL031 Lou Teti - "Night Pieces" APL032 you dee - "Nur die Harten kommen in den Garten" APL033 Off the Sky - "Caustic Light" APL034 Motionfield - "Music for Pictures" APL035 Move D - "Johanniskirche Live" APL036 Emil Klotzsch - "Tiefe Berge" APL037 Protogroup - "Love Gives Strength To My Soul" APL038 Arrial - "For The Love" APL039 Segue - "Forest Refrations" APL040 Fern - "This First Day" -------------------------------------------------------------- AUTOPLATE is a THINNER sublabel for versatile electronic music. All files in this directory are hiquality 192kbps MP3s for your pleasure. It is allowed to listen, copy and burn this MP3 file for private purpose. It is not allowed to copy, sell, use this MP3 file for commercial purpose. Modifications of this MP3 file are not allowed. All songs are copyrighted and rights are reserved to the authors and the label. Please read the full disclaimer below: http://creativecommons.org/licenses/by-nc-nd/2.0/ website: http://www.autoplate.cc contact: sebastian@thinner.cc thanks scene.org for support! http://www.scene.org ftp.scene.org/pub/music/groups/thinner/autoplate/ -------------------------------------------------------------- also visit THINNER at http://www.thinner.cc -------------------------------------------------------------- .nfo inspired by mono211;ascii by dipswitch;.diz by rasterburn composed and hacked by sebastian redenz november 22nd 2003